Mother Tongue, The Kitchen God's Wife, And The Joy Luck Club

On the other hand, Amy Tan brings up similar hardships, however, the way she explains them may imply that they are not at all “hardships” in her opinion. She grew up the daughter of Chinese immigrants. To other people, they hear her mother speak English and automatically consider it “broken” or “fractured” English. Tan expresses that she does not consider it broken at all. She begins to explain that when she is speaking to her mother, being the successful writer she

Tan goes on to explain what sociological impacts she experienced based on her upbringing. She concludes that her mother should not be judged based on her “watered down” English, and that people should be more accepting to those who cannot express their feelings in English.

This book depicts the national and cultural status of the immigrant mother, who is able to preserve the traditions of her Indian heritage that connect her to her homeland. Ensuring a successful future for her American-born children is coordinated with the privilege of being an American citizen. Ashima yearns for her homeland and her family that she left behind when

In the work of Amy Tan’s “Mother’s Tongue” she provides a look into how she adapted her language to assimilate into American culture. She made changes to her language because her mother heavily relied on her for translation. She was the voice of her mother, relaying information in standard English to

On one side, Amy Tan “Mother Tongue” shows how Amy Opens doors for her mother. One example of this is when Amy says “Just last week, I was walking down the street with my mother, and I again found myself conscious of the English I was using, the English I do use with her. We were talking about the price of new and used furniture and I heard myself saying this: "Not waste money that way." My husband was with us as well, and he didn't notice any switch in my English. And then I realized why. It's because over the twenty years we've been together, I've often used that same kind of English with him, and sometimes he even uses it with me. It has become our language of intimacy, a different sort of English that relates to family talk, the language I grew up with ” (Tan 363). This opens a door for her mother by being in and understand a conversation that she is not normally involved in. This is as simple as Amy talking to her mom in her mother’s language. This is similar to an adult explaining something to a child in the in

In “Mother Tongue,” Amy Tan an American writer, shares her experience growing up with the family where no one speaks perfect English, and how it affected her education and her life. As the second generation of Chinese immigrants, Tan faces more problems than her peers do. Her mother, who speaks limited English needs Tan to be her “Translator” to communicate with the native English speakers. Tan states, “I was ashamed of her English” (2). Her mother is like a burden to her, at least in Tan’s early years. But the cultural conflict she becomes the theme of her writing and it is under this situation she wrote many novels and essays including “Mother Tongue.”

On the other hand the main focus on Tan’s story is to show the beautiful and passionate side of her mother that people can't see. Tan describes how all of the English’s that she grew up with, normal English and "mother tongue" English, has shaped her first outlook of life. She writes, "But to me, my mother's

Mother Tongue is a story that describes how Amy Tan’s mother was treated unfairly because of her “broken English”. As the second generation of Chinese immigrants, Tan faces more problems than her peers do. Her mom, who speaks “limited” English, needs Tan to be her “translator” in order to communicate with the native English speakers. Tan has felt ashamed of her mother “broken” language at first. She then contemplates her background affected her life and her study. However, she changes her thought at the end since she realizes things behind language might be more valuable than language itself sometimes. Through the various different literary devices and rhetorical strategies such as the ethos, pathos, and logos appeals, as well as a

In Mother Tongue, Amy Tan talks about how language influenced her life while growing up. Through pathos she explains to her audience how her experiences with her mother and the Chinese language she came to realize who she wanted to be and how she wanted to write.

The essays, "Mother Tongue" by Amy Tan and "Public and Private Language" by Richard Rodriguez are recollections of both of the author’s personal encounters and difficulties with the gap that was created between their families by differences in languages. These two writers grew up with bilingual families, in which English was not the primary language. Consequently, they had a hard time accepting and understanding the issues surrounding the different languages they spoke with their families at home, and within society. Because of this, the gap between their public and private languages that had been created through the introduction of a second language slowly grew larger, and eventually impacted their relationships with their family and caused them to view them in a different light. In their writing, Both Tan and Rodriguez reflect on their personal experiences and memories and illuminate the effects that a private language can have on various aspects of life.

She explains her thesis by stating “Others who write stories of migration often talk of arrival at a new place as a loss of communal memory and the erosion of an original culture. I want to talk of arrival as a gain,” (360). The key points of the text include Mukherjee describing her transition between Calcutta and the United States, and what it means to be and American and how culture influences that aspect. The information in the text is significant; the people of America are a part of a melting pot, sometimes it is hard for them to find the distinction between American culture and their own. The information in Mukherjee’s story is clear and specific, unbiased, and is relevant to the purpose of the story. I believe Mukherjee has achieved her purpose of informing her audience about cultural differences; she presents certain strengths and weaknesses within the text.

Maxine Kingston's Making of More Americans like Amy Tan's Mother Tongue has been a controversial addition to Asian American literature. The writer has tried to answer the critical question of Chinese American identity and hence been criticized for adopting an orientalist framework to win approval of the west. Similarly Rendezvous by Frank Chin and Mother Tongue by Amy Tan also speak of a culture that neatly fits the description of the "Other" in the orientalist framework. It appears alien, remote and immensely degrading to women who were treated like non-human beings by Chinese chauvinistic society. However things changed for the generation of Chinese that grew up in the US or at least that is what authors wants us to believe.

The teenage years and transition to adulthood is in itself a very difficult period. Blending or fitting in are omnipresent issues that must be dealt with. For children of immigrants, this difficulty is only intensified through language. Both Amy Tan and Khang Nguyen strategically use narrative anecdotes and employ several rhetorical devices to illustrate this struggle in their works, “Mother Tongue” and “The Happy Days,” respectfully. Amy Tan chooses her childhood home as the primary setting of her work. This allows her to focus primarily on her conversations and interactions with her mother. However, she also gives several anecdotes in which her mother’s background and improper English negatively affected her, outside the home. Through

The common theses of Amy Tan’s work include hope, loss, mother-daughter relationships, failure, and success. Amy Tan is extremely effective in connecting with the reader through themes and lessons. The prominent theme of mother-daughter relationships is evident in The Joy Luck Club because “[her] mother believed you could be anything you want in America” (Tan 132). The effect and influence of mother-daughter relationships is evident in The Joy Luck Club because it demonstrates the formation of the American voice by expressing the deep connection intertwined between four women and their daughters that were born in America. In the novel, Aunti An-Mei hoped that “in America, [she] will have a daughter just like [her]. But over there nobody will say her worth is measured by the loudness of her husband’s belch. Over there nobody will look down of her, because I will make her speak only perfect American English” (Tan 17). This quote encompasses hope for a new life in America that will provide an opportunity for her daughter to fulfill her own dreams and goals for the new future ahead in America. This quote also demonstrates the theme of mother-daughter relationships by making a point about wanting the best for her daughter in America in every

In the first place, mother-daughter relations between Chinese mothers and ABC daughters are not easy ones in Tan's novels. They are always problematic. Mothers want to bring up