Motifs In Macbeth

     The second type of literary device that Shakespeare uses in Macbeth is symbolism. The predominant symbol is blood and is used as an effective method to describe the theme of the play. Not only does blood symbolize bravery, it is also a means of showing treachery and treason and probably most importantly, guilt. One example of bravery occurs when the captain says, "For brave Macbeth—well he deserves that name--/Disdaining fortune, with his brandished steel,/Which smoked with bloody execution"(1.2.16-18). Soon after this blood changes into a representation of treachery and treason. Lady Macbeth asks the spirits to "Make thick my blood,/ Stop up th’ access and passage to remorse" (1.5. 43-44). She asks the spirits to take away compassion and make her remorseless for the actions she is about to take. Also, when Ross asks, "Is’t known who did this more than bloody deed?" (2.4.22), he tries to figure out who performed the disloyal act of murdering the king. Blood is also used many times to express the guilt-ridden consciences of the characters. For instance, Macbeth says, "What hands are here? Ha! They pluck out mine own eyes!/ Will all great Neptune’s ocean wash the blood/ Clean from my hand?" (2.3.58-60). Macbeth obviously feels guilty for killing Duncan in cold blood. Later in the play, Lady Macbeth

Macbeth is confused as he is arguing with himself on what he should do. He states reasons not to kill Duncan, because Macbeth is his noble kinsmen and the act would bring dishonor. However, he also states reason why he should kill him, because Macbeth will then become king and fulfill the witches ' fortune. Lady Macbeth, who appears in the beginning as the driving force for the murder of King Duncan, also develops internal conflict. At first, Lady Macbeth seems to be a woman of extreme confidence and will. But, as situations become more and more unstable in the play, guilt develops inside her. For instance, she exclaims; "Wash your hands. Put on your nightgown. / Look not so pale. I tell you again, Banquo 's / Burried; he cannot come out on 's grave" (Shakespeare V, ii, 65-67). Lady Macbeth sleepwalks and frets about her evil wrongdoings because she is extremely guilty of her influence on Macbeth to commit the murder. Lady Macbeth reacts emotionally and dwells on her actions as guilt eats at her soul.

A deadly combination of ambition and guilt poisons both Macbeth and his wife and leads to their deaths in the end. Ruined by her desire for power, Lady Macbeth’s descent into madness is more vivid and guilt seems to affect her more than her husband, even though he is responsible for more crimes. Her request to the spirits to “unsex [her] here,/ And fill [her], from the crown to the toe, top-full/ Of direst cruelty!” is contrasted as the more guilty she feels, the more weak and sensitive she become, a polar opposite of her usual masculine and bold self (1.5.44-46). As a result, she is unable to cope with the guilt and meets her ultimate demise by taking her life. This has an immediate effect on Macbeth: the almost always apparent tension of ambition and guilt disappears. He does not seem interested in living and is ready to face death in a manner more relatable to his former self rather than the murderer he has become. Moreover, Macbeth’s final remark is “Arm, arm, and out!”,

From murder to greed Macbeth portrays a story of how a human’s flaws can be elevated to a point where they are no longer flaws but a person’s way of thinking and acting. A lot of the characters evolve from doing what they think is right to doing what their heart desires. Throughout the play, Lady Macbeth changes from an evil mastermind to a guilt ridden woman because Shakespeare shows how a person’s actions affect their personality by having selfish desires turn into a person only driven by power and ambition.

Lady Macbeth, a leading character in William Shakespeare’s famous tragedy Macbeth, progresses throughout the play from a savage and heartless creature to a delicate and fragile woman, having no regard for mortality.

In William Shakespeare’s Macbeth the reader watches as Macbeth changes gradually as the play endures. He are transforms from a loyal person with a loving and loyal disposition with other people, into a tyrants who are willing to kill in order to keep himself on the throne. He is tormented with fear, regret, and guilt. When someone does something they know is wrong it causes them to fall prey to their own emotions.

Recall the story of Snow White. The girl took a bite out of an apple because it looked delectable. Little did she know that it would knock her out and put her into a deep sleep. Think about the tale of Aladdin. He found this magic lamp which was to bring him an immense fortune, but his greed got the best of him and it ended up consuming him in the end. The Lion King, a young cub was exiled after his father’s death, only to return years later and take back his rightful throne. In Hercules, an evil god was given a prophecy by three fates and forced them to come true which resulted in his own undoing. Macbeth shares a template with a plethora of tales and stories, many of which have gained popularity in the Walt Disney Franchise. Whilst these narratives and the play may have different overall storylines and characters, the vital themes and character framework remain very similar to the core ideas of the 16th-century play.

After the murder of Duncan, he delivers the bloody daggers to Lady Macbeth which in a way surprises her, and she ends up leaving them next to the guards, which makes it look like they were responsible for the murder of the loyal king Duncan. Throughout the play, Lady Macbeth begins going crazy, constantly crying about the “blood” on her hands that will not come off. The blood symbolizes the guilt that she is encountering because she cannot clean her soul of what she has done, and even the doctor doesn't understand what is going on with her, they just think she is crazy. A few acts later it gets to the point where she eventually commits suicide, just because she was unable to deal with the guilt. (The Theme of Guilt). Several quotes throughout this play can help relate to the destruction that guilt causes. “Out, damned spot! Out, I say! – One: two: why, then, 'tis time to do't, – Hell is murky! – Fie, my lord, fie! A soldier, and afeard? What need we fear who knows it, when none can call our power to account? – Yet who would have thought the old man to have had so much blood in him?” (Macbeth, act 5 scene 1). This quote is showing Lady Macbeth being entrapped by the guilt of the murder, which causes her to sleep walk and talk about it in a sort of dull way every night. “But screw your courage to the sticking place, And we'll not fail.” (Lady Macbeth, act 1 scene 7). Another quote by Lady Macbeth when she wanted Macbeth to continue on

A motif is a repeating symbol that takes on a figurative meaning. A motif can be an object, a color, the weather, or even an idea or a concept. Motifs are usually used to establish a certain mood or a theme, and they have a symbolic meaning. For example, in a fairy tale, some motifs would be: the handsome prince, the wicked witch, talking animals, and magic fairies. Another example would be the song “Beasts of England” in Animal Farm by George Orwell, and it is a motif that mainly serves as propaganda to the animals. In Macbeth by William Shakespeare, motifs are seen all throughout the book, like the motif of blood and how it represents guilt. The motifs of blood, sleep, and birds affect the character development and relationship of Macbeth and Lady Macbeth.

In Shakespeare’s Macbeth, Lady Macbeth’s desire and ambition leads to her eventual downfall. When Lady Macbeth hears of Macbeth’s prophecy she dreams of the glory and high-standing that awaits being queen. She cannot withhold her ambitions and she is willing to manipulate fate to bring about Macbeth’s prophecy. She invokes evil spirits to be filled from head to toe with cruelty to do the evil actions necessary to make Macbeth king and to remove all remorse and pity for her action from her heart. She is initially able to be involved in the treacherous deeds that are needed to bring about the prophecy quickly, but as the play progresses the weight of the merciless deeds fill her with remorse. The remorse and pain she feels for her wicked

Throughout Shakespeare’s Macbeth, the motif ‘sight’ represents a terrible event or murder; coinciding with the event, while also highlighting Macbeth’s lack of accountability for the crimes.

Duncan's blood on the Macbeths' hands is symbol of the evil crime they committed, the guilt of which cannot be washed away. Pontius Pilate is the supreme example of the futility of the symbolic act of 'washing the hands' to expunge guilt. History will forever hold him guilty. Macbeth's curse, "Will all great Neptune's ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas incarnadine, Making the green one red. (II,iii,61)" The symbol was also used earlier as Lady Macbeth tries to blame of the murder on the sleeping grooms, "...smear the sleepy grooms with blood. (II,II,49)" Lady Macbeth's remark on her entry shorty after that "A little water clears us of this deed; How easy it is then!" shows that she has less immediate guilt for the crime, where Macbeth's conscience is eating away at him, or that she has not yet absorbed the enormity of the deed. The same symbol of evil deeds not being washed away is brought out again in (V,II,17) where Angus says, "Now does he feel His secret murders sticking on his hands;" The bloody hand appears again when Lady Macbeth has the waking dreams in which she curses,

Lady Macbeth starts this off when she asks the spirits to "make thick [her] blood"(1.5.50). What she is saying by this, is that she wants to make herself insensitive and remorseless for the deed she is hoping to commit. However, she forces Macbeth to do the deed. Right before killing Duncan, Macbeth sees a dagger floating in the air leading him to Duncan?s room and he sees "on the blade and dudgeon gouts of blood"(2.1.58), indicating that the knife has been viciously stabbed into someone. This is a Lady Macbeth knows that the evidence of blood is a treacherous symbol, and knows it will deflect the guilt from her and Macbeth to the servants when she says "If he do bleed, I?ll gild the faces of the grooms withal, for it must seem their guilt"(2.2.71-73).

That night Macbeth ends up killing Duncan. Just before the murder Macbeth is walking down the hall when he has a vision of a dagger with a bloody tip, which is pointed for Duncan’s room. He thinks to himself, “Art tho not, fatal vision, sensible To feeling as to sight? Or art thou but a dagger of the mind, a false creation” (II.1.36-38). During the murder Macbeth makes a mistake that angers Lady Macbeth. He has forgotten to leave the daggers with Duncan’s guards, and she must now go and return them. Initially Macbeth is upset over the murder, but Lady Macbeth tells him it is as easy to forget about as washing the blood away with water. This first murder shows the strong character of Lady Macbeth and the influence she has over her husband.

Initially, she is a beguiling instigator of murder, and her first reaction to blood displays this nonchalant attitude. She tells Macbeth, “My hands are of your colour, but I shame / To wear a heart so white” (IIii 24). Lady Macbeth effortlessly washes off this blood with water, disregarding the guilt. Lady Macbeth’s second reaction to blood, however, exhibits shock over her husband’s free acts of cruelty. She sees the guards her husband has slain and faints. Covered in blood, the murdered guards underline Macbeth’s malice and cruelty. Therefore, when Lady Macbeth faints at the sight of these symbols, she makes obvious her change from plotting instigator to shocked observer. Blood continues to symbolize guilt, and eventually, just as Macbeth wants to remove blood from his hands, Lady Macbeth wants to cleanse her hands of blood and guilt. She visualizes a spot of blood on her hands and perpetually tries to wash it off. “Out, damned spot! out, I say!” (Vi 72). The stigma of guilt, however, cannot be removed, which reveals Lady Macbeth’s haunting, incurable guilt over the murders during Macbeth’s reign. Lady Macbeth continues in woeful guilt, saying “The Thane of Fife had a wife: where is she now? / What, will these hands ne’er be clean? No more / o’ that, my lord, no more o’ that: you mar all with / this starting” (Vi 72). She says her hands will never be clean, indicating that