Movie Analysis : Bowling For Columbine

Bowling for Columbine is a documentary directed by American filmmaker and activist, Michael Moore. The political documentary focuses on the 1999 school shootings that occurred in Columbine, Colorado, and Flint, Michigan and the correlation of guns to the high homicide rates in America. Moore argues that the number one problem the United States faces is gun control. Moore effectively uses ethos, pathos, and logos appeals to present an unbiased and informational view of the issue of gun violence in America. He also uses the fallacious argumentative strategy, ad hominem. Moore does not put his own direct bias into the film, he instead shows both sides of the argument to allow the viewer to decide for themselves which side they are on.

Firstly, it is important to understand how the documentary form is best suited to illustrate the film’s theme. In order to do this, one must have an overview of the documentary style of filmmaking. Documentaries concern themselves with the “exploration of

In the 2002 documentary Bowling for Columbine, American political activist and filmmaker Michael Moore sets out to explore the primary causes of the 1999 Columbine Highschool massacre, as well as the roots of gun violence in the United States in his trademark provocative yet satirical manner. Bowling for Columbine takes a deep and often disconcerting investigation into the motives of two Colorado student shooters, responsible for the deaths of over 12 people at Columbine High School on April 20, 1999, and examines other gun-related issues as well. From obtaining free guns at a bank, to reviewing America’s violent history, and interviewing a variety of people, Moore demonstrates that the conventional answers of violent national history and entertainment, as well as poverty are inadequate of causing this violence, for other nations share the same factors without the same levels of carnage. In order to arrive at a possible explanation, Moore takes on a deeper inspection of America’s culture of fear, and violence in a nation with widespread gun ownership. Ultimately, the documentary implies that the high incidence of gun deaths in America is caused by the deadly combination of cultural paranoia and easy accessible firearms that is, to some extent, effectively established through rhetorical techniques of ethos, logos, and pathos.

The idea of a documentary being an artistic or even personalised expression of a director is long gone, or so it seems in recent times. In Michael Moore’s latest documentary, Bowling for Columbine, he attempts to get across to viewers his, and essentially only his point of view, on the topic of gun laws. Although what Moore is trying to say is not necessarily wrong, he is at the same time not taking into account the other side of the argument either; all he is trying to do, essentially is hypnotise viewers into thinking

The movie "Bowling for Columbine" was made after the shooting in Columbine high school and tries to explore the reasons for America's violent nature. Moore believes that there is one main reason for this, the fact that there are relaxed gun laws in America. Therefore, Moore uses a number of different persuasive techniques in order to try and persuade the viewer to believe that this is the case. He uses certain visuals, music, sequences the scenes in a specific order and uses facts and opinions to achieve this.

In the film, Bowling for Columbine, the director Michael Moore takes an extent look at what could have made these teenagers to do such a thing. He doesn’t just look at the terrible event at Columbine High School, but also at the NRA's effects on people, the 2nd amendment, other school shootings, and how the United States compared to other countries gun-control explanations such as Canada. Michael Moore looks as a sociologist would such as C. Wright Mills in which he explores the outside factors of the individuals, but how the personal troubles of the two teenagers involved are related to immense conditions of our society. He doesn’t look at the intellectual make up of each person who creates a crime, but instead looks at how our society as a whole views guns and their uses.

However, through the intelligent use of film techniques such as Omissions, editing (scene placement) and non-diegetic sounds, there is an obvious bias presented to the audience, as Moore wants to specifically convey a messages which benefits an agenda which he is following. The documentaries, Fahrenheit 9/11 and Bowling for Columbine will be further explored through the analysis of its film techniques which indefinitely create an obvious bias and the positive and negative outcomes it has regarding Michael Moore’s film message.

A documentary is a genre of film that provides a factual report on a particular story, viewpoint, message or experience. In this essay, two documentaries, Bowling for columbine by Michael Moore and Made in Bangladesh by CBC news will be explored to show how persuasive techniques are used to make an audience feel a particular way.

The Columbine Shooting has solidified itself as a tragic event in America’s past, and was a real wake-up call to the nation’s age-old gun problem. Michael Moore looks into this issue and decides it provides a great premise for his next documentary, his next crusade to flush out the evils of this world. The problem is, Bowling for Columbine is far from the truth; it is rather a distorted representation of reality, carefully sequenced to push Michael Moore’s agenda. If we look past the film techniques, conspiracy theories,

The 2002 film Bowling for Columbine is a documentary written, directed, and narrated by Michael Moore. Moore has won numerous awards including the Academy Award for best documentary feature. The film explores acts of violence with guns and the primary causes for the Columbine School Massacre, where two students shot and killed thirteen people and injured twenty-one others. Bowling for Columbine takes a deep and often disturbing probe into what the motives may have been for the shooters and investigates other gun-related issues along the way. Moore explores different aspects of gun-culture such as receiving free guns from a bank, taking a look at America’s violent history, and interviewing important people like Charlton Heston, former president of the National Rifle Association. The film ultimately comes to the conclusion that the American culture of fear along with the accessibility of guns is the reason why there are so many gun-related deaths. This thesis is supported by many examples Ethos, Logos, and Pathos evidence.

Bowling for Columbine is a documentary about how guns are a bad influence and pollute the mind, rather than supplying safety, which is the real reason behind the possession of a gun being legalised. Michael Moore, the film maker, wrote and produced the film to emphasise his point on why guns should never be sold or purchased again. The main story Moore focused on was one that was absolutely shocking and could astonish you from start to finish: The Shooting at Columbine High School. The ordinary and average school was put through an attack by two absent minded children who destructively killed 1 teacher and 12 students, not including the many more they injured. Moore also tried interviewing people whose lives had been affected due to guns.

Bowling For Columbine is a well-directed documentary that informs people about gun violence in America. Michael Moore is successful in showing that America has been going through many gun tragedies; and portrays the sense that America’s problems are out of control. He conveys this through informative facts, images, and comparisons.

The point of Bowling for Columbine isn’t to be biased as Michael Moore would want you to believe, no, the point is that Bowling is purposefully, and consistently deceptive. After the tragic shooting at Columbine, the documentary shows haunting vision of distraught children outside of the school, then, cuts quickly to a billboard advertising a NRA meeting in Littleton, Denver. Moore then narrates “Just ten days after the Columbine killings, despite the pleas of the mourning community,

When watching The Hateful Eight it’s clear that Quentin Tarantino was inspired by John Carpenter’s The Thing. There are quite a few subtle nods to the classic horror film as well as some not so subtle similarities. One could watch one right after the other and immediately see the similarities between the two films. While most people would not consider The Hateful Eight a horror film it takes the greatest horror aspects of The Thing and uses them to its advantage. Quentin Tarantino took quite a few ideas from John Carpenter’s The Thing and modified them so they fit seamlessly in to his western film, including actors, characters, and even some music that was originally written for Carpenter’s film but was never used.

Bowling For Columbine is a documentary that was produced by Michael Moore which focusses primarily on the relationship between the crime rates throughout various regions. After learning that Canada and the United States had a very similar ratio when it came to households and guns, Michael was intrigued that Canada had a substantially lower rate of gun related crimes. This documentary became a tool for Michael to delve into the questions that were raised; although he was unable to extract a specific answer as to why Canada had a lower rate of gun related crime, he was still able to create some life altering changes.