Movie Analysis of "Jaws".

does not know when. When the music comes to a climax a horn joins in

Jaws is a 1975 American thriller film directed by Steven Spielberg when Jaws was first released it was received by the critics as the film to watch at the time because it did such a profound job at putting fear in audiences around the world and today is considered one of the greatest films ever made. The film jaws does a great job at appealing to the psychological needs of it's viewer because its ability to build suspense in the film because the shark is never really shown till near the end of the film which creates a question of how it looks, and how big and dangerous it is and keeps the viewers thinking throughout the whole movie installing a psychological effect because you never really know the severity of the situation

     The fact that we do not see the shark makes the audience feel quite uneasy, as in a way we are uncertain of what the danger is. It also builds up a lot of fear, from our point of view.

Director, screenwriter, and producer, Stephen Spielberg, has been often described by critics as being one of the trailblazers who paved the way for the new Hollywood era. In fact, one of Spielberg’s earliest films, JAWS, captured the audience’s attentions so vividly that the movie remains to be a cult classic even decades later. The audience sunk its teeth deep into the enticing combination of drama, thrill, science-fiction, and adventure the film obtained. At face value, JAWS appears to be focused on a giant monstrous fish, but with further analyzation of the plot structure, narration, and original music demonstrates the brilliance and complexity of why JAWS is a well deserving Oscar-winning movie.

The music represents the shark, especially its movements and its presence. In the title sequence the camera is moving along the seabed like a shark. Spielberg makes the audience believe that the camera is viewing things through the shark’s eyes, he uses a camera shot called point of view shot. The music makes the shark seem a mystery because you haven’t yet seen the shark but you can feel its presence. The music clouds your vision and makes you imagine and believe something that actually isn’t even there. It builds tension

Sharkwater (2006) is a documentary that was filmed by Robert Stewart, a man who spent his whole life in the ocean fascinated by sharks. Stewart's passion for sharks lead him to eventually become a marine biologist so he could spend his days scuba diving out in the ocean. His main goal shooting this movie is to inform viewers about how sharks are being killed so brutally and to persuade watchers to help do something to keep the shark population in tact. Stewart and his anti poaching crew try to evacuate the illegal fishermen out of the waters, help save the sharks, and raise awareness about the mass killings of the sharks and their rapid declining population. People in the countries that he traveled to then rallied together to protest, urging the government to create stricter laws. Stewarts’ message has impacted the countries he's visited; with his excellent use of logos, pathos, and mainly ethos he is able to impact even more people around the world.

The second victim of the shark is a young boy named Alex, this time the scene is set in along the beach, crowded with people enjoying the long Independence Day holiday. Also on the beach is police chief Brody with his own family. Sunbathers lie on the packed beach. This is a very unlikely place and time for an eventful scene. Again the

Does any of you in the class know the themed music for jaws? of course you do, we all do. Because sharks are really scary arn't they? Sadly Films such as this as well as the media have built up this huge reputation of sharks being threatening, alarming & Dangerous monsters of the sea. It's a tragedy! Today I will be arguing for the rights of these misrepresented sharks and how this new "catch and kill policy" is completely wrong.

Over the past few weeks we have watched a few horror movies “Jaws, “The Others”, “Signs” and “Frankenstein” but today we are just focusing on these three movies: “Jaws”, “The Others” and “Signs”. “Frankenstein” was just a flat out boring movie because it was a movie that was black and white and it showed portrayed nothing about how it made the movie suspenseful and scary. “Jaws” was a movie that was made in 1975 which had nothing to scare people of this generation but at least they used appropriate techniques to make the movie suspenseful. “The Others was a movie that was made in 2001 and they did a excellent job of foreshadowing by stating the obvious at the beginning of the movie but the weird part was nobody got what they meant but with this said I don’t think that the movie had used better techniques than “Signs”, in “Signs” I think their techniques standed out the most primarily because of the special effects they used to make the movie jaw-dropping, blood curdling and eye-catching with this said I think the movie “Signs” did the best job in using the proper techniques to create suspense and fear in addition the director of the movie “Signs”, M. Night, Shyamalan, has been nominated for 2 Best Screenplay awards and 1 Best Director award for the movie “Signs” alone.

One of the ways that Spielberg conveys a sense of suspense in Jaws is by not showing the shark. He gives us man glimpses of it, such as the fin, and shadows accompanied by blood, but never the full until late in the film. I think this really helps us as the audience fear the shark more, as our imagination is forced to fill in the blanks, which sometimes creates something far worse than the actual thing.

When a young woman is killed by a 25-foot killer great white shark while skinny-dipping near the New England tourist town of Amity Island, police chief Martin Brody (Roy Scheider) commits himself to serve and protect his town by closing the beaches. Unfortunately, the mayor of the island has a different idea. Mayor Larry Vaughn (Murray Hamilton) overrules him, fearing that the loss of tourist revenue will cripple the town. Ichthyologist Matt Hooper (Richard Dreyfuss) and grizzled ship captain Quint (Robert Shaw) offer to help Brody capture the killer 25-foot beast, and the trio engage in an epic battle of man vs. nature.

The ocean is one of the most mysterious places on earth. So much of it is still unknown that the National Oceanic and Atmospheric Administration predicts that almost 97 percent is untouched. The fear of the ocean heightened following the premiere of the cult classic movie "Jaws" in 1975. The internationally recognizable theme music still subconsciously haunts beachgoers, even two generations following its release. The franchise "perpetuated the myths about sharks as man-eaters and bloodthirsty killers " said George Burgess, a shark biologist at the University of Florida in Gainesville.

Steven Spielberg’s Jaws (1975) and his other film Jurassic Park (1993) both contain a major theme of what makes a successful hero in society. In Jaws, police chief Martin Brody must successfully eliminate the threat of a Great White Shark from attacking Amity Island. In Jurassic Park, billionaire John Hammond creates a theme park where cloned dinosaurs come alive, hoping that his ideal resort becomes a major success. Through the use of film style elements, such as editing and mise-en scene, Spielberg develops Brody’s character as a person who must learn from his past mistakes in order to become a successful hero while Spielberg creates Hammond’s character as a man who only sees himself as a hero of science and technology without realizing

The second attack is on a small boy in the sea at a crowded beach on

The movie Jaw is a 1975 classic based on Peter Benchley’s novel following the life of a shark hunter in Long Island. The director, Steven Spielberg craftily gives his viewers a film that questions the moral fabric of the society and the decisions that humans make in life, especially when it comes to the affairs of other