Movie Reflection-My Big Fat Greek Wedding

People believe that marriage is easy and is the key to love and happiness, but in reality marriage is harder than it looks. Everyone marries for different reasons, for good or for bad. People today don’t understand the meaning of marriage; it is more than just money and appearance. Seeing today’s world of marriage is being influenced by media shows like Jerry Springer, Judge Judy, and Murray makes you realize how society today identifies marriage different. Couples who live unmarried will be happier and have more choices than those that are married in agreement with Catherine Newman’s essay called I Do. Not.: Why I Won’t Marry in the book “Acting Out Culture: Reading and Writing “, by: James S. Miller. Catherine Newman is a writer and an author

“Why Did I Get Married?” directed and produced by Tyler Perry is a movie based on four couples who take a reunion vacation to the Colorado Mountains in order to reunite with friends from college. On this vacation things didn’t go according to plan. Throughout the movie there was heartbreak, infidelity, suppressed feelings, conflict, and secrets raging throughout each of the couples’ relationship in some aspect. With these unfortunate events occurred at various times throughout the film it cause their trip to evolve from a place to relax, enjoy friends, and time off from work into an emotional and tense atmosphere with the involved couple seeking validation from the other couples on the reason why their marriages are the way they are. Even though the movie ended on a good note in their celebration of Janet Jackson’s character (Pat) receiving an award one of the marriages did not survive. This couple’s relationship will be my focus for this paper.

In Caitlin Flanagan’s Is There Hope for the American Marriage, she establishes the foundation for what the American Marriage means in today’s world by arguing that marriages are likely to collapse over time. With this being said, Flanagan goes on to depict the fragility of marriage during times of adversity, and how susceptible the couples can be when searching for alternative bonds from people other than their own partner, even if it means making moral sacrifices. Through a series of anecdotes from sources like herself to politicians, she further expands on this idea that the ideal marriage is nothing but a hoax for the likelihood of publicity. Flanagan includes sources from sociologists, such as Andrew J. Cherlin and Maria Kefalas, both whom

My Big Fat Greek Wedding focuses primarily upon the tribulations of Toula, whose Greek heritage invades all aspects of her life, including her relationship with the markedly American, culturally lacking Ian Miller. Toula’s family perpetuates all the customs of a Greek household down to specific female values among which Toula recites, “Nice Greek girls are supposed to… marry Greek boys.” Her heritage emphasizes marriage and breeding within the race, proving that

Marriage unites two people for better or worse, in sickness and health, until death they do part. In earlier times, some people might say wedding vows were taken more seriously; other say divorce was different back in the day. Looking at Katie Chopin and Nathaniel Hawthorne, who both exemplify martial vows in their short stories, “The Story of an Hour” and “The Birthmark.” It is clear in one instance, it was because divorce was different but then on the other hand the stories demonstrate the seriousness of the wedding vows. However, these stories express a husband-dominated relationship, in which the men possess ideals such as possession, perfection, and being all knowing.

Marriage has been constantly changing over the past centuries. Currently, trends in marriage have adopted a new way of getting married through splitting responsibilities and work, resulting in social freedom for individuals. "The Myth of Co-Parenting,” by Hope Edelman demonstrates the difficulties of taking all the responsibilities while in “ My Problem with Her Anger,” explains the needs of having a better understanding of each other. Due to marriage changing over the last centuries, marriage couples desire individuals’ expectations and freedom to be met in marriage.

Muriel’s Wedding (1995), written by P.J. Hogan, explores the central notion of relationships. Relationships can be defined as the connection between people and others, and it is these relationships that allow an individual to find and/or reaffirm their identities. More specifically, Hogan conveys that individuals will always seek out others who they can form positive relationships with, which in turn can reaffirm their sense of identity. He also portrays that the outcome of a relationship is not always what individuals expect when they initiate them, and social labels such as marriage may fail our expectations and do not always indicate the true nature of a relationships.

Stephanie Coontz is a sociologist who is interested in marriage and the change in its structure over the time-span as love became a main proponent of the relationship involved in marriages. In her article, “What 's Love Got to Do With It,” Coontz argues that the more love becomes a part of the equation the less stable the institution of marriage becomes. Marriage at one point was a social contract that bound two families together to increase their property and wealth as well as ally connections. Each party entered into the contract knowing their roles and if one partner failed to meet the expectations, they were still contractually obligated to one another and were not allowed to divorce. As love became part of the equation, each partner was less sure of their obligations and often chose to end their marriages if at all possible.

Marriage has often been described as one of the most beautiful and powerful unions one human can form with another. It is the sacred commitment and devotion that two people share in a relationship that makes marriage so appealing since ancient times, up until today. To have and to hold, until death do us part, are the guarantees that two individuals make to one another as they pledge to become one in marriage. It is easy to assume that the guarantee of marriage directly places individuals in an everlasting state of love, affection, and support. However, over the years, marriage has lost its fairy

Marriage has been a heated controversy for the past few years because people often marry for the wrong reasons. Anyone who thinks of an ideal marriage would think of two people loving each other and sharing a personal bond or goals together. Marriage is regularly defined as the legally or formally recognized union of two lovers as partners in a personal relationship. This definition remarks there is an actual connection between two people in marriage, but do people actually consider this when committing to “love” and “support” their partners forever? As research and studies have shown, people ultimately get married for many reasons, except love. This philosophy can be easily applied to the short poem, “Marriage” by Gregory Corso. In this emotional poem, the author argues marriage is more effectively understood or known for culture and convenience rather than through the abstract considerations of love. Here, we can identify people generally decide to marry for the incorrect reasons, for instance the story of the author himself. Corso finds himself confused multiple times, wondering if he should marry to not be lonely, for tradition and for his physical and mental health. He disregards love, a relationship or a connection with his future wife. General ways of convenience like loneliness, health and economic status between cultural stereotypes and religion are usually the true reasons of why people chose to have the commitment of marriage with another person.

The change on the contemporary wedding, from what the society has been seeing in the 21st century, is phenomenal. People approach marriage very differently nowadays. Individuals still look for their “would-be” spouses. However, it's not for love or companionship purposes but convenience. In fact, Dr. Strohschein is quoted saying in the talk show says that marriage evolved to a "capstone" to an individual’s life and no longer a cornerstone of life as it used to be (Woodford, Luke, Grogan-Kaylor, Fredriksen-Goldsen, & Gutierrez, 2012). This paper explores Strohschein’s views in the light of sociological concepts and theoretical paradigm.

Established with Adam and Eve, still surviving, marriage is the oldest institution known. Often the climax of most romantic movies and stories, whether it may be ‘Pride and Prejudice’ or ‘Dil Wale Dulhaniya Ley Jaein Gey’, marriage has a universal appeal. It continues to be the most intimate social network, providing the strongest and most frequent opportunity for social and emotional support. Though, over the years, marriage appears to be tarnished with high divorce rates, discontentment and infidelity, it is still a principal source of happiness in the lives of respective partners. Although marriage is perceived as a deeply flawed institution serving more the needs of the society than those of the individuals, nevertheless, marriage is

    In the time frame that this story is set, many major life decisions things are made taking into account one’s duty to family - including the selection of a husband or wife.  It is possible that each of these couples may not have been in love,  when their vows were stated.  They have a duty to society; they must not marry outside of their social class.  They have a duty to their family;

In the late 1800’s through early 1900’s women and men were did not “tie the knot” like the women and men do in today’s day. In today’s world, women and men get married because they have many things in common, they are in love with each other, and they choose to get married to one another. In many stories written back then, readers can expect to read about how marriages were arranged and how many people were not having the wedded bliss marriage proclaims today.

Today, the idea of marriage conjures images of bashful brides beautifully draped in all white, of grandiose flower arrangements climbing towards the ceiling, of romance personified. As an institution in this modern world, marriage represents the apex of romantic love, with an entire industry of magazines, movies, and television shows devoted to perpetuating marriage as an idealized symbol of the ultimate love between two people. Contrarily, as a sociological institution, marriage comes from much more clinical and impersonal origins, contrasting with the passion surrounding modern understandings of the institution. Notably, french anthropologist Claude Levi-Strauss theorizes that the institution of marriage emerged from a need to form alliances between groups, with women functioning as the property exchanged so that such alliances could be solidified (Levi-Strauss).