Movie Review : The Silent Period Versus The Sound Era Essay

Richard Pryor, arguably one of the greatest stand-up comedians of all time, credits his comedic abilities to many comedians, one being Charlie Chaplin. You may be thinking, “how does Charlie Chaplin, the guy who played The Tramp in silent black and white movies, influence a stand up comedian like Richard Pryor?” Well, you may be surprised to know that all American stand-up comedians are heavily impacted by the performances in the late nineteenth century. During the late 1800’s, vaudeville and burlesque dominated performance venues across the country and developed a new art form that had never been seen before. Although stand-up is one of the only true American art forms, we cannot forget to credit vaudeville and burlesque performers who paved the way for the rise of stand-up comedy. Believe it or not, nineteenth century burlesque and vaudeville play a major role in the evolution of what stand-up comedy is today. After all, how can we respect the art form of stand-up comedy today without fully understanding how it all began?

Vaudeville was a theatrical paradigm in the United States and Canada from the early 1880s until the early 1930s. Each performance consisted of separate, unrelated acts grouped together on a common bill. Types of acts included popular and classical musicians, dancers, comedians, trained animals, magicians, female

This paper was prepared for Introduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer.

The dramatic and uplifting movie “Radio” starring Cuba Gooding JR. and Ed Harris, is based on the true life story of James Robert Kennedy, a k a Radio; a mentally retarded young African-American who spends his days pushing a shopping cart around the streets of Anderson, a small South Carolina town, collecting junk and old radios.

In “A Century of Cinema”, Susan Sontag explains how cinema was cherished by those who enjoyed what cinema offered. Cinema was unlike anything else, it was entertainment that had the audience feeling apart of the film. However, as the years went by, the special feeling regarding cinema went away as those who admired cinema wanted to help expand the experience.

The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike because both of these pieces contain great cinematographic value, and are timeless pictures that have managed to captivate audiences well beyond their era. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane has achieved the status of greatest film ever made.

The censorship conflicts in the 1900s were extremely intriguing and intense. Around the end of the 1920s, individuals possessed immense moral shifts powered by religious groups during the Great Depression, which resulted in decisions that created a new revolution that dealt particularly with the regulation of content of films. Consequently, in 1934, at the same time that the “Golden Age of Hollywood” began, the Hollywood Production code was formally implemented. The film

A drama may be classified as comic or tragic. A comedy is a story in which the character controls their own fate. The choices, courage, and free will of the character will ultimately decide their outcome. Comedies may illustrate human faults and weaknesses and their effect, but deserved or undeserved triumph is always possible. Conversely, a tragedy is when a character has a trait or a tragic flaw which will inevitably cause their downfall. Comedies may bind us in a common humanity , or provide hope, but tragedies are most often used to teach a lesson to the audience.

When silent movies were beginning to be replaced by movies with sound, or ‘Talkies’, controversy began to surround Hollywood and it stars. Between Fatty Arbuckle hitting an actress at a party

The history of the American motion is heavily influenced by various dominant and prominent eras and their stars. The era of silent comedy is such an impactful era. This era is often considered as the period that changed the shape of the whole industry. Until that period of time, there were not any film star or actor who had successfully redesigned comedy. But the base of the American motion was to undergo a huge change.

The two decade period beginning in the late 1940s and concluding in the late 1960s represented the height in popularity for the Hollywood musical. With every major production proving to be box office gold, the level of critical approval was high establishing the Hollywood musical as a genre. Born with the coming of sound, the Hollywood movie musical derived from two sources: opera and operetta, brought over by European emigres, and the American tradition of vaudeville, the inspiration behind so many “backstage” musicals, the plots of which revolved around putting on a show. The interesting alliance between dream and reality in the musical gave directors, designers, and cinematographers the most creative scope within the commercial of

Genre theory is used to facilitate the categorization of films. They are dependent on different factors like a story line, the director and the expectations of the audience. This paper will focus on the romantic comedy genre specifically City Lights (1931) to help viewers get a better perspective of the film and to learn how this film expands boundaries of romantic comedies. “Light-hearted, humorous story involving people in love, sometimes overlapping with subgenres such as screwball comedy, teen drama, or gross-out comedy” (Goodykoontz & Jacobs, 2014 table 4.1) “Romantic comedy is somewhat limited by the scope of what it attempts to accomplish—bringing two people together. There are many ways for this to happen, and many comedic obstacles to be placed before them, but the goal remains

The introduction of sound films in the late 1920’s was a divisive issue among those involved and interested in the emerging motion picture industry. Even though it wasn’t the sudden breakthrough it is often perceived to be, the addition of sound and voice to mainstream cinema revolutionized movie making and led to conflicting viewpoints as to whether or not this innovation was a positive progression for film as an art and as an industry.

The release of Gordon Hollingshead and Alan Crosland’s The Jazz Singer in 1927 marked the new age of synchronised sound in cinema. The feature film was a huge success at the box office and it ushered in the era David Bordwell describes as ‘Classical Hollywood Cinema’; Bordwell and two other film theorists (Janet Staiger and Kristin Thompson) conducted a formalist analysis of 100 randomly selected Hollywood films from the years 1917 to 1960 in order to fully define this movement. Their results yielded that most Hollywood made films during that era were centred on, or followed, specific blueprints that formed the finished product. Through this analysis of Hollywood films the theorists were able to establish stylised conventions and modes of

Comedy was a popular type of play in Ancient Greece, only second to Tragedy. These types were described in many details in Poetics, by Aristotle. He expressed that a comedy is “an imitation of inferior people - not, however, with respect to every kind of defect: the laughable is a species of what is disgraceful. The laughable is an error or disgrace that does not involve pain or destruction” (Aristotle 9). In plainer words, Aristotle is saying that as long as no one becomes hurt, it can be funny, and that everyday misfortune is, or can be humorous. Comedies are also plays that deal with common folk, and common events. (Simpson). Tragedy is almost the exact opposite.