Mozart Requiem Research Paper

John Philip Sousa was an American composer and conductor of the late Romantic era. Sousa was born in Washington, D.C. on November 6, 1854, to John Antonio Sousa and Maria Elisabeth Trinkhaus. Born of both Portuguese and Bavarian ancestry. His father was Portuguese, and his mother of Bavarian ancestry. Sousa started his music education by playing the violin as a pupil of John Esputa and George Felix Benkert for harmony and musical composition at the age of six. At this time he also began studying voice, violin, piano, flute, cornet, baritone, trombone and alto horn. He was found to have absolute pitch. When Sousa reached the age of 13, his father, a trombonist in the Marine

Wolfgang Amadeus Mozart and Ludwig van Beethoven are two of the greatest composers ever to write music. Both men lived in the early 18th and 19th century, but their music and influences are still felt today. The men faced similar experiences, yet they both lead very different lives. All together the pieces that these men composed amounts to over 300 published, and unpublished works of art. The people of their time period often had mixed feelings about these men, some “complained that Mozart’s music presented them with too many ideas and that his melodies moved from one to the next faster than audiences could follow, yet the ideas themselves seem effortless and natural, clear and

     Wolfgang Amadeus Mozart’s style unlike anyone else. Mozart was a master of counterpoint, fugue, and the other traditional compositional points of his day. He is also considered the best melody writer the world has ever known. Wolfgang perfected the grand forms of symphony, opera string quartet, and concerto made the classical period. “Mozart’s music is characterized by lucid ease and distinction of style....”2 Wolfgang wrote over 600 works which consisted of 21 stage and opera works, 15 masses, over 50 symphonies, 25 piano concertos, 12 violin concertos,27 concert arias, 17 piano sonatas, 26 string quartets, and many more. His operas range from comic baubles to tragic pieces. In his Requiem it illustrates the supreme vocal sounds in any of his work.

It is evident that most composers have made an attempt to stand against the test of time. Alas, most have failed to accomplish feat and their works have faded in the wind. However, there are those who stood against time and won. One famous composer, Wolfgang Amadeus Mozart has accomplished this feat and his works are still remembered in today’s ominous society. One of his most famous work’s, Requiem, is still honored and heard throughout the entire world. Despite having partially completing it, Requiem is heavily influenced by Mozart’s musical style and can be compared to most of his famous works (Service). Although Requiem can be played in many different keys, I chose to listen to it in D minor, thus, attaining a darker, melancholic tone, which

His composition has never been recovered. Johannes Ockeghem () completed his requiem composition before 1500. Other requiems from the 16th Century include Brumel, Prioris, Palestrina, Anrio, and Victoria. Between 1470 and 1600 forty-one requiem mass compositions have been preserved. The Baroque period brought about new and exciting changes for the musical world. Requiems from this period include Bournonville (1619) and Brunelli (1619). Claudio Monteverdi, Giovanni Grillo, and Francesco Usper collaborated to produce the requiem that performed at the funeral mass of Cosimo II de’ Medici in 1621. This requiem was the first to include instrumental sections. The Baroque composers produced 325 known requiem compositions. The Classical period composers produced 250 requiems. These include Pasiello (1789), Mozart (1791), Carlo Campioni (for Empress Maria Theresia), and Giuseppe Bonno, whose requiem is said to use the “longest setting of the sequence in the 18th Century. (Cave)” The Romantic Period produced the largest amount of requiems. Included in the 620 requiems published between 1825 and 1910 are Berlioz (1837), Verdi (1874), Liszt, Sant-Saens, Bruckner, Dvorak, Faure (1887), Henschel (1902). Within the realms of 20th Century music there were 335+ requiems produced. The three most famous are the Durufle (1947), Benjamin Britten War Requiem (), and the Andrew Lloyd Webber (1985).

An Austrian composer and performer who showed astonishing precocity as a child and was an adult virtuoso, musical genius Wolfgang Amadeus Mozart was born to Leopold Mozart and Anna Maria Pertl in Salzburg, Austria on January 27, 1756. Leopold Mozart was a successful composer and violinist and served as assistant concertmaster at the Salzburg court. Mozart and his older sister Maria Anna "Nannerl" were the couple's only

In 1747 Leopold Mozart married Maria Anna Pertl. Leopold and Maria Anna would have seven children, two of who would survive. Maria Anna born in 1752 who the family called Nannerl . Then in 1756 Wolfgang Amadeus who was nicknamed Wolfgangerl. Wolfgang Amadeus was not his original birth name it was shortened to this from Joannes Chrisostomos Wolfgangus Gottlieb. It is little wonder even two of the children survived; “Given Leopolds insistence that they be brought up on a diet of water and gruel, the wonder is that any survived at all.” (Siepmann, Mozart His life and Music) Leopold Mozart was very musical himself and was a skilled violinist, composer and an author. He wrote a well

Even in the late stages of Romanticism it was still being viewed as questionable and still received harsh criticism regularly. From the Requiems first conception it was being criticized because of Brahms choice to use Martin Luther’s translation. Although there were Lutherans in Vienna, where the requiem was first performed in 1867, some still thought of Luther as a radical and Brahms being part of the Romantic movement only got him more criticism. Some critics thought that because of the choice of words it was not suitable to be performed in a church. The work continued to receive criticism until the fifth movement was added in September 1868. After this part was added the Requiem began to be performed in almost every German major city except for Vienna. Like those in Vienna those in the United States rejected the song as true performance quality and labeled it as “difficult” and overly “academic”. Most Catholics of the time rejected it so the piece received more appeal in England and parts of German than anywhere else and was debated by critics for more than forty years if the song could be considered a relevant piece of art. By 1900 the Requiem was given worldwide acclaim for its technical skill as well as appeal in combining older traditions on the Romantic era with new or modern tonal and harmonic

Thesis: Wolfgang Mozart’s Symphony No. 40 in G minor has been admired and analyzed numerous times. Although it has been criticized by many, I believe deeply interpreting this piece will aid in a better understanding of the music during the Classical

Wolfgang Amadeus Mozart and Giuseppe Verdi both wrote exquisite Requiems. Since Mozart lived in the Classical era, and Verdi lived in the Romantic era, their compositions were written almost one hundred years apart. Though there are similarities in their pieces they differ in many ways.

Wolfgang Amadeus Mozart was probably the greatest genius in Western musical history. He was born in Salzberg, Austria on January 27, 1756. The son of Leopold Mozart and his wife Anna Maria Pertl. Leopold was a successful composer and violinist and assistant concertmaster at the Salzberg court.

Johann Chrysostom Wolfgang Amadeus Mozart born on January 27th, 1756 in Salzburg, Austria and died on December 5th, 1791 in Vienna, Austria was known as one of the greatest composers of Western music. He is known for famous pieces of music, for example, Confutatis and Lacrimosa Requiem. How does Confutatis Requiem compare to today’s music? Now, I’ll be comparing Confutatis and No Way from Fifth Harmony and see how approximately two hundred and twenty-four years has changed in music.

Composing works derived from styles already in existence, he created an extremely unique and unprecedented genre of works. Thus Mozart became a trailblazer of the classical age. Music from this period consists largely of a lighter and clearer texture than the preceding Baroque music and is less intricate. One trademark especially evident in Mozart’s contribution to the classical period is the use of homophony. Examples of the homophonic effect are displayed in his piano concerto No. 23 and sonata No 16 in C. In these, the distinct pattern of an indubitable melody can be distinctly and easily recognized above the adjunct chordal accompaniment. Although Mozart contributed primarily to the growth of the classical era, he was also influenced by the works of Handel and Bach. Both were prominent composers of the baroque era. In some of his later works, Mozart indulged more in the incorporation of the previous baroque

Wolfgang Amadeus Mozart baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart lived from January 27, 1756 to December 5, 1791. Mozart was a very influential and prolific composer of more than 600 works, including symphonies, concertante, chamber, piano, opera, and choral music. Regarded as a child prodigy, Mozart composed and performed in the European courts from the age of five, and was engaged at the Salzburg court at 17. Mozart’s musical style can be classified as Classical, although he learned from many of his contemporaries throughout his musical career. In order to better understand Mozart’s genius it is best to begin looking at his earliest contributions to the musical world as a child. From there, an exploration of his

Mozart’s Requiem is “one of the most performed and studied pieces of music in history” (Stango, n.d.). The story behind the start of this piece begins with Count Franz von Walsegg, who commissioned a requiem mass for his wife Anna (who had passed away). Throughout his work on this piece, Mozart began to get so emotionally involved with the piece that he believed that he was writing a death mass for himself. Mozart died December 5, 1791, with only half of the Requiem finished (through Lacrimosa). Franz Xaver Süssmayr finished the Requiem based on Mozart’s specifications from notes and what he had already written. The completed work is dated 1792 by Süssmayr and was performed for the first time on January 2, 1793. Mozart’s intent for this