Mozart Symphony 40 Essay

Johann Chrysostom Wolfgang Amadeus Mozart, or Wolfgang Mozart for short, was born on January 27, 1756. He was an Austrian composer that today is known as one of the greatest composers in the history of Western music. Mozart wrote in multiple musical genres, excelling in each one. Because of his range of expression, it made him seem the most universal of all composers.

     Wolfgang Amadeus Mozart’s style unlike anyone else. Mozart was a master of counterpoint, fugue, and the other traditional compositional points of his day. He is also considered the best melody writer the world has ever known. Wolfgang perfected the grand forms of symphony, opera string quartet, and concerto made the classical period. “Mozart’s music is characterized by lucid ease and distinction of style....”2 Wolfgang wrote over 600 works which consisted of 21 stage and opera works, 15 masses, over 50 symphonies, 25 piano concertos, 12 violin concertos,27 concert arias, 17 piano sonatas, 26 string quartets, and many more. His operas range from comic baubles to tragic pieces. In his Requiem it illustrates the supreme vocal sounds in any of his work.

The composer who wrote the “Symphony #40 in G minor”, is Wolfgang Amadaeus Mozart. He was a child prodigy; surrounded by musical masters that helped shape his compositions. Mozart’s mastery over the classical style shines throughout his work in this symphony. The first part of this symphony,

One of the problems clarinetists of the 21st century face when performing Mozart’s Clarinet Concerto, K. 622, is creating a performance that is memorable while keeping the authentic integrity of the work. Many clarinetists who perform this work are often concerned with how they should the approach and execute the concerto. Any musician who tackles any new work will approach it by researching historical information on the composer and work, do a musical analysis, and gathering recordings of other interpretations of the same work. This approach will not only allow the performer to be fully immersed in the piece but allow for the performer to create a memorable interpretation.

He raced to finish it but in the end only completed a few movements and a sketchy outline of the rest of the piece. He died probably from poor health when he was just thirty five years old. The Requiem was completed by one of Mozart's pupils, Sussmayr.Mozart was apolitical. He was very classical. He appreciated Bach and had a large output: 49 symphonies and 18 operas.

Symphony No. 41 is one of the last symphonies Mozart composed. Symphony No. 41 was the largest and most complex of his symphonies. The symphony is regarded by many critics as one of the greatest symphonies in classical music. The grand scale of the symphony along with the energy of the piece are what the symphony is known for. It is believed that Mozart was never able to hear this symphony because he passed before it could be performed. The work is nicknamed the Jupiter Symphony. However, the nickname did not stem from Mozart. It comes from a German musician Johann Peter Saloman. It received the nickname because of the emotional style of the piece that is created from the giant instrumentation. It represents the roman god Jupiter and his great power. The first movement of the symphony follows sonata form, but deviates from it by including more modulations.

Beethoven’s intent behind this piece is creating diversity out of unity. The unifying idea of the work is a series of three short notes followed by one long note. The diversity of the simple unifying idea therein is generated by the use of timbral development techniques and expansion of the orchestra; however, there are several performance practices and technical issues that impact the work’s total realization. The score referenced throughout this essay is the Kalmus Miniature Orchestra Scores version.

Johannes Chrysostomus Wolfgangus Theophilus Mozart, known for his string of operas, concertos, symphonies and sonatas, he helped shape classical music as it is today. “Born on January 27, 1756, in Salzburg, Austria, Wolfgang Amadeus Mozart was a musician capable of playing many instruments at age six. Over the years, Mozart aligned himself with a variety of European venues, composing hundreds of musical pieces including sonatas, symphonies, masses, concertos and operas” (Great Composers 2015). These works of art are known to be filled with much emotion to touch his audience.

a)The "Beethoven Concerto"s and Op. 37's Placement in the Genre and as a continuation of Mozart's Style

A symphony is an extended classical composition for an orchestra, found in Western Art Music. It often consists of four separate and unique, sections known as movements which are, in some way however, related to one another. The symphony as a genre began developing during the late 17th century and continued to do so up until the late 18th century. This important genre of Western Art Music is closely related to the development of the orchestra. It is therefore critical, in understanding the symphony, to investigate the development of the orchestra.

Mozart was a prolific and most influential composer of the classical era. As a mere toddler he began to observe his sister’s lessons with their father, developing a keen ear, and showing signs of surprising comprehension. His father, Leopold, was himself a successful composer, violinist and assistant concert master of the Salzburg Court. Both Mozart and his sister were tutored by their father, a dedicated and task-oriented pedagogue. Young Mozart progressed anon, excelling even above his father’s pedagogic genius. At the verdant age of six, he performed as a child prodigy at royal courts in London, Paris, and Zurich. Mozart’s youth was spent fully engaged in touring and performance. These tours were financed through donors and patrons. Through the years, and while abroad, Mozart met many accomplished musicians such as Johann

Wolfgang Amadeus Mozart was born in Salzburg, Austria in January 1756 to Anna Maria and Leopold Mozart. He was the second and last child to survive of his seven other siblings. His sister, Anna Maria”Nannerl” Mozart shared some of her brother’s triumphs. Mozart was from the start a musical prodigy. He played the clavier and started composing little pieces of music at the age of five. Mozart astonished the world further when he played the keyboard perfectly during a tour with his father. In 1764, at the age of eight, Mozart and his sister, another musical prodigy, came to London with their father. Their music was such highly praised that king and queen of England, King George III and his Queen, invited the prodigies to play for them

Among the many musical types of the period, the classical period is best known for the symphony, a form of a large orchestral ensemble. The symphonic pieces generally had three movements, the sonata, the minuet and the finale. Building of the achievements of earlier composers,

Mozart was one of the most remarkable music geniuses the world has ever known. He wrote symphonies, concertos for a variety of instruments, a great amount and variety of chamber music, songs, works for piano solo, and operas. Among his instrumental compositions are his symphonies, for example the No. 25 in G minor, and No. 35 in D major (Haffner), 27 piano concertos that include the famous Piano Concerto. 21 in C major, and concertos for other instruments such as the violin, horn, and bassoon, including the Concerto for Flute and Harp, the Horn Concerto No. 2 in E-flat major, the famous

Mozart is and was a remarkable musician and composer whose legend continues to grow more than two centuries after his death. Wolfgang Amadeus Mozart was born in Salzburg, Austria in 1756. Before the age of four, he had exhibited such extraordinary powers of musical memory and ear-sophistication that his father, Leopold, a highly esteemed violinist and composer in his own right, decided to give his son, Wolfgang, harpsichord lessons. From day one of his lessons, the boy's reputation as a fast learning, modern, talented musician grew fast. At five, he was composing music; at six, he was a keyboard virtuoso, so much so that Leopold took Wolfgang and his sister Maria Anna on a performance tour of Munich and Vienna.