Mr Pip Llyod Jones

During the weeks Molly spends with Vivian, she learns a lot from Vivian. Most important, she realizes that Vivian also had a difficult childhood but was able to overcome her bad experiences and lead a happy life. Molly’s realization reflects the theme of the book: learning about the experiences

In any genuine friendship there are the differences between the people that spark curiosity, yet, it is similarities that draw two together to form a tight bond. This is evident in the friendship that starts between Vivian and Molly. Vivian, from outward show, does not display the slightest similarity with Molly. It is not until one examines the often tragic back stories of both that striking parallels begin to be made clear. By the time all is uncovered, the likenesses shared between Vivian and Molly far outweigh any disparities. In examining the relationship between Vivian and Molly, a perfect balance is struck in Orphan Train by Christina Baker Kline.

The next important event in the book is when the Virginian meets Molly Wood, the new school teacher from Vermont civilized society. They eventfully fall in love with each other. Molly has trouble adjusting to the way that they carry out justice in the west but eventually decides that she will adapt to this new society in order to marry the Virginian and be at peace. Molly finds it especially hard that the Virginian has to oversee a lynching of his friend who committed a crime. At one point she tells the Virginian that he must choose between her and killing Trampas. The Virginian chooses killing Trampas but Molly marries him deciding that she loves him enough to adjust to this new way of life.

The overt neglect of her prodigal intellect experienced by Matilda leaves her feeling misunderstood and an outsider in her family which differs from the perceived neglect which leaves Coraline struggling with her sense of self. Born to parents described as “gormless” (Dahl 4), Matilda is both blessed and cursed with a prodigal intellect. Causing Matilda to crave knowledge, it is her intellect that leads her at the age of “four years and three months” (9), to defy her parents and everyday walk to the library. Matilda admits to this neglect to Mrs. Phelps, the librarian, when she tells her of her mother, “She doesn’t encourage reading books. Nor does my father” (10). With this statement Matilda shows how her parents have neglected to foster her intellect. Matilda’s eagerness to digest information, and the fact that the only book in the Wormwood home is her mother’s cookbook, elaborates how she differs from her parents.

The involvement of a family member with the previously misjudged character directly causes each heroine’s fallout of sorts with her future husband, who will henceforth be referred to as the hero. Catherine’s brother James becomes involved with Isabella before she is known to be such a determined flirt, but when she all but abandons him for Captain Tilney, it becomes known to General Tilney that Catherine’s family is not as rich as formerly supposed, and this results in

The first character to play a big part in shaping Pip’s personality is his sister, Mrs. Joe Gargery. His sister’s vicious attitude and harsh punishments force Pip to have an unfriendly childhood. This bringing up “by hand” has caused him to be a “sensitive” boy. The constant threat of being beaten with the Tickler has also instilled the fear of speaking out against adult’s treatment of him because it would send his sister into a “terrible Rage.” However, her brutality has also made Pip able to feel when something was a “keen injustice” because he himself feels so about her actions and words towards himself.

From a reader’s standpoint, how a character develops throughout a story is one of the most intriguing parts of reading. In Susan Glaspell's A Jury of her Peers, the narrator, Mrs. Hale, obsesses over how Minnie Wright changes since she was a girl. Similarly, in Everyday Use by Alice Walker, the narrator awaits her daughter’s arrival, to find that she is radically different from before. One of the core reasons for these changes in the characters are the relationships they are a part of. The two characters’ significant others each have a unique influence on the returning characters (Wangero and Minnie).

The evidence that Pip is an insecure, impressionable young boy is that Estella opinions in his coarse hands and thick boots made him break down and cry. He blames his sister for his insecurities because of his sisters’ bringing him up had made him sensitive.

The book came to be as a start of a voice Wally Lamb heard in the shower after a run one day. Just hearing her voice say, “The Dork has left me , good riddance.” she sounded wounded, irreverent and funny. She would become bold valiant, like Odysseus. Both she and Odysseus’s journey left them banged up and bloodied. Like each other they would both would return home wiser and sadder and learned to live an authentic life for themselves. This character came to be named Dolores Price. A character

The class system becomes a focal point in young Pip's life. Pip first began to think about his place in society when he was sent to visit the wealthy, old lady, Miss Havisham at her mansion. Through these visits Pip becomes socially conscious and begins to dislike his commonality. Almost instantly he wants to become uncommon. The adopted daughter of Miss Havisham, Estella, becomes a focal point and goal for Pip to obtain. Any morality Pip used to have slips away with each visit. Pip walks in circles in a barely lit room with Miss Havisam holding onto his shoulder and in doing so, Pip is somehow leaving behind all the values he was raised with. Miss Havisham and Estella end up corrupting Pip with the rich life. Greed, beauty and hubris are Pips downward spiral into an immoral life. Pip finds Estella very attractive, but Estella calls him common and this does not sit well with Pip. All of Pip's expectations of becoming a rich gentleman are due to this love of Estella.

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

          In an attempt to reflect the girl's changing awareness of her social identity and femininity, Munro weaves in a young sorrel mare, Flora. As the expectations of the girl's pending role in society grow, Flora takes up residence in the stable and adds an "air of gallantry and abandon" (470) to the girl's sheltered life. Just as the girl experiences confusion and angst, "Flora [is] given to fits of violent alarm" (470) of more of tangible nature. An approaching crossroad in Flora's life, namely her death, parallels the crossroad of identity the girl is facing. With the realization of Flora's death, the girl adopts "a new wariness, a sense of holding-off, in [her] attitude to [her] father and his work" (473), causing her to question the very foundation of her social opinions up to that point. By allowing Flora to escape through the gate, the girl symbolically opens the passageway to her feminine side. Even in its futility, this act sets the

Dolores is pure she has never done one bad thing in her life. She thinks God is not cruel enough to tear something good away from her again. The language in this story is different from the modernized English writing we use now. knowing this story was published in 1990 Chester decide to go for the more Shakespeare route kind of tone. After shortly meeting Larry Dolores decides it’s time to let her innocence go.

The correct portrayal of women in literature is highly significant as women have been marginalized throughout history. Although Charles Dickens wrote powerful and dominant female characters in his novel Great Expectations, Dickens’ portrayal of female strength is unsympathetic considering the period when he wrote this novel. During the Victorian Era, women never had dominance in situations and had less rights than men. In this case, Dickens alienated the female characters by writing them with characteristics that imply a negative connotation to the readers. Negative characteristics are still important for the development of a character, of course, but the Dicken’s depiction submits that women victimize Pip. The patriarchy and power in relationships are contrasted by the powerful female characters. Furthermore, the differences between men and women in Great Expectations are connected to social constructs rather than biological development. In addition, each female character have a significant impact on the male protagonist, Pip. Each female character is also shown negatively on how each of them is “redeemed” as the plot advances.