Mrs. Dalloway And The Good Soldier

Even though he knew it was wrong it was up to him to admit that he had done it to stay honest to himself, keep his name clean, and live free from guilt. The act of confession by John also demonstrates his act of self preservation. If John had not confessed he would not have been physically hurt, but moreover mentally impacted. His act of self preservation was through relieving himself of the guilt he would have had to endure if he had not told his wife, Elizabeth, of his actions. Elizabeth demonstrates her act of self-preservation by tiptoeing around Johns feelings. “Quietly, fearing to anger him by prodding” (51) Due to Elizabeth’s social status, she is unable to speak out and say what she may truly feel. In a ways, Elizabeth said many of the things she said in a mild tone in fear of causing John to lose his temper.

In Mrs. Dalloway Clarissa and Septimus smith have various similarities. Clarissa eventually triumphs over her issues/depression in her life unlike Septimus that eventually loses and commits suicide. Mrs. Dalloway an upper class 50 year old British wife the central character of the novel, struggles constantly to balance her thoughts and world. Her world consists of a fabulous lifestyle such as fine fashion, parties, and aristocratic society, but as she the novel goes on she looks beneath the glamour of her life and searches for a deeper meaning. Looking for privacy, Clarissa has a tendency toward introspection that gives her a capacity for emotion. She is always concerned with appearances around other people and no matter the pressure she keeps herself composed. She uses a lot of useless talking and activity to keep her ideas and emotions safe and locked away, which can make her seem shallow even to those who know her well.

The finis graveyard flowers were flourishing, their ambrosial scent wafting throughout the house, softly speaking the names of our dead.

Right before the beginning of this passage in Virginia Woolf’s Mrs.Dalloway on pages 154-158 we experience Peter returning home to his hotel room while day dreaming about his recent run in with Clarissa and about their long rocky past together. While on his walk to the hotel, he was a witness to the aftermath of Septimus’s suicide and as the sound of the ambulance sirens ring through his head (Woolf, 151). Peter does not know who is riding in the ambulance, nor does he know what state they are in, whether dead or alive. He is just one of the many people that happened to be out on the street at the time of the suicide, and even this does not seem to be able to clear his mind of Clarissa.

“The Boarding House” is a story that starts off in the beginning with complications, but the main conflict of the story is that Mrs. Mooney, Mr. Doran, and Polly all want different thing. Mrs. Mooney, mother of Polly, want to find a husband for Polly. She wants to bring Polly out of the lower social class and to find her a marriage that will not end in failure like Mrs. Mooney did. Polly also wants a relationship, but is going about it all wrong. Polly is ruining her reputation in the processes. Mr. Doran is a man who wants to have it all. He wants to have an affair with Polly and not ruin his

Another small but important window scene takes place after Clarissa returns home to discover that her husband has been invited to Millicent Bruton’s lunch party but she has not. After reading the message about the party on a notepad, she begins to retreat upstairs to her private room, “a single figure against the appalling night.” As she lingers before the “open staircase window,” she feels her own aging, “suddenly shriveled, aged, breastless… out of doors, out of the window, out of her body and brain which now failed…” Again, there is a hint of danger as death is portrayed as a somewhat alluring transcendental experience,

However, enforced cultural notions of gender differences prohibit Clarissa from blossoming a lesbian attraction towards Sally Seton. Progressing through the novel, Clarissa asks “had not that, after all, been love?” in regards to her relationship with Sally. She makes it obvious she was stifled in her homosexual love, due to her conservative attitude and society’s standards. Many critics believe that Sally Seton represents Virginia Woolf’s love for Violet Dickinson. To further elaborate, Clarissa feels that a sexual dimension in her life is now irrevocably lost, due to her understanding of her own capacities for bisexuality. Similar to Virginia and Leonard’s relationship, Clarissa and Richard are no longer sharing a bedroom, as sexual relations

She speaks as though her opinions to do not count anyway, but she is very accepting of this. She belittles herself several more times throughout the story. "I meant to be such a help to John, such a real rest and comfort, and her I am a comparative burden already" (Barnet 747). Having read the text through to the end we know that she is in a mental hospital, a reader could most likely begin to imagine what John may have been thinking to have witnessed his wife go through such disturbing mental anguish and that he was only going off of the knowledge available at this point in time. How would the story be different if it had been written from John’s point of view?

In the novel Mrs Dalloway, Woolf conveys her perspective, as she finely examines and critiques the traditional gender roles of women in a changing post-war society. Woolf characterisation of Clarissa Dalloway in a non linear structure, presents a critical portrayal of the existing class structure through modernist’s eyes. Titling her novel as Mrs Dalloway presents Clarissa’s marriage as a central focus of her life, drawing attention to how a women’s identity is defined by marriage. Despite the changing role of women throughout the 1920s, for married women life was the same post war. Clarissa experiences ‘the oddest sense of being herself invisible…that is being Mrs Dalloway…this being Richard Dalloway,”

Clarissa and Septimus both feel trapped in their lives and oppressed by the people around them, which leads to them find ways in which they can escape the negative world around them. Clarissa is described to the reader as having “a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very dangerous to live even one day” (Woolf, 17). Even as Clarissa walks down a crowded street the sense of loneliness controls her mind. Societal oppression of loneliness makes her feel distant from the rest of society. She describes herself as, “no longer being Clarissa, but simply Mrs. Dalloway” (Woolf, 11). Clarissa has lost a sense of herself and feels as though she no longer fits in. However, her parties serve as an escape from the outside world, which helps to explain why she loves

taxi cabs, of being out, out, far to sea and alone; she always had the

Laura Brown is also a married woman, like both Woolf and Dalloway, but rather than having affairs with women, she, like Clarissa Dalloway, feels bound by her role in society and is greatly unhappy with her situation. For a brief moment, she breaks away from her heteronormative life and seems to truly desire to break free from the gender roles forced upon her while sharing a kiss with her neighbor’s wife, Kitty.

From the beginning of Mrs. Dalloway, Woolf establishes that Clarissa’s bright and hopeful spirit has become dulled and burdened when subjected to the oppressive nature of marriage. During a glimpse into her younger years, the reader is able to see Clarissa. With each flashback into Clarissa’s youth, the reader is provided another image of Clarissa before marriage, one that highlights her passion and curiosity for life. While Clarissa felt a passion and connection with Peter, she could not bear to live in a marriage where her freedom was something she had to sacrifice. The decision she makes is logical in some ways, but her choice also brings into question the fault of her marriage in the first place. In Clarissa’s world, the option for passion and the security of her freedom was not available nor would it ever be; therefore, she was forced to choose between the two. Men, however, were not forced to make such decisions and were given the liberty to wait well into their later years to find a spouse suitable to their liking. By choosing to marry Richard over Peter, Clarissa forsook the option of passion in

  Clarissa Dalloway, the central character in Virginia Woolf's Mrs. Dalloway, is a complex figure whose relations with other women reveal as much about her personality as do her own musings. By focusing at length on several characters, all of whom are in some way connected to Clarissa, Woolf expertly portrays the ways females interact: sometimes drawing upon one another for things which they cannot get from men; other times, turning on each other out of jealousy and insecurity.

From the very beginning of the novel, the reader is confronted with thoughts of death from the main character, Clarissa Dalloway. When running her errand, she plummets into deep thought about her death and what would follow it,