Mrs. Hale In Susan Glaspell's Trifles

At the beginning of the short drama, “Trifles,” Mrs. Peters, the sheriff’s wife, is painted as timid and submissive wife. She willingly submits herself to the responsibilities she has as a wife. As the play unfolds, Mrs. Peter’s submissiveness begins to diminish. Mrs. Peters and Mrs. Hale work together to uncover the murder of Minnie Wright’s husband. When the women find the evidence, they refuse to share it with the men. Mrs. Peter’s character transforms into a more confident individual over the course of the play.

Wright to the murder of her husband. At the beginning of the play Mr. Hale acknowledges the males attitudes toward women without knowing. For example he states, “….I didn’t know as what his wife wanted made much difference to John.” (1001). This clearly signifies the male’s insensitivity to women. This statement that Mr. Hale made referring to John and how he does not care what his wife wanted or did not want does not even trigger the question, how was Mrs. Wright treated by her husband? Women were clearly not has important as the men. The men disregard women’s opinions and don’t give a thought to women’s needs or wants. Mr. Hale was speaking of John, Mrs. Wright’s dead husband in the above example; however Mr. Hale also expresses his insensitivity and arrogant attitude toward women. Mr. Hale states, “Well women are used to worrying over trifles.” (1003). Trifles something that is small, of no consequence, this is how Mr. Hale thinks of women. The things women are concerned with are of no importance, they are petty. This is an obvious illustration of the men’s arrogant and insensitive attitudes toward women.

All the men notice is clutter. The men do not look deeper behind the meanings of this disarray. However, the women do. The women understand that the reason that things such as the towels are not clean is because she more than likely was busy doing her many other chores of the household. They also considered how much trouble Mrs. Wright went to fix the preserves. The women reason that the uncaring concern John had for Minnie and the attention he paid to the house perhaps forced Minnie to resort to killing. Even the County Attorney, Sheriff, and Mr. Hale could not understand all the difficulties women go through. They criticize Mrs. Wright as well as insult all women. Mr. Hale says, "Well, women are used to worrying over trifles." The actions of just these men show how women were taken for granted in this era. Inevitably, the men are unable to prove that Mrs. Wright murdered her husband but are going to convict her anyway. However, the women have solved the case. They come to the conclusion that Mrs. Wright was not treated very well by her husband and was not able to withstand the mistreatment anymore. They could tell the lack of attention he paid to his wife. The men still have a hard time accepting this concept because they do not believe that men treat women badly.

Hale, and Mrs. Peters. Mr. Hale was the first one to visit the Wright home after the murder, so the sheriff immediately questions him. Because this is a play the actors have to talk to each other, so the audience knows what’s going on. Another way that the play goes into an action way is the aloofness of Mrs. Wright. Whenever Mr. Hale was being questioned he mentioned his encounter with Mrs. Wright saying that he would ask where her husband was, and she wouldn’t respond and just sit there in her chair and knit. The men then go on to criticize Mrs. Wright’s housekeeping, after the men leave the women say, “I’d hate to have men coming into my kitchen, snooping around and criticizing” (561). The short story has the same sentence except the short story surrounds that statement with an explanation of some of Mrs. Hale’s thoughts. For example, Mrs. Hale is described as having felt a strange feeling “then, as if releasing something strange, Mrs. Hale began to rearrange the dirt pans under the sink” (573). The play cannot provide description of emotions but shows them through action. “A Jury of her

As hardworking women living of the prairie, Mrs. Hale and Mrs. Peters can relate to Mrs. Wright’s situation. They know personally that long days of doing laundry, cooking, and cleaning can become very tiresome (Hedges 91). They realize that living on the prairie can force a woman to be confined to her own house for weeks at a time, and because Mrs. Wright never had children, the grueling loneliness that she suffered must have been excruciating. Mrs. Hale and Mrs. Peters both experience the constant patronization and sexual discrimination that most women in the early twentieth century lived with. They empathize with the difficulties of Mrs. Wright’s life and almost immediately a bond is formed with a woman they do not even know.

In the kitchen, the dishes are dirty, bread is sitting out on the counter, and everything is in disarray. The County Attorney is disturbed, because the kitchen is not clean. The men assume that Mrs. Wright must have not been a very tidy person. In this time era, men expected women to keep the house tidy and clean, cheerful, and decorated according to the County Attorney in Trifles; he states, “It’s not cheerful. I shouldn’t say she had the homemaking instinct” (1031). Men during this era think that women should only be in the house worrying about what the inside of a house should look. In the County Attorney’s mind, the house should have been warm, clean, organized, and presenting a happy feeling. This is a demonstration of how hard a woman’s life is when she is expected to be when a man’s views think of how a woman should be in the household, for example a slave to cooking, cleaning, and sewing. As shown in the beginning of the play, the men leave the women in the kitchen to gather some of Mrs. Wright’s items she requested as if this is where these women belong. The men go upstairs and out to the farmhouse to investigate for clues for a motive to prove that Mrs. Wright is guilty of the murder of her husband. The men never investigate the kitchen for any clues since they feel there is no significance in the kitchen. The kitchen is an area for women to do cooking and cleaning, which makes them feel there is nothing important in this area. Men

As the ladies examine the house, while the men are other places, picking clothes and an apron up for Mrs. Wright, Mrs. Hale gains sympathy for her until finally she starts to take action. When they find the block of quilting that has stitching askew, she starts to fix it, perhaps to cover for Mrs. Wright?s distraught state of mind. While Mrs. Hale is finding sympathy for Mrs. Wright, Mrs. Peters offers a counterpoint that tries to justifies the men?s viewpoints and actions. Her comments to Mrs. Hale?s resentful musings on Mrs. Wright?s unhappy life and on the actions of men in regards to women in general all seem to be rote answers programmed into her by society and a desire not to cause any trouble. This all changes as soon as Mrs. Peters finds the bird.

In the society of the 1920s when the play was written, the confinement of women was at an all-time high, however the breakout of women’s rights was just starting. The tone of this play helps show just this view, by promoting a character such as Mrs. Peters, who is stuck on whose side be on in the mystery of the murder. As they uncover the motive of Mrs. Wright, Mrs. Peters character begins to understand her, although the deceased husband was murdered in such a gruesome way, and know there should be a punishment for the crime for the crime because of her background with her husband as sheriff, who said she is “married to the law”, she comprehends the “stillness” that Mrs. Wright must have felt, with the house being as gloomy as it was on a bright character such as she before she was married. Such as

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

Glaspell develops the theme of gender roles by what Mrs. Hale and Mrs. Peters fret about at the crime scene. For instance, the first concern that Mrs. Peters voices revolves around Mrs. Wright’s fruit preserves and implies that the women are housekeepers. Both the Sheriff and Mr. Hale remark about how the women are “worryin’ about her preserves” and “worrying over trifles” (Glaspell 3). Later, when the men go upstairs to look for evidence, the women decide to bring Mrs. Wright’s apron, fruit, shawl, and quilt for her in prison. To further establish Mrs. Wright as a domesticated housewife, Mrs. Peters suggests that Mrs. Wright wants her apron “to make her feel more natural” (Glaspell 5). Because of what Mrs. Hale and Mrs. Peters discuss at the crime scene, Glaspell verifies that the women play the role of housekeeper and cook.

Hale both decide to make a joke out of a murder. By hiding the truth from the authorities, they could have received charges for obstruction of justice and received jail time ( Cornell ). The other viewpoint would be from the women in the story or possibly anyone reading it. After years of constant neglect and criticism, Mrs. Wright decided to break out the cage of a marriage she was in with her husband. Feeling for her pain, Mrs. Peters and Mrs. Hale mock the men as they investigate the crime scene. By not telling the truth to the Mr. Hale and the County Attorney, the women are getting revenge on the men for the they have been treating them.

Mr. Hale remarks, "Well, women are used to worrying over trifles" (1174), and Sheriff Peters assumes the insignificance of "kitchen things" (1174). Hence, women are forced into a domestic, secondary role, like it or not, and are not even respected for that. Mr. Hale, Sheriff Peters, and the county attorney all dismiss the dialogue between Mrs. Peters and Mrs. Hale as feminine chitchat. Further, the county attorney allows the women to leave the Wrights' house unsupervised because he sees Mrs. Peters as merely extension of her husband.

Mrs. Peters, we'll call her the antagonist, repeatedly brings up the fact that the men are only doing their job and that the law will determine Mrs. Wright's fate. Mrs. Hale, on the other hand, as the protagonist, resents the men's "sneaking" and "snooping around. Now she turns the men's stereotype of women against them. She feels guilty about not being around the Wright's farmhouse more often.

     Mrs. Peters and Mrs. Hale find their next clue, a dead canary, when they are looking for more sewing materials. The lifeless bird is found in a sewing basket wrapped in a piece of silk, and it looks as if someone choked the life out of the poor creature. The men then interrupt the women, and speak to them mockingly once again. The men notice the bird cage, but fail to take a closer look at