Much Ado About Nothing

Dowries are extremely important to consider when it comes to arranged marriages. A dowry is a gift that could be goods, money, or land that a bride’s family will give to the groom to marry the bride. Dowries could be used to bring two powerful families together by having their children marry, for example, royal arranged marriages. In the Biblical sense, a girl who is still a virgin is more of prize than one who is not. In a way dowries make the daughter or son feel as property as told by Sara Smolinsky, “to [my father] I was nothing but his last unmarried daughter to be bought and sold” (205). Mr. Smolinsky stated, “It’s not enough to take my Bessie without a dowry. You must pay me yet” (47). Mr. Smolinsky, being the stubborn man he is, decided when Berel Bernstein asked for Bessie’s hand in marriage without the need of a dowry, that Mr. Smolinsky should get a bride price as well. A bride price

“Speak low, if you speak love.” (Shakespeare, 43) Much Ado About Nothing, written by William Shakespeare in the early 1600’s, is a Shakespearean comedy. Noting refers to the act of noticing or overhearing. In Much Ado About Nothing, noting is used by the characters to gossip, eavesdrop, and intentionally mislead one another. Noting leads to many consequences in Much Ado About Nothing, a few of these being when, Antonio and Borachio overhear the same conversation, Benedict and Beatrice are tricked into love, Claudio and Don Pedro witness the mock love scene, and the watchmen overhear a conversation between Borachio and Conrade.

The play Much Ado About Nothing by William Shakespeare consists of many themes which grow out of the ‘game of love'. The two main themes consist of perception and deception. Through the plot complications, character development and dramatic techniques these themes can be explored. In the play deception is shown on both good and evil sides, the game of love between Beatrice and Benedick and the Don John plot to split up Hero and Claudio. Perception is a theme used in most of Shakespeare's plays. Perceptive views by the characters help portray the game of love. Hero is perceived as dead which then Claudio is sorry and feels for her. Beatrice and Benedick's loved is clouded by each other's perceptions and arguments.

Although the wife brought materialistic items to the marriage, the husband was the one that had authority over it. A dowry was an amount of money, goods, and property that the bride will bring to the marriage. With the husband providing money for the home, “It was referred to as her marriage portion,” (Alchin, Linda. “Elizabethan Wedding Customs.¨) The husband was supposedly the ruler of the household and the wife was at a lower rank than him, causing her to face inequalities and religious customs at the time supported this treatment, (“Daily Life.”) The wife’s responsibilities were to run the household and care for the children, becoming the husband's property. When the dowry was brought into the marriage the husband automatically managed

In Elizabethan Society during the time in which William Shakespeare wrote The Merchant of Venice, many marriages were arranged by the parents of the betrothed couple to ensure the transfer of wealth as opposed to assuring true love. Once married, the woman was expected to be subservient to her husband and not control any matters of the estate. Although not necessarily written as a stance on women’s position in society, it is from this perspective that Shakespeare wrote The Merchant of Venice laying down an underlying theme of marriage for wealth within the play. Love in William Shakespeare's The Merchant of Venice is bartered like a tradable commodity in order to gain money, status, and resources.

In Shakespeare’s comedic play “Much Ado about Nothing” there are many unique characters but the character Beatrice sticks out for many reasons. Beatrice is not like the other characters in “Much Ado about Nothing.” She “rebels” against the idea of conformity and humility that was prevalent during that time period for women; therefore, she fit the archetype of

In the evaluation of the third act of the play, “Much Ado About Nothing” written by William Shakespeare, it is clear and evident that one quote stands out among all the others to show the most meaning and the most important to the vitality of the third act of the play. In the text, Shakespeare states, “The word is too good to paint out her wickedness. I could say she were worse. Think you of a worse title, and I will fit her to it. Wonder not till further warrant. Go but with me tonight, you shall see her chamber window entered, even the night before her wedding day. If you love her then, tomorrow wed her. But it would better fit your honor to change your mind” (3.2.102-109). When Don John, the play’s infamous villian, decides to trick Claudio into thinking that Hero is disloyal, it demonstrates the overall feeling of sabotage in the third act, all in combination with the lie that Don John has created and released among the other characters to try and inflict sadness on the fiancé of Hero, or Claudio. Overall, the critiacal aspect of this quote to the endurance of the rest of the act is obviously vital to the continuity of

Shakespeare’s play ‘Much Ado about Nothing’ has two main female characters, Beatrice and Hero, who are cousins. Both appear to be completely different in the beginning of the play but, as things progress and their characters develop, there are also some very obvious similarities between them. Hero and Beatrice have a very close relationship; they are best friends. Leonato is Hero’s father but Beatrice has no parents, which gives her greater freedom. Where Hero is polite, quiet, respectful and gentle, Beatrice is feisty, cynical, witty, and sharp.

In William Shakespeare’s play Much Ado About Nothing, love has played a major rule as theme in this play. Shakespeare discussed different kinds of loving relationships; romantic love, family support and loyal friendship, and he shows how different characters react to love in many different ways. The main plot of Much Ado About Nothing is that of the relationship between Claudio and Hero, and the hidden love between Benedick and Beatrice. Similarly, deception is a big concept to consider as a theme in this play. Each of the main characters being the victim of deception; Shakespeare in this play shows that deception is not inherently evil, but can also be pure.

In the play “Much Ado About Nothing” by William Shakespeare, Antonio challenges Claudio to a fight/duel to avenge Hero’s “death.” Shakespeare uses epistrophe and hyperbole to demonstrate that in Elizabethan times, a man of words was not as respected as a man of action.

“Just as today a woman’s wedding was one of the most important days of her life” (William Shakespeare info). During the Elizabethan Era, most marriages were arranged, and some couples would be introduced to each other on their wedding day itself! (William Shakespeare info) Many of times marriages were done so that both families could “benefit” in some way, such as status or wealth ( Linda Alchin). Even though there are some differences from then to now, weddings today have some of the same aspects as Elizabethan weddings did, because a wedding is still one of the biggest days of a person’s life. There were many customs, preparations, and important ceremonies done during these times, and some of them are

Under this strict system, Renaissance marriage became a "system of fair market exchange" (Matchinske 156). The husband was expected to provide economically for his wife. In turn, the wife was obligated to render herself, her chastity, her silence, and her obedience unto her husband. Because of this system of exchange, "marriages of interest became the target of severe censure at the beginning of the century as a form of legalized prostitution" (Massai 71). Fathers exchanged their daughter's virginity for family connections, sons promised security in order to win a wife, and women were transferred from one lord to another.

The economics of marriage was not the only pressure on children to marry where their parents directed. Sixteenth-century children, and girls in particular, were very much brought up to obey, and to believe that it was their duty to their parents… to marry the person chosen for them. It would have taken a very strong-minded girl indeed to have refused to follow her parents’ wishes. Girls who did refuse the partner offered could find themselves bullied by their parents. (3)

Marrying for power, land and money was of concern for most of society during this period. This era was classified the Elizabethan era. The man generally asked a woman's father for permission to court his daughter,woman possessed very little right in choosing her husband. The matrimony was arranged in order for the benefits of both sides of the family. Marriage was a simple transaction involving the transfer of money. After falling for Lucentio’s heart, Bianca is restricted permission to marry him, till Lucentio is able to convince Baptista that he is fabulously rich. Have Hortensio offered more money, Bianca would have had no choice but to marry him regardless her love for Lucentio.

Elizabethan marriages were a very large ordeal involving not only the town but the families of both parties. The large ordeal was not only unnecessary but also very time consuming and stressful. Marriages, birth, and deaths were all the three cycles of life that were dealt with in the church (Evans 6-7). Marriages that were done by law and not church were not registered as there were no witnesses to the betrothal. Church marriages were common and proper as they would be recorded by the pastor (Harrison 1640). Fathers could get rid of their daughters by marrying them off or if he didn’t, when the daughter came of age, the parents would arrange a marriage for the young teenaged girl to a much older man (Evans 6-7). At fourteen, a child had been responsible for all their actions long ago and was now ripe with puberty and at thirty, a man could be financially stable enough to provide for a bride and any children she might bring. All the girl’s possessions would go to the man so wealthy women never remained single for long. If problems in the marriage arose, nothing could be done because the rules of the church stated that marriage lasted until the death of each party. Not only were marriages done without the age of both parties in mind, but marriages were not for love. Families married to carry on the family surname and increase possessions and