Much Ado About Nothing Virtue Analysis

marriage women should be innocent, pure and faithful. Don John's plan to make Claudio think hero is unfaithful is a success which then Claudio, Don Pedro and Don John perceives Hero is unclean and impure.

Deceit and trickery play a huge part in the play Much Ado About Nothing by William Shakespeare. Deception is a key theme in the play, it also moves the plot along. Trickery and deception is used in the love stories of couples Hero and Claudio, and Benedick and Beatrice, with opposite results. This play demonstrates two different kinds of deceit: the kind whose only purpose is to cause trouble, and the kind that is used to form a good outcome. In the relationship of Hero and Claudio, deception nearly succeeds in breaking them apart forever, while in the case of Benedick and Beatrice, it brings them closer together.

Earlier in the play, a scene was described where Borachio and Don John plan to trick Claudio into thinking that Hero is diwsloyal because of a man in her chamber the night prior to her wedding. After the stated quote, the intent is to try and trick Claudio and show that Hero is disloyal when she is actually not. This quote presents significance by describing the overall trait of the entire act and scene which is the trickery and sabotage of Borachio and Don John upon the hapiness of all of the other characters in the play. Overall, the previouly described scene, in part with an already confused Claudio, makes this quote important to the wedding of Claudio and

This theme of appearance versus reality is common throughout the play in the number of times deception is used among the characters. Deceit, and misinterpretation of the events causes tension among Claudio and Don Pedro (Act 3 Scene iv). After Claudio fell in love with Leonato's daughter Hero, Don Pedro woos the young lady for him. As Don Pedro does this jealousy arises in Claudio thinking his love is being taken away by the Prince.

In William Shakespeare’s play Much Ado About Nothing, love has played a major rule as theme in this play. Shakespeare discussed different kinds of loving relationships; romantic love, family support and loyal friendship, and he shows how different characters react to love in many different ways. The main plot of Much Ado About Nothing is that of the relationship between Claudio and Hero, and the hidden love between Benedick and Beatrice. Similarly, deception is a big concept to consider as a theme in this play. Each of the main characters being the victim of deception; Shakespeare in this play shows that deception is not inherently evil, but can also be pure.

´´We always deceive ourselves twice about the people we love - first to their advantage, then to their disadvantage´´ (Albert Camus). In William Shakespeare's Much Ado About Nothing, Don John is trying to break Claudio and Hero up. While this plan is in the making there is a lot of other lies that are being created. In this play there is a lot of lies and deceit, but the characters do not think twice about lying, they just do it. Deception in this play is revealed throughout many plans that the characters create like Don John's plan to break up Claudio and Hero, Don pedros plan to get Benedick and Beatrice together, and the Friar's plan to make everyone think Hero is dead and then reveal her at the wedding. No deception is not presented as morally wrong in the

Towards the beginning of the play, Claudio’s hope to woe Hero deems successful due to Don Pedro’s courteous actions to do the tough work for him. She loves him as he loves her. Nothing seemed to go wrong with this happy couple until

The humiliation caused to Hero in the event would be inconceivable to an audience at the time, being accused of adultery would no doubt ruin a woman’s reputation and therefore create difficulty for her when finding a husband; especially for a woman of high status such as Hero. Claudio is being presented as a potential threat at this part in the play, contrasting with the gallant war hero we were first introduced to. This emphasizes how bitter and sinister Claudio has turned, consequently reminding the audience by irony that is he only interested in wealth and status when marrying Hero. Claudio’s shallow fickleness plays into the villain’s hands. Shakespeare uses the threat of Claudio to generate further anxiety in the audience and concern for Hero’s welfare. This scene shows the men of the play coinciding with each other in their response to the defamation of Hero. Don Pedro personally insults Hero during the commotion of this scene, “to link my dear friend to a common stale,” he suggests here that he believes her status has been lowered by what she has supposedly done and rendered her ‘common’. This personal attack on Hero which has come from someone who shouldn’t really be involved advocates the idea that she is isolated in a patriarchal society in which men group together to defend male interests. Hero’s reputation is being publicly ruined here, and at the time this would have ruined Hero’s life and her

First of all, Don Pedro has influenced the conflict in the story by trying to be a matchmaker. Don John says he wants to help Claudio marry Hero and will do anything he is asked to do. “My love is thine to teach, teach it but how, and thou shalt see how apt it is to learn and hard lesson

Don Pedro does not like that Claudio is in love with Hero so he tricks both Then there is Benedick, who has always had witty insult fights with Leonato’s niece Beatrice because they have known each other for a while. When it comes down to the nitty gritty part of the book, you notice how much trickery and deceit comes into play with the relationships in the this novel. There are multiple acts and scenes within this novel that have trickery in them.

“The Power of Deception”: Rumor and Deception in Shakespeare In Richard Henze and Maurice Hunt’s articles on Shakespeare’s play, Much Ado About Nothing, the theme of deception though the use of speech and action is evident. Henze chooses to focus on how the actions of the characters directly relate to Shakespeare’s point that nothing should be taken at face value. While he does mention some of the language use, Hunt’s article is entirely devoted to the linguist aspect of the play. Nevertheless, both authors manage to shed light to the major concept in which the play is revolved around. Through careful analyzation of Henze’s and Hunt’s portrayal and description of the characters, one can see that rumor and deception are ultimately dangerous to those around them.

Nearly every character in the play at some point has to make inferences from what he or she sees, has been told or overhears. Likewise, nearly every character in the play at some point plays a part of consciously pretending to be what they are not. The idea of acting and the illusion it creates is rarely far from the surface -

In his comedy Much Ado About Nothing, William Shakespeare raises numerous ethical issues regarding deception and the treatment of women through Hero and Claudio’s relationship. Throughout the play, Hero is denied the opportunity to be an active participant in her own relationship, revealing the powerlessness imposed upon women by Elizabethan society. Hero and Claudio’s relationship unnecessarily begins with an act of deception. When Claudio reveals his feelings for Hero to Don Pedro, Don Pedro promptly concludes Claudio “shalt have her” and devises a plan (1.1.305).

Don John's malevolent plan to ruin Claudio and Hero's wedding was to take effect the night before they were to wed. The malicious Don John constructed, or rather misconstructed, the scheme that insinuated Claudio's belief in Hero's faithlessness. It is Don John who reports to Claudio and Don Pedro that Hero is having an affair, and he who stage-manages an elaborate charade featuring his own henchman Borachio and an unwitting stand-in for Hero to lend credence to this fiction. Perhaps the most significant thing to be noted in connection with this deception is that the spectator does not witness the crucial scene in which Claudio overhears the counterfeit exchanges between Margaret and Borachio that persuade him of Hero's guilt. We learn of this episode only at second hand, when Borachio boasts of his exploit (Lucking).

Claudio only saw Hero for a brief moment upon returning from the war, and immediately desires her. Don Pedro agrees to woo the beautiful woman in Claudio's name at the upcoming celebration. He succeeds and summons Claudio who proposes to Hero immediately. As soon as Don John hears of the engagement between Hero and Claudio the audience learns of his desire for Hero. In deep resent of his brother and Claudio, Don John accepts Borrachio's plan of deceiving Claudio into thinking that Hero is promiscuous for the dual purpose of shaming one of his prestigious brother's followers and preventing Claudio and Hero's marriage. Borrachio's plan included having an amorous encounter with