Mud River Stone Analysis

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Above all, I wouldn’t be where I am today without theatre. Without the chance to perform throughout my life, I would be disconnected from the wide array of communities and histories that’s been imbedded in my daily routine. Unfortunately, it’s speculated that the theatre is a dying art form, because of the expanding popularities of movies (“Is”), but I think that it’ll remain a well renowned part of expressing imagination and interpreting history as years pass; it only takes cooperation with school faculty and young students that go above and beyond to change their

3. The power of the play is its relevance to today’s society. We are surrounded in everyday life by men and women who might as well have been characters in this play.

Ever since I can remember I have loved theatre. It’s been a constant presence, and an important touchstone, in my life. However, for as long as I’ve loved theatre, I have also been ridiculed for my enjoyment of it. As a child, my interest was tolerated as something precious, something I was bound to grow out of. My parents and teachers would sit in the audience, clapping and cheering me on, all the while thinking to themselves “I bet she’ll make a great lawyer one day.” They thought, like most of society, theatre was an unnecessary luxury; a pastime for the rich and powerful, for those who didn’t have to worry about putting food on the table, or clothes on their children’s backs. Certainly not

I don’t know a lot about theater, and I can’t name many plays. But, it is easily recognizable that The Laramie Project is a particularly important piece of theatre. It entertains its audience, as any other play can do, but it simultaneously sheds light on a terrifying reality many easily ignore. It is a profoundly moving play that has a vital message, a brilliantly distinct style and in most aspects an exceptional production.

The play had an interesting concept of combining two popular pop-culture pastimes; a post-apocalyptic future and the obsession of artifacts in an increasingly fragmented pop culture. A stumbling block about the play was that it lacked a solid plot, which traditionally, would be the backbone of the story. However, by splitting the play into three very separate parts, the message or the story board became detached and caused even more bewilderment. During its running period, it felt as if there were three separate plays built on randomness. The first scene lacked material, for the basis of it was recalling a Simpson’s episode in the midst of an apocalypse. Having told to watch the particular episode beforehand, I attempted watching it but only prevailed halfway. It was definitely a regretful decision as the humor was embedded in recalling what went on or

The play is set in the times of 2000 and 2008, Lynn Nottage utilizes direct encounters to cut out a play that investigates the impacts generally neoliberal private enterprise on the human condition. The play is set in Reading, Pennsylvania; a city with one of the lowest incomes in the united states. It has an interesting plot due to the fact that it takes the aspect of laborer’s; Cynthia, Tracey and Jessie, and their friendships and relationships. They demonstrate the power of relationships and how they impact people’s lives and surroundings. For example, two ex-convicts, Chris and John, had a strong relationship in the beginning of the play but later grew apart separating that bond and the example of strength in friendship letting their diversity

Suzan-Lori is an American playwright, screenwriter, and novelist. Innovative and occasionally controversial and she is one of the most highly acclaimed African-American woman playwrights in contemporary theater. Reading the excerpts from Suzan-Lori Parks’ essays actually helped me because her main purpose in her writings is to guide newcomers (play writers) by offering some background information and ways to help on how to appreciate plays. Such as the Element of Style essay which is intended primarily for the new generation of theater makers. One thing that I liked the most about her way to guide new playwright that she never tells you what to add or not what to add in your plays. The only thing that she really emphasizes is that a playwright should ask themselves why they feel whatever they are writing have or should be a play? According to Parks “ the words “why”, “have” and “play” are key. If you don’t have an answer then get out of town. No joke. The last thing American theater needs is another lame play.” (Pg. 7) One thing that we should always do about playwriting is not to take anything for granted.

Carthage College’s production of Urinetown offers an engrossing visual and aural experience that seamlessly combines spoken dialogue and musical performance to create a unique theatrical event. Playwrights Mark Hollman and Greg Kotis infuse their provocative subject matter with colorful satire and acerbic wit. By simultaneously exposing theatrical conventions and providing commentary on governmental and societal ills, Urinetown compels viewers to reflect on themes of oppression, deception, and rebellion. Although the show suffers from moments of distracting lighting cues and occasional errors in line delivery, a first-rate script and inspired costume design contribute to its ultimate excellence. By closely analyzing these successes and failures, one can better understand the exceptional amount of collaboration, preparation, and creativity required to produce a quality piece of

In Module/Week 8, you will write a 1500-words (about 5–7-pages) essay that addresses one of the plays from the Drama Unit.  A minimum of six citations, including the primary source and at least five secondary scholarly sources, is required for this assignment.  Before you begin writing the essay, carefully read the guidelines for developing your paper topic that are given below.  Review the research paper Grading Rubric to see how your submission will be graded. Gather all of your information, plan the direction of your essay, and organize your ideas by developing a one-page thesis statement, outline, draft, and bibliography for your research paper.  Format the thesis statement and the outline in a single

As I wrote my paper, I realized that I needed to not only change my original thesis, but also the title of my paper. I think this was my first time going back and changing my thesis and the title. I was surprised to learn how much I needed to emphasize the importance of a certain passage of the play. I really like

​Life reflecting Art and Art reflecting life are two concepts often discussed when controversial topics are tacked either in real life, because they did happen, or in art forms, because they are creative, and sometimes, products of the artist’s imagination. Depicting the events in the story of the Scottsboro case in American history is no exception, as the sensitive issues of injustice and racial discrimination, have been exposed not only in various articles about the case but also in a musical production, which seems an unlikely platform to present an unlikely subject. Is it possible for a theatrical production to convey a very serious message to its audience, and if so, what can be expected of the outcome?

Sometimes plays have to be made, just because it brings deeper emotions to us. You bring up a good point that some aspects of life we can not experience without expressing it through art. It makes us bond more with the similarities we have, rather than the differences we have. I too, would connect to the common humanity of the play, while being exposed to some cultural differences, since there are some similar obstacles in life that we all share, no matter our race. I think this play really opens up our minds about challenges and the various ways that we overcome our challenges, while incorporating some humor.

When I first began directing, to me, the play was the thing. My mind was focused on the goings on of the stage with limited awareness beyond its borders. It seemed that dealing with the audience was somebody else’s job. If I directed a great play, I thought, people would come and like it. Job done. “Why this play now?” was a philosophical, intellectual question—but not something I really confronted in an educational setting.

Overall, both Williams’s A Streetcar Named Desire and Miller’s All My Sons inform their audiences about various social issues with similar and different devices in order to achieve their purpose. Both plays utilize outer dialogue in order to present the issues with the American Dream in Miller’s work and mental health with Williams. However, they also use different devices such as motifs or mood to raise other problems in society such as spousal abuse and social