Mudd Hall of Philosophy Mudd Hall of Philosophy is one of the most beloved structures on the campus of University of Southern California. Erected in 1929, the multifaceted structural complexity has set this building apart from its neighbors for nearly a hundred years. By looking closely at architectural elements throughout Romanesque, Byzantine, and Gothic time periods, we are able to absorb the full effect of the presentation made by the designer. Beginning with the outside and working our way in, the building can be properly digested by the visitor. Greeting whomever may enter campus, Mudd Hall is one of the first structures to come into view. The courtyard, an inclusive aspect of the structure, hugs the border of all the structures it shares the site with. The buildings appear to be continuously growing in elevation as you make a rotation around the courtyard 's perimeter, similar to a live interpretation of the penrose stairs. It brings your eyes around the entirety of the hall only to find yourself making an entirely new revolution yet again as if your eyes had not traveled there before. The sense of balance is translated through the structure in its entirety in this way. The eye-catching feature that draws the viewer in is the intimidating clock tower which looms over the site. Although the arches that pierce through the top of the tower visually might resemble that of a bell tower, its function is merely a way to tell time. As you cross the threshold of the
The purpose of this investigation will be to assess how the House of Wisdom contributed to the preservation of knowledge. This question is important because it addresses the academic advances with the Islamic civilization that lead to new information. To determine the extent of the contribution to the preservation of knowledge, this investigation will examine the achievements al-Khawarizmi made in science and the achievements that were made in this library and how they were preserved through time. The area of research will be focused during the time of the Islamic Golden Age, 750-1258, and in the city of Baghdad, where the House of Wisdom flourished. A method that will be used during this investigation is the examination of
The building was a marvel of modern engineering. A carbon neutral, solar and geothermal powered monument to the future. The outside of the building a sleek combination of recycled redwood and interlocking solar panels. The inside’s high vaulted ceilings and sleek white pillars formed a cavernous inner space. Three classrooms divided the building into working spaces. The bright L.E.D lighting and modern fixtures completed the buildings futuristic design. This building was the newest in a long line of additions to my middle school's campus.
As I exited the metro bus and stepped into the cold, wet, and way-too-early Saturday morning air, my mind pounded with the self-scolding, “Why am I awake. Why am I awake?”. The second I looked up at the grey-blue sky, however, all dread evaporated. Instead, the gorgeous sight ahead filled me with an incredulous awe. The Washington National Cathedral stood towering in cream-colored splendor, its richly detailed Gothic architecture almost too picturesque to fathom. Intricate spires stood proudly against the low-hanging clouds, as if taunting them to rain. Stunned, I began to follow my friends along a blue stone path surrounded by vivid greenery. As I walked, the chill air invigorated my lungs with each breath, filling me with a sort of peaceful energy. The path led to a smaller, yet still grandiose building which we entered through two large glass doors.
Throughout the history of this nearly century and a half old building many have speculated and debated its former past. This exhibition presents images of the historic Lin Hall
Last Sunday, I went to the Museum of Fine Arts and walked through the marble corridors in pursuit of Percy’s “it.” I was accompanied by a friend who was in pursuit of taking candid photos. I came in with a set of expectations as Percy writes, “the sightseer measures his satisfaction by the degree to which the [museum] conforms to the preformed complex” (473). When I entered the museum, the quietude of the atmosphere caused me to become drowsy and I quickly looked for the café to drink coffee. Feeling energized, I wandered aimlessly for close to an hour, amazed by the museum’s architecture and rustic paintings displayed. However, being surrounded by great artistic pieces of history, I did not gain the sense of being enriched or enlightened. Due to the nature of the assignment, I was not nearly as interested and felt that I could have been lost in the moment if I had entered on my own free will. That was until I stumbled upon the “Showdown! Kuniyoshi vs. Kunisada” art
The building itself uses an abundance of straight lines that give it a very neat and sleek finish. It is perfectly symmetrical, having a broad staircase with granite steps going right down from the second level to the front of the building. Written on these stairs are the words Invent, Discover, and Remember. Right next to this staircase, placed on each side are some brilliant green plants which wrap around the entire building and make it look very appealing. The building has several tower like sections that have upward sloping roofs that give it a bit of a medieval castle look. Made mostly of red brick and a yellow looking stone, this also gives the building the look of a castle. It also has lots of windows that give a welcoming feeling. There are also six bright lights which hang down from the second and third levels which add to that welcoming
Every religion has its own approach to art and architecture. An assessment between different traditions can offer an illuminating insight into the varying religious outlooks and theologies. Architecture, as well as art, is influenced by a number of forces in society, in the environment, in the psychology of the people who produce it, and in different institutions. It is an expression of inner feelings and beliefs and so naturally is influenced by religion in many societies. Religious architecture is created to experience the sacred, to provide a place into which spiritual energies flow and reflect a sense of the divine. Some
First, the huge scale and proportions of the library shows the enormity of the impact that Lyndon B. Johnson’s life had on the world and what a powerful man he was. The building rises high above the ground, dominating the immediate landscape around it. The average man appears like an ant compared to the vast expanse of the monolithic walls, symbolizing how Johnson was nowhere close to being an ordinary man. Also, the immense size of the building pays homage to other ancient, grand monuments such as the Pantheon, and by doing so
On the main campus of The Ohio State University exists Orton Hall, the oldest, in conjunction with Haynes Hall, of the four main buildings still remaining on the historical center of campus also known as the Oval. Orton Hall is popular visitor site to not only students, teachers, and staff but tourist and visitors as well. These tourist and visitors are ordinary people that may not fully understand the history behind this building, but they can perceive that it is important based on just looking at it. Even the average person can recognize that Orton Hall is an important building to The Ohio State University, thanks to the conversation the architecture depicts. Orton Hall’s name derived from the dedication to Edward Orton Sr., the first president
The de Young museum seen from a distance is a bold architectural statement, with its sleek horizontal building, indeterminate dark brown color and its massive tower emerging from its slightly bent curving roof. The building is an example of boldness, internationalism and cultural neutrality. Its setting in the Golden Gate Park’s landscape with the topography, vegetation; weather and light are taken advantage of. The significance of nature and the art that is housed in the museum from the Americas, Oceania, and Africa can be seen as having resonance in the architecture. Many of the works of art are sacred in their cultures, are made of natural materials and were never intended to be displayed in formal settings. Post modern theme of ‘context’ comes into expression as Jacques Herzog put it: “These objects belong to nature. We wanted to emphasize that”.
I found this building interesting because it refers heavily to elements of Greek architecture, but also alters and recombines elements it in ways that draw the elements away from their original significance and repurpose them as simple visual motifs. As they say, “Imitation
The significance of this specific building is apparent from the moment you enter its domain. The door, witch is not shaped like a door you will find in an average office building or home, is designed to be deliberately dark, narrow,
The building labeled B appears to be the main building for courses at Local Community College. Students walk in and out of the building all day and stop only to enter a classroom or buy food from the vending machines which fill one corner of the building’s long hallway. Often, students sit on the chairs that line the walls while waiting for a class to start, but for now the hallway is nearly empty and waiting for the ambush of students.
On Thursday I took my personal field trip around campus to observe the permanent sculptures as well as the ones on tour. I really enjoyed looking at both but I personally felt that I enjoyed the permanent ones better and that is what I will write about in this paper. The permanent sculptures resemble students and faculty at Western Michigan University. In contrast, the sculptures on tour did not relate so much to the students or campus as much but they did relate to the state of Michigan. While I was observing the sculptures, I did have one favorite and that the was Dunes because it painted an accurate illustration in my head when I was observing it. I decided to take my personal field trip in the morning instead of in the afternoon
The entryways of the building come from four different sides and meet in the middle. The overall shape of the building creates different views and facades. The building was not created just on the looks of it; it is made up of a three dimensional, stimulating, tactile human thing.