Multimodal Storytelling

In the article, Fernsten and Reda (2011) explore the relationship between writer self-identity and academic writing. They assert that self-awareness of writer identity can improve academic writing for disadvantaged student writers, those described as basic writers due to socio-cultural differences from the dominant culture, or from previous educational evaluation experiences (Fernsten and Reda 171). The rationale is that writing skills can improve through the practice and informal (non-graded) evaluation provided through self-reflective exercises regarding writer identity (Fernsten and Reda 171). The article introduces the subject matter by explaining

Does Texting Affect Writing: A Critical Analysis of the Influence of Text Speak in Student’s Writing

Instead of focusing on the different types of writing styles they will encounter in college and the workforce, most of the writing instruction students receive in their underclassman English courses at Carrizo Springs High School is primarily focused on preparation for the English Language Arts Texas Assessment of Knowledge and Skills Written Composition test, which has standards that are different than the outcomes they will be expected to accomplish in their dual credit English class and future college writing courses. Therefore, there must be a method implemented at Carrizo Springs High School and Southwest Texas Junior College to help students become more successful in dual credit English before they even step foot in that class. Students must understand that how they perform in that class will have an effect on their

Children’s pragmatic knowledge of written language is evident in the different ways they use language when telling a story and when they are dictating a story for someone to write down. The told stories are generally characterized by a conversational tone and voice-continuant intonation between sentences. Children’s competencies in dictating stories or narratives are another component of pragmatic knowledge. Dictated stories provide children with an opportunity to use language to share personally important events and experiences. Experiences in dictating stories have also been associated with children’s increasing awareness of the conventions of print (directionality, word spacing, punctuation, and letter-sound connections). When story dictation is followed by experiences in

In the last three parts of this paper, I described how my own literacy history has affected my pedagogy as a future teacher. As I looked closer at the different theories of rhetoric, I believe that I fall between the expressivists/new romantics and the cognitivists, as I explained in part two. I believe that when writers are able to become comfortable forming their own opinions in their writing in a writer-centric environment, they will be more likely to succeed in doing so with writing that has an intended audience. I believe this line of thinking or pedagogical approach will work best for developing writers, as it focuses less on the technical side of writing and more on the content- or being able to realize their own

I teach fourth grade language arts where my main focus is to prepare my students to write a personal narrative for the Nebraska State Writing Test in January. Reading and writing are intertwined in my area of professional responsibility as I motivate my students to write a well-organized, creative personal narrative. As I have taught writing, I have found reading, writing, speaking, and listening go hand in hand when composing a personal narrative (Bruning, 2011, p. 299).

As you can see, for my first draft of my literacy narrative, I briefly explained how English as a Second Language (ESL) helped me improve my reading comprehension and writing because I was born in a foreign country that speaks Spanish, but I was brought to the United States, were it's mostly spoken in English, and my home language remain Spanish. With that feedback from my professor and peers commenting similar suggestions like the one above, I included specific situations that served as examples of progress. I also expanded on a method of learning through music lyrics by using Micheal Jackson's songs and specified the words used, I managed to compose a decent literacy narrative for

In my English 1010 class, I have learned to do a number of things through writing essays. I have written a Literacy Narrative, a Discourse Community Analysis, and a Writing Research essay. Firstly, I have learned to identify how an author’s purpose, audience, genre, and context determine effective writing. The purpose of the literacy narrative was to help me understand myself better as a writer (Jones 1). My teacher was the intended audience of the narrative. The genre of the narrative was non-fiction by cause of it being about my experience as a writer. The context of writing made my writing more interesting and more effective. Knowing those elements helps you to compose writing that is more effective due to you needing to know what you need to write about and who is receiving your writing. I displayed these skills by going into detail about my experiences with reading and writing through my life. As shown in the following sentence from my literacy narrative I shared how fun and exciting it was when my second-grade class received the opportunity to write a book, A Book of Future Astronauts, “Everyone in the class was truly excited to be writing our own book,” (Writing is Good).

As a future teacher of a fast-changing generation that searches restlessly for new interests, I believe that old and new must meet to keep the basic values of a balanced literacy. Focusing on prior knowledge, collaborating with colleagues, peers, families, and community, creating connections with our surrounding, and empowering students’ learning style throughout the process of gaining knowledge of reading and writing. Foremost, my personal philosophy of teaching literacy is based on constructivism and sociolinguistic, where hands on experience and guidance are priority in an informational world. To facilitate a child’s acquisition of literacy skills , as I plan for literacy instruction for my future classroom, I will take into consideration

When I first took a look at my first assignment for English Composition I – Write a Literacy Narrative. The first thought it came to mind was “ESL” (English as of Second Language). I started to reminisce about my first year as a freshman in High School. It was the fall of 1985; I just had arrived from Colombia as an exchange student. On the first day of School, I reported to the front office, still not knowing what to say or what to do. I was completely lost and scared; the nice lady at the desk looked at me with a smile and started to talk. I did not understand a single word of what she was saying at that time, except “Hello”. After a few minutes of silence and staring at each other, I gave her a piece of paper that my

My literacy narrative focused on an event, which changed my perspective towards reading. This event revolved around my life and later resulted in a better version of myself. It was about a competition for which I appeared during my freshman year in high school. There were some key points, which I noticed while working on my literacy narrative. Throughout my work, I enjoyed the ways of employing the five authentic skills that enriched my narrative with not just my words, but also with my emotions that are associated to it.

Writing is a practice that most of us were taught when we were young. We were taught the basics of grammar, how to form a sentence, conjunction words, how to write paragraphs and more. Although we have learned this skill while growing up and have used the skill every year after entering kindergarten, this does not mean our writing process will ensure the best work. The authors that I chose each encourage their audience to excel in the art of writing in their own way to help with the writing process.

Reflecting at my own writing process and using my experiences as a way to shape my future practice as an English teacher, has brought light to the concepts of style, providing opportunities for multiple forms of writing, creating low-stakes writing opportunities, addressing authentic audiences, and establishing non-judgmental/safe space classrooms. Based on the theory that Milner et al. outline in the "Process Model," (2012, p.339) I would almost explicitly follow this pedagogy as a way to help students explore writing. For example, I would focus on the steps relating to revision (step 2), teaching multiple forms of writing (step 3), creating opportunities for teacher conferences (Step 4), and providing students with authentic, and divers audiences

Writing is examined in the first chapter of “Writing about Writing”, a textbook by Elizabeth Wardle and Doug Downs. Not only does it examine articulate writing, but specifically the threshold Concepts of writing: “ideas that change the way you think, write, and understand a subject,” (Wardle, Downs 2011). Terms are used to educate readers, these terms are essential for the writer to better understand how to write, and for the reader to better understand composition. Three terms seem to do this; construct, contingency, and rhetoric.

While it is possible to be able to identify creativity in literacy practices at text level, this approach is somewhat limited because it fails to take into account: (1) the interactive features and functions of literacy practice, (2) the influence of its socio-cultural and historical context and more importantly (3) the creativity in language practices that is inherent and emergent from social practices in particular contexts.