Murrakami Research Paper

Haruki Murakami was born in 1949 in Kyoto, a city in Japan. He lived his life in a time and place, where traditions had absolute influence on people and were very highly valued. This inspired him when he was writing his stories. For influence, he had to read Western literature. In his works, Haruki Murakami shows that he supports the idea of more freedom against traditions, but still presents the risks of choosing not to follow them.

As part of “Dance Houston 2013”, the “Ndani” was performed on April sixth of the year two thousands and thirteen at the Wortham center. The dance executed by a group of eight young dancers, among which Otis Berry, was choreographed by Shaté Edwards. Miss Edwards has an engaged, skillful, and powerful style. Her background includes jazz, tap, stepping, modern and more. She is a Houston, Texas native, who attended college in Atlanta, Georgia, and has performed a lot in the U.S and China and has participated in numerous productions.

The Jennings prairie is one of the few places in Pennsylvania where the Massasauga Rattlesnake is found. The massasauga is endangered in Pennsylvania and is strictly protected. The massasauga is venomous and may bite if surprised or threatened. The staff at Jennings ask you to please stay on the trails for your own safety and the snake’s protection. Over three quarters of the park is covered by forest (www.dcnr.state.pa.us/stateparks/findapark/jennings/). Stream valleys, upland forests, and wetlands, provide diverse habitats for wildlife at Jennings. The massasauga rattle snake isn’t like most rattle snakes. It has 9 enlarged scales on top of the head. Stocky with a well-developed rattle, the massasauga s brownish gray with rounded dark

Hello, my name is Mariko Makishi. I am a second year student in Linn Benton Community College.

Takashi Murakami, a contemporary artist best known for his monumental movement, “Superflat”. Murakami is a Japanese artist who was born and raised in Saitama, just north of Tokyo, on February 1, 1962. He studied Nihonga, a traditional Japanese painting method thousands of years old, at the Tokyo National University of Fine Arts and Music, where he received his Bachelor of Fine Arts degree in 1986. He continued his education until he received his Ph.D in 1993, becoming the first to achieve this in this department. Although traditionally trained, his artwork incorporates a wide and diverse use of media, not confining his abilities to one tried-and-true method. As Murakami was growing up, he lived through a time when Japan was severely damaged and still suffering the effects of a post-WWII loss. During this time, “... he had become familiar with the ominous sounds of American military planes reminding Japan of its foreign domination.” (Favell 18). This would influence the reshaping of

Those were some of the words that I heard during family dinner but later realized that they are language that comes from their native country. Car rides would take forever because instead of hearing regular English or Spanish songs, my parents would prefer songs that didn’t have words just rhythms of nature or instruments that I never heard in my life. I felt as if I was living in two different worlds, my house involved of me trying to understand why everything that we do is so different from my friends and neighbors.

I visited the Vancouver Art Gallery to view the contemporary art exhibition by Takashi Murakami titled, “The Octopus Eats Its Own Leg”. This show holds more than presenting more than fifty works spanning thirty years of the artist’s career. Upon entering the exhibition, I was greeted by one of Murakami’s more recently completed works – an incredibly large sculptural piece titled “Chakras Open and I Drown Under the Waterfall of Life”, which is a piece made in collaboration with graffiti artists Madsaki and Snipe. It is nearly 20 feet tall and made out of Styrofoam, water-based urethane, wood, iron, and acrylic paint. The layout of the first room directs viewers to climb stairs that lead to the second floor which holds the majority of Murakami’s exhibition, and this allows for a better, more open, view of the first sculptural piece from all angles as well as a view of the colourful designs on the walls leading

The Great Wave by Christopher Benfey shows a glimpse of “Old Japan” and its fascinating artwork around the time of the cultural tsunami in 1854 followed by the time of American Fascination. This book is not so much a book on Japan, more or less it is a piece comparing the U.S. and Japan by looking at topics like cultural and social aspects faced by both countries. Towards the latter half of the book, Benfey really keys into aspects like Jiujutsu and martial arts along with forms of Japanese art and the idea of expressing ones spirit.

The Maasai are a pastoralist tribe living in Kenya and Northern Tanzania. Much of their land falls within the Great Rift Valley. The main source of their livelihood remains livestock, consisting of cattle, sheep, and goats. Traditionally, Maasai do not feed on game meat as this is associated with the hunters-gathers (Dorobo people). They have relied on their livestock, mainly cows, for most of their nutritional needs. Milk, meat, and blood constitute the basic components of the Maasai diet.

Reg Mombassa was born in New Zealand in 1951 and immigrated to Australia with his family in 1969. Reg attended the National Art School, Sydney 1969-70. He later returned to art school in 1975 and obtained his diploma of painting in 1977. In 1976 Reg formed was a rock band called Mental as Anything, with 4 other art students. The band released 11 albums and 27 singles with 20 entering the top forty. They have toured in Australia, New Zealand, Canada, England, Europe, the United States and Asia.

Post-war Japanese society is a world where High and Low art is blurred together by otaku, such as anime, and social class. However, Takashi Murakami straddles the line. Murakami spills a mix of Nihanga and Otaku into the canvases, plastic toys, handbags, shoes, etc; endorsing his own theory/style named “Superflat”. Using strategical subject matter such as popular Japanese comic figures combined with ukiyo-e(traditional Japanese block prints), and addressing these contrasting qualities to outside cultures; Murakami intensifies what Pop Art accomplished, art versus material. On other feelings, one could argue that “Superflat” isn’t a unique, Japan-identified style, that “Superflat” is a humiliation to the Contemporary Art world because of its commercialism. Lastly, that is a continuation of the already well developed Pop Art. On the supporting side, Murakami’s “Superflat” is a high-energy, cross-culture style that serves as a new way to represent the high and low of art that is considerably unique to Japan. To support this, Murakami’s past and present artwork will have to be established chronologically to illustrate how the timeline affects his work.

In Haruki Murakami’s collection of short stories The Elephant Vanishes, there is a direct correlation between the structure of the text and the themes of the stories. The way Murakami cloaks his own culture parallels the isolating and hidden structure of Japanese culture. Although he manages to hide his Japanese background in the text, popular culture references are made. American and Western culture is dominant in his writings. The Asian culture that Murakami is a part of is hidden inside of the text, isolating itself away from the people who are not familiar with it, much like the structure of the Japanese culture.

The art world has a limitless array of mediums and different artistic periods, challenging the opinion of what should be accepted by the masses. "Expressionism is the art of the emotive, the art of tension provoked by consciousness of the forces which surround modern humankind." Challenging the academic traditions of the previous centuries, Edvard Munch impacted the art world as an instrumental leader in the development of modern German expressionism. His painting The Scream has made its mark in questioning the ideals of what is acceptable concerning the history of art. The paper will discuss Munch’s life history, uncovering the influences which led him to expressionism, as well as a detailed description and analysis of The Scream,

Born in 1907, Bruno Munari was and not only considered an Italian modernist but also a futurist. He ventured into many different fields of art such as graphic, painting, sculpturing to industrial design. He also was a theoretician and author publishing children's books and his poetry. ¬¬ Throughout the entire twentieth-century his work as captivated many people and grew, let alone Picasso himself mentioned him as "the new Leonardo."

“We’re here?” I question, seeing a large trading town a mile away. We’ve traveled 500 miles in one month by the way. Mansa Musa replies, “Yes.” “I’ve heard of this town, it’s an Oasis town.” adds the muslim scholar. We are in silence for the short mile, and once we reach the town the camels stop, having reached their 100-mile limit for the day. The town is bustling with trading activities, I smell fruit, meat, salt, and smoke from the cooking around the trading stalls. My mouth is watering, for we have only been eating bread for the whole trip whilst the Mansa has been feasting. I pull a gold coin I packed for my trip and go to trade for a couple of apples. I ask for apples and the trader gives me five apples, split into halves, and I hand