Museum Essay

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

Lorraine O’Gradys’ unintentionally historic performances, seemingly elevate everyday life to the status of art. In her ‘exhibit’ at the Studio Museum, her work is represented through photographs, in ‘Art is…’. Thirty years ago, O’Grady presented ‘Art is’ in the form of a float in the African American Day Parade right here in Harlem. Performers pranced with empty frames, metaphorically capturing fleeting pictures of the people and places that surrounded the route of the parade. By doing so, the trappings of high art were brought out of the museum, into the street, which promotes a new way people might begin to recognize this new art form in the celebrations of every day life. The

Though the viewers focus first on the centered figures, it is easier to first analyze the surrounding settings to understand them. The stone wall foreground and the open fields of the background each embodies one of the girl’s thoughts. The back landscape is filled with warm, airy colors of blue and orange, as if it were under a bright sun. On the other hand, the foreground’s stone walls and concrete floor has dark, cold, shadowy, earthy colors that seem to appear as if under a stormy cloud. The sunny land suggests free, pure, spacious land previous to the industrialization. Yet, the darkened foreground due to the overcasting shadows resemble the currently dirty,

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

The exhibit that I viewed at the Philadelphia Museum of Art was one about European Art between the years 1100-1500. This was a series of paintings, sculptures, architecture, and tapestry of the Medieval and Early Renaissance as well as objects from the Middle East. This exhibit was an important part of the history of the Philadelphia Museum of Art because for the first time, Italian, Spanish, and Northern European paintings from the John G. Johnson collection were shown. It gave me a good idea of what the paintings were like in these four centuries and reflected ideas of both the east and the west.

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

The Elder Sister is a painting by a well-known French artist William-Adolphe Bouguereau. This work of art was completed by William in 1869. As a result of research made on this painting, it was found that the painting was anonymously given to the Museum of Fine Arts Houston as a gift in 1992. According to the museum, this was a gift of an anonymous lady in memory of her father. Since then this amazing work of art has been a part of the permanent collection of the Museum of Fine arts, Houston; becoming one of the most notable highlights in the museums painting collection. Its dimensions are 51¼ × 38¼ in (130.2 × 97.2 cm) and the frame is 67½ × 55 × 5½ in (171.5 × 139.7 × 14 cm).

George C. Wolfe's first widely accepted piece, The Colored Museum, uses Brechtian structure to create an atmosphere of question. By using alienation techniques, the play brings the audience to question the stereotypes presented in the play while the subtext of the play is revealed. The play is hypothetically not set in time nor place, but it is dated by the situations each of the characters are put in. The text is delicate in that the production needs to present alienation effects in order to achieve the goal of questioning, or else the audience may simply laugh at the reproduction of racial stereotypes as entertainment and not see past to

I don’t knit. I’m just learning to crochet actually, but this makes me really wish I could knit at all or crochet better. I think this is an excellent idea! The National WWII Museum is proud to launch its own Knit Your Bit campaign. You can help the Museum honor WWII veterans by Knitting Your Bit- in this case a simple, but cozy, scarf to be donated to a veteran in a Veterans Center somewhere in the United States. People are no longer “behind the cause” like they were during WWII. You no longer see large scale projects where people give of themselves and their time to support troops or veterans. This looks back to a time where people cared and showed it.

Mr. Courbet painted many pieces of art. As the Google site mentioned in the description above, Courbet pained nudes, portraits, and landscapes, which are my favorite of his. Courbet did not only capture the landscape but also the wildlife that lived in the area, which was the reason I was attracted to his paintings. Just the way Courbet captured the animal's movements in their environment. Courbet catches the size of the deer, you can tell just by comparing the two. Like the Courbet painting

A group of us Arts and Music students used the day on Wednesday to go into the city to visit the Boston Museum of Fine Arts. It was a cold, breezy day so we were all bundled up in jackets and hats. As we got off the E train and walked toward the museum, its appearance was not what I expected it to be. The museum was an elegant, beautiful building made of what looked to be marble; not the big, brick monstrosity I had expected. Once we walked into the museum, it was even more elegant on the inside. The marble staircase had sculptures on each side leading up to the rotunda where white Christmas lights were strung around the banister in decoration for the Christmas season.

Claude Monet’s oil painting, Bain à la Grenouillère, was painted in 1869. It was considered a history painting because Monet’s inspiration for this painting came from a popular boating and bathing resort in Seine at Croissy. During the 1860’s, Emperor Napoleon III and his family visited the resort. With such a rare occurrence, Monet sat down to capture the moment.

‘Imagine you were in charge of a museum’s collecting policy. What would you chose to collect and how would you justify these decisions?’

Don’t get me wrong: I love museums. I like reading about the subject weeks in advance. The unspoken rule that one must not speak if not necessary. I like watching people’s pupil’s blossom when a piece sideswipes their senses. The timid way people point at admirable pieces. I like all these aspects of museums and more. That said, if I didn’t see The Absinth Drinkers I doubt I’d value this assignment.

I recently took a trip to New York City and visited the Metropolitan Museum of Art. While there, I looked at many different types of art work from all different cultures, time periods, and places. I was amazed at all the artwork there and how different it all was. I was amazed at the interior designs of the museum and how it was made to look just like a room from the place in which the showcased art originated from. There were many amazing art pieces that drew my attention, but there was one art piece that caught my eye and that I was in awe of. This is the Crown of the Virgin of the Immaculate Conception Known as the Crown of the Andes