Music Analysis: Comparing 'William Tell Overture' and 'Overture 1812'

The repertoire includes such classics as Tchaikovsky‘s "Eugene Onegin" and "Swan Lake" and works by Mozart, Verdi and Rossini. Other popular productions are Massenet‘s ballet "Manon" and the operas "Don Juan" by Mozart, "War and Peace" by Prokofiev and Wagner‘s "Das Rheingold". The latest productions are Tchaikovsky‘s "The Nutcracker" Puccini‘s "La Boheme" and Verdi‘s "Macbeth". The most famous Russian ballet companies are; Tatchkine, St. Petersburg, Bolshoi companies just to name a few of the most famous.

The music was composed by Igor Stravinsky, who considered himself an inventor of music. He was also known for many controversial works reminiscent of Nijinsky. He created many works that blasted the whole realm of music into other possibilities, in which it would never return from. He started his career writing music for other ballets like Firebird and Petrouchka, which were grand and familiar like traditional ballet, but had a small hint of a more modern tone. It was not until The Rite of Spring that Stravinsky’s work was truly inspirational. This work tested the future of the 20th century classical music, and in many ways it paved the path to a modernized view. There are still many who do not understand how he

Of the many great composers during this era, Wagner stood out to me because of the intensity of his composition from 1851 in “The Ride.” The song pulls at my emotions in a theatrical telling of a battle scene from which warrior maidens emerge. These women are attendants to Odin, who sought out the souls of those heroes lost in battle. The Norse myths story is told through the feelings I experience when I hear this composition. The tempo is fast and amped. It pulls me into the sounds and I want to hear what happens next. I feel the announcement of these heroic soldiers and the challenges they fought through. It starts fast, lightens up, and then comes back with stronger build up. I feel the drama in the battle as if it’s happening in front of me. There are moments while listening where I caught myself holding my breath. This draws out feelings of enthusiastic anticipation which reminds me of the music written for a screenplay. The song finishes with a final, proud, horn blast and then leave me with some tension in the fast-paced ending of thrills. I’m drawn in and

The story and the song used in this comparison are “The Old Man and the Sea” by Ernest Hemingway and “Stronger” by Kelly Clarkson. Both of them deal with hope and strong urge of motivation. However, they deal with it in a distinctive yet a very similar way. This essay will convey the main settings, plots, and themes differences between the two pieces.

The first movement began with a very strong texture as the music reflected a very powerful theme. It began with the heavy instrumentation from the strings including cellos, violins, and basses. The tempo was also relatively fast and generally upbeat. About a minute and half in there was a very noticeable solo by the violins which was a bit softer in terms of the texture. The melody seemed to be very upbeat and cheerful. Lasting the form of the movement was very well structured and the instruments backed each other up smoothly.

The first and opening piece was a Roman Carnival Overture, Op. 9, by Hector Berlioz. In major tonality, classical piece started with vivace statement, and then slow introduction progressed later in allegro. It featured an independent solo that was performed with an English horn and gradually changed dynamics throughout the classical movement.

To begin, The Rite of Spring was composed by Igor Stravinsky. Stravinsky was born in 1882 near St. Petersburg, Russia. As a Russian-born composer, his music had “a revolutionary impact on musical thought and sensibility just before and after World War I, and his compositions remained a touchstone of modernism for much of his long working life” (Taruskin; White). According to Wikipedia, he is considered one of the most important and

This piece was used in Gilbert’s and Sullivan’s comic opera, The Mikado. It consists of dramatic love stories and astounding wit. Just from the beginning, the audience can sense the playful tone from the light and constantly changing notes. In addition to the quicker tempo and forte sound, adding the xylophone to the whole band establishes an impressive entrance. There was also a great transition from the playful scene to a more serene one. The bass drums and cymbals were then used to build the piece to the original melody once again. At the end of the piece, the whole band played together while the xylophone filled in their rests. Although there were some players who weren’t as precise for the ending, it was still stimulating, which is the main purpose of the

Vuelta del Fuego is a Mexican based piece designed to captivate the “Zorro” like sound generated in Hollywood films. It combination of this with the “over-the-top romance” feel of Mexican style gives it a certain uniqueness and swagger to each melodic line that is passed throughout. Translated to “(The) Ride of Fire” this piece is long imaginary thrill ride that elevates an ensembles musicianship to the next level. Its fast tempos in combination with difficult melodic lines make this piece enjoyable to listen to, and it is slowly becoming a staple in the brass quintet

The first movement is “Mars, the Bringer of War.” It begins moderately quiet with mainly percussion and strings attacking the ostinato in a march like 5/4 meter. Brass begins to crescendo its way in before the terraced dynamics of the upper woodwinds begin. It is a moderately fast piece. The main goal of the piece is to create a war-like sound. The beginning creates a sound that feels like troops are gathering and it continues until both sides attack, recuperate, and attack again with full force (during the coda). The tenor tuba carries the melody while the march-like rhythm keeps reappearing. As the piece

Tchaikovsky=s first masterpiece was composed from 1869-1870. It was a symphonic fantasy based on Shakespeare=s Romeo and Juliet. ARomeo and Juliet@ was the first of Tchaikovsky=s works in which his superbly

The Music of the classical and Romantic era is a period of time where it shows the development and different styles of music. This can be shown through the manipulation of musical elements, (dynamics, pitch, tempo, rhythm, texture, meter, tonality, structure, melody, harmony, instrument) while contrasting them, but it can also be shown through the composers of the music, the size of the orchestra, musical directions, emotional content, and non-musical developments through that period of time.

The first piece was “Overture from the Singspiel”, which is composed by Wolfgang Amadeus Mozart. The conductor is James Martin. When it comes to the acomposer, Mozart was born January 27, 1756, Salzburg, archbishopric of Salzburg [Austria]—died December 5, 1791, Vienna), Austrian composer,

Who is the composer (full name and dates)? List three points about his life and environment.

The general plan of Tchaikovsky’s symphonies includes a very 'pessimistic' first movement, a sad, peaceful second movement, an allegro movement (often in dance form) and a fourth movement full of vigor.  His 6th symphony, the Pathetique, is an exception.  The themes are broad, decorative, and striking. The orchestration is rich - but without any attempt at spectacular effects.  The last movement is slow and mournful, and recent research reveals the reason.  The Pathetique was only partly finished when news spread of a homosexual 'encounter' Tchaikovsky had with a fellow student. Some believe that the composer finished the symphony as a farewell to life. The scoring is for the standard symphonic orchestra with winds, brass, strings, timpani, and other percussion instruments. It was premiered in St. Petersburg with Tchaikovsky himself leading the orchestra.