Music Concert Review Sample

The Conductor of the Choral Concert was, PCC concert choir and chamber singers, Rodger Guerrero who has just joined the Pasadena City College Faculty a year ago. Additionally, Marina Fortuna Dean was the director of the Opera scenes.

The five movements of Mahler's symphony complement each other in three different parts throughout the performance. For instance, the first movement Trauermarsch presents a somber mood that complements the intensity of the second movement Stürmisch bewegt, mit größter Vehemenz. Whilst, Movement III Scherzo immediately

Both Haydn's and Beethoven's first movements are composed in sonata form, with an exposition stated in the opening that is then developed and recapitulated. The size of Haydn's opening movement is somewhat smaller than Beethoven's, whose opening exposition itself seems larger than life. Haydn's first movement is roughly six minutes long, and the length of Beethoven's first movement only exceeds Haydn's by about a minute and a half to two minutes.

The symphony is in four very powerful and entertaining movements. The first movement begins in the pianissimo tone with the strings section, but quickly enters the fortissimo tone with the introduction of the woodwind, brass and percussion sections. The dynamics of the musical melody varies throughout the movement moving from crescendo to decrescendo modes. The first movement reminds you of a raging storm from soft blowing winds to thunder and lighting. The audience is mesmerized by this first movement of the sonata.

The 1st movement, Allegro con brio, is a fast paced, high dynamic movement in a high pitched major of Eb that is a perfect theme for a hero. Beethoven’s use of this stormy, radical opening was already a new style of music compared the classical period style of Mozart. Opening his symphony with loud dynamics at a fast tempo is something new that that was not played in the classical period. The two elements meld together to provide an overwhelming force in the audience, which is exactly what Beethoven tried to accomplish to show his idea for his hero Napoleon. Beethoven provided the “awe” in this first movement from Europeans reaction of awe and terror to the

The music played throughout all of the concerts adhered to be diverse. The instruments, the individuals performing, and the conductor all proved to be outstanding. The concerts proved to be interesting as I witnessed them, first hand.

When the concert first began, the three instrumentalists walked with energy despite their age. The first song, “Sonata I in G-Major Op. 2, Nr. 1” by Michel Blavet, was a Baroque Sonata. There were five movements and was played by the harpsichord, flute, and cello. All movements of the song were polyphonic because of the three instruments that had different parts and equal importance. In the first movement, I noticed that the flute tended to rise in pitch. In the second movement, I noticed that the melodies often repeated. Throughout the rest of the song the tempo changed from fast to slow and the flute would usually take the lead. On the last movement, the cello and the harpsichord

The first movement of Beethoven’s 9th is quick, driving forward and at times giving the feeling of rushed urgency, while maintaining a composed majesty beneath the surface. This is reflected in the original tempo marking of allegro ma non troppo, un poco maestoso, meaning literally “quickly but not too fast, a little majestic”. The movement begins with a the strings playing intervals over a quiet string tremolo, reminiscent of an orchestra tuning themselves before a performance. This crescendos to a loud and bombastic introduction of the first movement’s main theme and the introduction of the brass section. The first movement also makes heavy use of dynamic contrast, with large crescendos that swell in time with the music and diminuendos that quickly reign in the impressive power of the full symphony orchestra. The first movement also follows a traditional sonata form, with the main theme having variations throughout the roughly 18 minutes of play time. Personally, I found the ending of the first movement

The first and opening piece was a Roman Carnival Overture, Op. 9, by Hector Berlioz. In major tonality, classical piece started with vivace statement, and then slow introduction progressed later in allegro. It featured an independent solo that was performed with an English horn and gradually changed dynamics throughout the classical movement.

Then follows a scherzo with trio - Molto vivace - also in D minor. The scherzo itself is in sonata form with all parts repeated. The octave tuned drums immediately announcing the important role they play in the tonality of the movement as a whole. Then follows a hushed fugato, which serves an introductory purpose as the full force of the orchestra. Then follows a more harmonic path with the utmost vigor. The second subject in C major adds an unusual harmonic flavor. The trio has a quasi-pastoral flavor, The trio is played only once, although Beethoven fools us into believing we will here it once more at the end, like in the first movement but it abruptly ends.

Never could I have thought that my first concert experience was going to be in a college class, performed by various composers of classical music. During the concert, I got to listen to four performances. First, the Oxycotton was played by Tim Sanchez. Second, Samantha Post played Acht Stucke on flute, followed by Nicholas Gledhill, playing Blues and Variations for Monk on horn. Finally, the CSU Graduate Brass Quintet performed a piece named Misty. In this essay, I will share my personal experience of the concert and discuss the different elements of music seen in the different performances.

I feel that the fourteen members of chamber orchestra and the two vocalists did an outstanding job. This piece was well put together. I loved the harmony that was brought forth between the orchestra and the vocalists. The two vocalists a tenor known as Paul Groves and a soprano known as Anna Larson, did a beautiful job staying in tune. The way that their voices went back and forth in harmony was just beautiful.

This concert was performed by two groups, the Washburn University Wind Ensemble with their conductor Michael Mapp, and the Washburn University Symphony Orchestra with their conductor Martha Placeres. They all are Washburn students and dressed up well for the performance. The wind ensemble played first, they played Winter Ricercar written by Kevin Walczyk (b. 1964) and two pieces of Der Traum des Oenghus, op 37 (1993-96) written by Rolf Rudin (b. 1961). After the ten minutes intermission, the Symphony Orchestra played five pieces from Carmen Suite NO. 1 (1882) written by Georges Bizet (1838-1875) and Bolero (1928) written by Maurice Ravel (1875-1937).

The beginning of the concert started off with a performance of Claudin De Sermisy’s “Content désir (1544). There were viols and recorders used during this performance. I wasn’t very impressed by the overall performance. The muscians were not always on the same page and it sounded bad at times.

When the performance will upcoming, no one walk around, no one to eat and chat, no one use the cell phones. On the stage, performers were wearing black clothes and shoes. They debug with instruments by themselves, or sit quietly wait for the show to start. And then the conductor makes a short description about the performance. As for this concert paper I would like to focus on Symphony No. 1 in C Major. It was Beethoven 's first symphony genre works, and linking the romantic and classical styles. It built in 1800. The main melody is based on the flute and oboe. The first movement is Adagio molto - Allegro con brio. Beginning with slow teases. The first theme of a dance, vice theme is beautiful oboe and flute repartee. After the beginning, the melody change to powerful and variation. It only a little of melody do not have harmony. In general, violin and viola play first, and then it will add flute and oboe. The second movement is Andante cantabile con moto. It is built around a simple theme of the sonata allegro musical form of development and expansion. There are a lot of decorations in main theme. The third