Music In Courtly Life Analysis

Art has undoubtedly become a decisive aspect of our culture; embedded in the way we learn and grow on a daily basis. Art forms such as music, television and dance dominate our society as an outlet of freedom of speech for humanity. The evolution of music has rapidly exceeded its original classifications, developing new genres with greater appeal to an audience, hence its influence on society has expedited. In recent times, lyrics (specifically rap lyrics) have been introduced into the court room as a form of documented confessional evidence, evidently challenging law’s authoritative nature. This essay will closely follow the genre of rap and its relationship with law, through cases based in the United States of America (USA). In addition, the trial of Simon Bikindi in Rwanda and Smith v The Queen will be used to form an acute analysis on the influencing factors of relevance, identity, freedom of speech and current constitutional law.

The musical work that I am going to use in this essay is “Non avra ma’ pieta” by Francesco Landini. Classical Archives (2008) have noted that Francesco Landini was the most celebrated musician in the first school of polyphonic music in Italy. They also say that Landini was born in Fiesole on the outskirts of Florence and that he was the son of Jacopo Del Casentino, a painter and student of Giotto. It also states that when Francesco Landini was a child, he suffered from smallpox and as a result of this, left him blind for the rest of his life. He dealt with this by taking refuge in music. One way in how Landini done this was by playing a wide range of instruments. One in particular that he mastered was the organ. Landini was famed for his

We ask ourselves, does medieval music need to be protected against certain types of scholarly approaches? In the 14th century to 15th century it was important for the people to follow certain approaches and interpretations with music. Many men and women withdrew from the materialistic world, and devoted themselves to church; they devoted themselves to lives of prayer or theology. In, Elizabeth Eva Leach’s article, "Gendering the Semitone, Sexing the Leading Tone: Fourteenth-Century Music Theory and the Directed Progression, "Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts," and in Sarah Fuller’s article, "Concerning Gendered Discourse in Medieval Music Theory: Was the Semitone 'Gendered Feminine?” these summaries consist a contrast why the authors argument why medieval music was an integral part of everyday life for people living in the 14th century through 15th century . These authors both have a different viewpoint of how masculinity and feminine were influenced under the power of the church and composers who exemplified these ideals, and brought the compositions out of church and spread it across Western Europe. They both agreed that music and semitones were influenced by gender, but disagreed how feminine and masculine affected people in a certain approach.

In this essay I will discuss how death influenced artists in the Medieval and Renaissance era. I will do this by explaining the view of death and its sacraments in society. By examining events around this period I can determine the reason behind such attitudes. I will then apply this knowledge to four works by artists from 1400-1500. I will examine how these societal perceptions influenced the narrative behind the work. I will conclude that the view of death and the dying man had a great impact on the art of these periods.

acred vocal music has developed dramatically over time and is still continuing to do so. This type of music in the Middle Ages was very simple compared to the religious vocal music in the Classical Era. Some differences in the two include the textures of the music, the harmonies throughout the piece, dynamics and rhythm, and even what the sacred music was about.

The lives of knights depicted in the “The Song of Roland” are a demonstration of the fierce warriorship, aggressiveness, and deep faith of French Knights. A code of chivalry or gallantry existed among these men. At the top of this code of conduct were the highly regarded virtues of honor, faithfulness, courage, compassion, truth, and obedience. Noble knights prized the wares of their trade, such as fine warhorses, armory, battle skills, and fine regalia.

Have you ever wished you could go back in time to see what music was like? Well, while writing this research paper, I did by learning what music was like back in the Elizabethan Era. In the Elizabethan Era, music played a crucial role. Music was very important because a lot of it was played, which fulfilled the lives of the people, and it influenced some people to make and sell music. Music also gave people joy, which entertained them and made them happy.

Music has a huge impact in modern day society. Different types of genre and sounds of music are discovered every day. Music has become a basic part of everyday living. From Alternative to Country from Pop to R&B, each type of music has its own unique sound. Every type of music originated from the same place. The Middle Ages, Medieval Era, was the era where music started to make an upcoming change in society. From secular to religious use, music altered mankind. Music from the pass is the major key for current music and music in the future. People do not realize that musical instruments had to start from some place. Over the years, the instruments have been innovated to fit the specific genre’s need. From the Lute to the Guitar from the Harpsichord

Unlike many forms of art, music and the human condition have a unique relationship which is tethered together by a universal language connected and understood by all of mankind. Through the creation and engagement with music, individuals are able to discover, share, and express aspects of the human experience that they would not be able to experience through other forms of art. Often, music has the ability to influence and amplify the message, such as lyrics, that the artist is attempting to convey to an individual or audience through means of rhythm and tone. The rhythm and tone produced in a work of music is formed by a numerical pattern that appeals to the human condition. Pythagoras, a 6th century BC philosopher, argued that numbers and or numerical patterns are the basis and universal language of reality because forms,

The first article up for review, Alexander Fisher’s “Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe,” is extremely thorough and detailed. After a lengthy introduction, the thesis is finally stated. His goal with this article is to gain an understanding of popular music in early-modern Europe through trial records of three cases of people being accused of anti-Catholic sentiment. He lists his methodology after this, planning to comb through their individual case files which includes documents on the interrogation questions used and other tactics that were employed (i.e. torture). Fisher then gives us his plan for the conclusion, in which he says he will offer some unifying

Most everyone will agree that music is enjoyed by everyone. However, not everyone likes the same types of music. The good thing is, music has the ability to provide a vast variety of sounds that everyone can appreciate in some form or fashion. I attended the Festival Fanfare Classical Music Concert on June 14, 2016, in Hattiesburg, MS. This was the first time that I ever attended a classical music event. Not knowing if I particularly liked classical music, I was pleasantly surprised at how much I enjoyed listening to the three instruments being played: the trumpet, the piano, and the organ.

Since I was a child I have always enjoyed a wide variety of music. This would include: Queen, Rolling Stones, Pink Floyd, Boy George, Journey, Cyndi Lauper, Clint Black, Blake Shelton, Matt Maher, Hill Song, Beatles, Elvis, Bach and Beethoven to name a few. For me music fills the soul and creates so many emotions and memories that are so vividly represented it feels as if the event just happened. My interests in music vary widely within most genres.

Music Has been influencing people lives for decades, affecting peoples everyday lives for enjoyment or if it is making a career of it. Composers and music has been changing and evolving over time and in different places. It even dates back to the cavemen creating music or animals creating sounds that will give a feeling of happiness or sadness. Different cultures have materials around them in their every day life for self expression to create music. Music in the Church became very popular back in 450 and music has been evolving to the music that we listen to today in 2015 keeping some of the ideas from the past in our music, including three and six intervals. The middle ages was a time where music started in the churches evolving to the renaissance era, then the baroque, next to the classical era, and then

The chanson was a variety of secular song, of highly varied character, and which included some of the most overwhelmingly popular music of the 16th century: indeed many chansons were sung all over Europe. The chanson in the early 16th century was characterised by a dactylic opening (long, short-short) and contrapuntal style which was later adopted by the Italian canzona, the predecessor of the sonata. Typically chansons were for three or four voices, without instrumental accompaniment, but the most popular examples were inevitably made into instrumental versions as well. Famous composers of these "Parisian" chansons included Claudin de Sermisy and Clément Janequin. Janequin's La guerre, written to celebrate the French victory at Marignano in 1515, imitates the sounds of cannon, the cries of the wounded, and the trumpets signaling advance and retreat. A later development of the chanson was the style of musique mesurée, as exemplified in the work of Claude Le Jeune: in this type of chanson, based on developments by the group of poets known as the Pléiade under Jean-Antoine de Baïf, the musical rhythm exactly matched the stress accents of the verse, in an attempt to capture some of the rhetorical effect of music in Ancient Greece (a coincident, and apparently unrelated movement in Italy at the same time was known as the Florentine Camerata). Towards the end of the 16th century

The classical music period extends from 1740 to 1810, which includes the music of Haydn, Mozart, and the first period of Beethoven. The classical period of music combined harmony, melody, rhythm, and orchestration more effectively than earlier periods of music. With the natural evolution of music slowly changing with the culture, the baroque era had ended. That era had left a structure, articulation and periodic phrasing of music which would shape classical music.