Essay on Music Industry

This expressive claim of musical originality sets up a point of contrast with the idea of performances in a tradition of opera 's and concerts, that had been part of the more classical theory of art from

Art defines us, allowing us unleash our personalities and creative abilities through forms such as painting, sculpture, and, of course, music. For centuries, music artists in specific have exchanged ideas, embracing the culture of combining folk songs and tunes into their newer pieces of music. Today, some music artists wish to carry on with that tradition in what is now known as “rap sampling”. This method of sharing music has now interfered with the modern concept of copyright. With this relatively new legal action used to protect original works, ancient traditions of sharing music can no longer be practiced freely.

I propose that all unsigned rising artist should target the business side of the music industry to be successful in the entertainment business because it allows the artist to be taken seriously and make solid connections that can further his/her career. Learning the works of the music industry also enables a new artist to be further successful and profitable. Recent studies show that most new artists without professional representation and a business mindset have a slimmer chance in getting signed to major or independent labels (Lowry, 2011). Overall, the specific change needed is that unsigned artists should be concentrating on their careers as professionals and not amateurs, thus focusing on the ins and outs of the music business and

A perfect example of a remix would be the news article “Planned Parenthood Opens $8 Billion Abortionplex” published by the newspaper company, The Onion. Although the article seems to be nothing more than an informative piece of work, it is in fact a satire in the form of a legitimate news article. The article manipulates the expectations of mainstream journalism to create humor and draw attention to an important issue.

The Supreme Court has tried to explain that the Copyright Clause of the Constitution was intended to establish independent, entrepreneurial, self-sustaining authorship and publishing as the means of serving the public interest in securing the production of valuable literary and scientific works. To that one must ask what are the consequences of remix? When I think about it remixing has left a positive and inferior aspect of life for many people. When people are able to steal or copy the work of an individual without any consequence they are sending a clear message saying that they are free of the law. Therefore, I propose that the copyright office of the state of Washington should change the copyright policy of remixing so that it may benefit more people than just the original artist.

The results of using the constructs of authenticity to evaluate music are therefore shown to be superfluous due to its foundations built upon opinions. Authenticity does not allow for a overall sound level of analysis as it relies upon a preconceived notion of what is authentic. These preconceived notions were more than likely criticised within their begins, thus leading to an endless evolution of authenticity. The quest for a composition to be utter authentic is an ongoing, impossible feat which will not be accomplished if the authenticity of music is based upon opinions. Therefore, Little Mix's cover of the Cameo song, Word Up demonstrates that ramifications that criticisms of authenticity. This is more clearly evident through analysing the

When creating music, there must be something that appeals to the audience. Music in this age must now be more original than ever. New genres of music are being born at a rapid pace, which makes being original a difficult task. “Re-Tuning the Music Industry—Can They Re-Attain Business Resonance?” by Sudip Bhattacharjee, et al, writers for Communication of the ACM, makes the following statement: “Each song is unique. Artists strive to be distinctive and constantly adapt and innovate their offering. Consequently, music consumers face non-trivial search and evaluation tasks prior to each music purchase.” (Bhattacharjee 136). The willingness for consumers to buy music, whether it is an album or just one single song, increases when the music is something they have never heard of before. A band such as Nirvana was able to do just that. In the

The world of music is full of original songwriters and musicians who adopt a song and change it in ways that tear it apart from the original. Not many covers are addressed or actually recognized, but for every few songs, one gets lucky enough and becomes a hit that no one misses. Jimi Hendrix, a rock guitarist, adapts the song “All Along the Watchtower,” a Bob Dylan original, and shoots it into unimaginable places. Many artists tend to produce an exact replica of the original song, but Jimi Hendrix could not be farther. When compared together, the syntagmatic structure of the songs are eerily similar; however, it is the paradigmatic structure that separates the two songs and places them in two very different section of music.

Introduction This task requires the close comparison of two jazz pieces of different decades and their defining styles. The musical styles, instrumentation, compositional techniques, structure, technology and role of lyrics are key factors in the comparison and will be focused on. The artists’ lives as well as the historical and social contexts of those decades will also be analysed because they played key roles in the composition of the music. Charlie Parker’s 1945

This essay will be looking at Independent music in relation to the categorisation of distribution and production. It will also discuss the impact with regard to the development of musical performances and production.

     The music industry is in a time of growth at this very moment. The environment for its growth has been increasing rapidly on many geographical boundaries and has been established through information technology and Internet. In this paper I will analyze how the music industry not only has been affected by Globalization as an economic institution but also that it has become a worldwide-globalized commodity. First, I will begin by analyzing how the music industry, though its consumption is not a necessity, it is affected by large economic factors and has become a large Music Market. Furthermore I will analyze how the music market has globalizing tendencies

a trivial claim to many, it is not, given what it overlooks. It overlooks the possibility

They say what’s old is new again. There is nothing new under the sun. What goes around comes around. History repeats itself. These may be just a few banal sayings, but they might hold true for classical music as well. Maurice Ravel’s Le Tombeau de Couperin is one such example. Written during the neo-classical and neo-baroque movements of the early 1900s, this clever piece ties together French musical traditions, baroque styles, and World War I in just six short pieces. This essay will detail the origins of the suite form and the neo-classical neo-baroque movement, and compare Le Tombeau de Couperin with Bach’s French Suite no. 5 in G Major, BWV 816.

The creation of musical works has always been culminated by several different processes and usually involves many people. The process takes a lot of time delaying the release of music. Advancement in technology has played a significant role in the music production by lowering the length of time it takes to produce recorded material. Artists usually sign a contract with a recording company that markets their music products. The internet and low-cost recording technologies have created a “do-it-yourself” music movement. New artists have gained worldwide recognition without landing a recording contract with a major record label.

The evolution of the music industry follows the familiar pattern of digitization. Innovation began with the introduction of the vinyl record, transitioned from the cassette tape to the compact disc and landed us in an era of digital downloads. The emergence of music streaming services like Spotify has progressed the industry even further, giving consumers the ability to access music on demand using download-free online platforms. Spotify faces criticism from artists as a result of the overlap of creativity and commerce. They argue that business activities corrupt creativity, transforming it into a tool for profitability rather than an outlet for expression. Artists insist that Spotify deters album sales, favors established artists and fails to support them financially. However, Spotify was created for consumers. It delivers an accessible alternative to purchasing and downloading music. The interplay between creativity and commerce is changing the nature of the music industry. Spotify has adapted to this change, providing a platform that supports both artists and consumers. Through analysis of the market, artist’s revenue, record labels and consumers, I will argue that artists should accept the evolution of the industry and support Spotify.