Music, Music And Music

Looking back at the history of Blues music, one can see the influence of the African-American community, tradition, and culture very apparent in it. The Blues music genre came into being from the songs

“When first entering in America, British folk music was distinguished by three-chord tunes, sparse instrumentation (with some fiddlers), mostly male performers, improvisation, the singers’ sporadic shouts (Scottish “yips”), Christian themes served up in hundreds of hymns, and a secular collection of songs that told stories, generally about love and lost love, using metaphor and symbol to tell those stories” (Allen 101). By the late nineteenth and early twentieth centuries, British music changed and became Americanized. Vocal harmonizing slowly evolved, and fiddlers were accompanied by those who played banjo, an African American opening. “Tambourines and “bones” (tapping out rhythms using pork rib bones) were a minstrel show contribution” (Allen 102). When African Americans were forced into slavery and brought to North America in the 1600s, they brought their own musical traditions and sounds. Slaves who were on the Mississippi River Valley delta soil developed what will later be introduced as blues music. On the plantations, slaves greatly changed British American hymn singing. They took non-religious British American songs and turned it into their own forms of music that followed their culture and taste of music. Blues emerged in the early twentieth century at the same time country music became settled from its folk roots. Blues music talked about the indifferences African American slaves were going through at that time. “The blues voiced human

African American influence in music has been an ever present and controversial subject in American history. Stemming from many different cultures, religions and backgrounds, large portions of American music was introduced by, and credited to African Americans. Although in many cases, this music was used for entertainment by the masses or majority, contrary to popular belief, black music served a greater purpose than just recreation. Dating all the way back to the beginning of slavery in the U.S. during the 17th century, music has been used to make a statement and send a message. As African American music progressed over the years, there were common themes expressed as the genres evolved. It has been an open letter to the world, documenting and protesting the ongoing oppression faced by blacks in the United States, as well as an outlet for frustration. For many African Americans, the music gave them the only voice that couldn’t be silenced by their oppressors.

Blues started in the South, long ago, when slavery was still socially accepted. Slaves were severely oppressed because they were legally bound to their masters. One way they found emotional freedom was to sing songs, which were called “slave songs.” “It Makes a Long Time Man Feel Bad”, “Hammer, Ring”, “Cornfield Holler”, were just a few of the popular slave songs (“Slavery and the Making of America”, 2004). Slave songs were in various forms such as field hollers, work songs, spirituals, and country string ballads (“The Blues- A History”, 2003). As time passed, these types of songs were starting to become known as the blues. After slavery ended in 1865, blues was not only still present, but became more evident. In the beginning of the 20th century, blues music was on the

The folk genre has origins all the way back to the 19th century, which in many ways is mirrored by many popular genres in modern musical genres. To make it easy folk music is merely, “ballads and songs which are composed and conveyed vocally, without being written.”(Mclean 12) Though what we distinguish ‘folk’ today as stylistically very different to what ‘folk’ was during the 19th century, at its basic form, it still holds the same standards and concepts, describing the simpler times. Through vigorous research, it’s hard to overlook the past and expansion of folk music originating from the south, and how it could help understand the significance for observing and expanding the dynamics of southern race relationships. Equally, race

The blues have deep roots embedded within American history—particularly that of African American history. The history of the blues originated on Southern plantations in the 19th century and was created by slaves, ex-slaves, and descendants of slaves. They were created by individuals who endured great hardship while performing endless hours of arduous labor and blues served as a form of escapism. To these individuals, songs provided them with the strength to persevere through their struggles. Blues songs depicted individuals who persevered in the face of adversity. They were symbols of hope to those squandering in the depths of oppression. In relations to the blues, every song has a story behind it and within every story, there is something to be said. Blues artists, through their struggles, detail how they overcame hardship and laughed at the face of oppression. They defied the rules and in doing so, showed African Americans that they too are beacons of hope for the hopeless. The best blues is instinctive, cathartic, and intensely emotional. From irrepressible bliss to deep sadness, no form of music communicates more genuine emotion than that of the blues. Like many bluesmen of his day, Robert Johnson applied his craft as a lonely traveling musician on street corners and in juke joints. He was a lonely man whose songs romanticized that existence. With Johnson’s unique vocal style, haunting lyrics, and creative guitar techniques, Johnson’s innovation embodied the essence of

On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and

An impact on American History, the southern sound of blues has been influenced through years of rich traditions and entertainment legacy. Its origins begin in the Mississippi Delta. From highway sixty-one to forty-nine, since its creation, blues has established a legacy of artists that have paved way for current and future musicians. From Johnny Guitar Watson to Muddy Waters and BB King, the musical sound of blues has developed tremendously creating a platform for upcoming artists to follow. Legendary artists of blues continue to be an impact on the genre; which can be illustrated through novel blues artist’s music. The new era of blues artists continue to pay homage to the numerous contributing blues musicians; however, the southern soul sound

“From the lyrical cries of black street vendors in 18th-century Philadelphia to the infectious dance rhythms of the Motown sound, African-American music has been heard at all times and in every corner of America. This particular part of this article shows you the elements and eras of music we will be talking about.” (“The History On African-American Music”).

Music is an expressive language of culture which tells a story, reveal ideas, offers various opinions and share emotions of life's experiences. Music is a unique identity of a particular culture. Different cultures have different ranges of music. Music creates and shapes culture and it is true for vice-versa. There is a circular relationship. In the South, it is treated as a heritage and has a great history of evolving on a large platform. Music ties generations together. Hillbilly music and Blues music were the lifelines of people in the South. This music reflects the American Culture of patriotism and era of World War II. There is a great story related to hillbilly music’s history, image and popularity.

Music is the only medium that blesses both man and God at the same time and as such to see it as an entertainment factor within our worship services is a gross misunderstanding of its purpose. Music is made up of three elements: melody, harmony, and rhythm. Mankind is also made up of three parts: spirit, soul and body (1 Thess 5:23). It can be argued that music and the triune, or trichotomy, of mankind are intrinsically linked i.e. melody is likened to the spirit, harmony to the soul and rhythm to the body.

No black person can escape the blues, because the blues are an inherent part of the black existence in America. To be black is to be blue. The blues tell us about black people’s attempt to carve out a significant existence in a very trying situation. The purpose of the blues is to give structure to black existence in a context where color means rejection and humiliation. Suffering and its relation to blackness is inseparable from the meaning of the blues. Without pain and suffering, and what that meant for black people in Mississippi, Tennessee, and Arkansas, there would have been no blues. The blue mood means sorrow, frustration, despair, and black people’s attempt to take these existential realities upon themselves and not lose their sanity. The blues are not art for art’s sake, music for music’s sake. They are a way of life, a life-style of the black community; and the will for survival. Thus to seek to understand the blues apart from the suffering that created them is to misinterpret them and distort the very creativity that defines them (Cone, 1980).

Nowadays the blues revolve around the meaning of sadness but doesn’t have a true message of fighting for survival or deprivation of freedom. In the process of searching for the modern day blues, it was discovered that the music is compiled by mostly Caucasian artist compared to the past where it was conceived by blacks to prompt their practices and beliefs.

The musical genre of blues is one that has continued to be a prolific style of music for many years. The blues began as working songs and field hollers sung by African American slave communities, beginning in the late 1800’s to early 1900’s. The blues genre has since become a major influence on other developing genres. Most modern genres can be traced back to the genre, originating in the deep south of the United States. The musical style of blues is very distinct, and is identifiable to almost anyone. The many instruments generally used include acoustic guitar, bass, body and voice, piano and harmonica, as well as several others. In terms of production elements, traditional blues music is produced using minimal

There are not many people in this world who do not listen to at least some form of music weather it be pop or rock music on the radio, or the classical music of Beethoven or Mozart. Each genre and style is very unique in it’s own way and some styles are more appealing to one person than another. That is why it is very important to expand the types of music taught in educational music programs.