Music Of Peru Analysis

The Republic of Peru boasts rich and diverse racial and cultural groups that consist of Quechuas and Aymaras Amerindians, Mestizos, White Europeans. As well as a small contingency of Asian and Afro-Peruvians whose racial and cultural group consists of Mullato and Zambo. (Major Ethnic Groups Of Peru, 2017) With so many different racial and cultural groups present Peru is an interesting blend of pre-Columbian religion and practices that are slowly being lost to urbanization, as well as traces of African and European cultural traditions.

The Spanish imported an estimated one hundred thousand African Slaves to Peru in an attempt to replace the indigenous population of working within the sugar plantations and silver mines. Due to this heavy influx of slaves, Peru’s cultural would be influenced by music and dance

The music ensembles of Cumbia are comprised of a multitude of different instruments. Commonly, they are made up of two electric guitars, an electric bass, an electric organ, a drum set, a conga, one or more vocalists, and then another addition that is found often in wealthier groups is the synthesizer. Some of the main characteristics in the music come from the use of a “wa-wa” pedal, a “fuzz tone”, and echo effects. All of these instruments are necessary to make the Cumbia in Lima exactly what is is supposed to be. There are live performances by these groups every Sunday afternoon in Peruvian cities. They normally occur in poorer places of the city or near the central road that goes through it.

Hispanic’s music had a great impact in USA. Nowadays, Americans listen to Hispanics’ music. Hispanics’ music now is part of American’s culture. These changes in USA began around of 19th century, when Hispanics immigration increases in the USA. One of the big changes in music occurred around 1940s, when Americans began to recognize the efforts of Cuban-American musicians. One of the Cuban bands was Cugat. It was known better Orchestra ‘based in New York’s Waldorf Astoria’ which had a great visual and musical style. Another Cuban band was Machito who were dominated as one of the best New York’s scenes at that time. Thanks, to those bans Americans adopted some of Cubans’ dances and performances such as rumba, mambo and cumbia. Americans used and still using the Cuban instruments like bongos and maracas to create their rhythms. Later on, Americans created Jazz by African Americans with the influenced of Cuban’s music.

La Caja – This is an Incan drum, it is about 35 – 50cm in diameter and 10 – 15cms high. The skin of the drum is usually made from a llama, goat or cow and is struck with wool tipped stick.

songs and styles, Josh Kun, a professor who earned a Ph.D. in ethnic studies at the University of California at Berkeley states, “‘I don't think that view captures the truth of it…Sure, a lot of the groups were doing covers of U.S. and British rock songs, and they were modeling themselves after their heroes. However, in many cases the music they produced, if only by altering it in small ways, was creating a new hybrid…they started the process of interpreting foreign music through local idioms’" (Holston 2). A Latin alternative band from Mexico City named, “Los de Abajo” or “The Underdogs” are a prime example of this genre of music as their music includes many different types of sounds and uses influences from many distinct cultures. Holston describes this band as being “an example of modem rock en espanol as its best with aggressive lyrics and solid elements of salsa, son, and cumbia” (2). Latin alternative music in Mexico is not only a popular genre, but it has become owned by the people in a limitless

Of all of the worlds music Flamenco is probably the most misrepresented. For decades people have thought of Flamenco as a soundtrack to two weeks on the beach. Behind the postcard image of Flamenco lies music full of passion and beauty and you do not have to look far to find it. Many people think that Flamenco is a Spanish Folk music. However historically Flamenco was only to be found in one province which was Andalucía. How it became to be synonymous with Spain has much to do with how the country was sold to sun seekers by Western Europe’s most enduring

The rhythmic texture of cumbia is complex meaning that depends on the song, some songs can be homophonic or polyphonic. Also, it focuses on downbeats rather, than syncopated beats. Initially, cumbia music only consisted of only instrumental music and it wasn’t until the twentieth century that lyrics were included. Although artists have their own style, traditional cumbia bands have one solo singer and the band may repeat throughout the song as well. Depending on the artists they may sing melodically like Selena, or others may shout and chant to get people more alert to dance to the rhythms. Another important element about cumbia music are the instruments. Cumbia music consists of mainly percussion instruments and includes some woodwind and chordophone instruments. Legendary cumbia songs consisted of maracas, bass drums, claves, and a guache. Presently, variations of bass instruments, like the bass guitar and drum are used frequently to create a heavy bass rhythm. Also, some of the instruments used in cumbia music were invented from their African, European, or Spanish influences. For example, Africans influenced the guacharaca and the tambora, and other drums. All things considered, without the original cumbia teaching and paving the way for the younger generation, cumbia music would not be as legendary as it

Salsa Is a mixed music type. Spanish cancion, guitar and Afro-Cuban percussion – clave, maracas, conga, bongo, tambura, bato, cowbell - merged with North-American music styles, like jazz. It incorporates elements of Rock, R&B and funk occasionally. The vibraphone,

Assignment #1 The influence of Africans in Dominican Republic music Dominican Republic is mainly known for Merengue and Bachata music, but there are other music forms that were played on the island of Hispaniola long before the music that most relate to that country. The slaves brought that music that is heard on the entire island and it was transmitted for over 500 years. However, most Dominicans do not recognize this music as their own because they consider it as more Haitian because of its African origins. Many have tried to disassociate themselves from their African-Slave background. Nowadays, it seems that more Dominicans are starting to pay attention to these forms of music.

Latin American music arrived shortly after the arrival of Columbus. With the merging of different cultures into the new world, new music was created into what we know as Latin American music. Some music that was brought to American includes; Samba, Salsa, Merengue, Bachata, Timba, Latin Pop, Rock en Español, and the Tango (Quintana, 2013, Para 8-12). Latin American music is very colorful just like the dance that comes with it.

For example, from Europe, the Colombians began to use the accordion into their daily live using them to go from town to town telling stories while playing their accordion. From the African population, the percussion and singing style (call and response) were used when playing their songs. Lastly, from the native people of Colombia the guacharaca, made from sugar cane, like the guiro used in many Latin musical genres. From these three cultural influences, Vallenato and Cumbia were born and have thrived not only in Colombia, but in other Latin American nations, such as Mexico, Peru, and Argentina. Moreover, the opening band was a local band from San Diego. The opening band seemed to not connect with the audience which was of all ages, but it was mostly young adults and mid aged people. As soon as Celso and his band mates came on stage the people were elated to hear them do last minute sound check of their instruments. Suddenly, they began to play and some people were

Then, discussing development and history of Group Niche. Then, the writer discusses style and repertoire into the 1990s. In the feature article “From Cumbia Colobiana to Cumbia Cosmopolatina” part, the writer states that Colombian music producer and musician Ivan Benavides explains that cumbia is “the foundational Colombian rhythm” but, at the same time, “part of a wider movement which some refer to as ‘cosmopolatino.” In “The Roots and Routs of Cumbia (and Vallenato) in Historical Perspective” , the writer states that in order to properly understand the interlocking relationship between cumbia’s roots and its pan American routes, Colombia’s geocultural complexities must first be taken into account. In addition, the writer states that each of Colombia’s regions has its own distinctive musical genres, but few of these genres have been successful outside their region of origin, and fewer yet have made it to United States, either before or after the first immigrant wave of Colombian began in the late 1940s. Then, the writer discuss that some forms of coastal music and vallenato’s

Bones were actually used as jewelleries, musical instruments, and weapons during the old age periods. Archaeologist working in Guam actually found out that the Chamorros, a native tribe residing on an island, used human bones in making barbed spears. Tibetan Buddhists, on the other hand, play a musical instrument known as Kangling. Kangling is a Tibetan trumpet made from human femur. Nowadays, the skeletal system is commonly found in universities and medical schools where it is used to study the

This leads to a dilemma. If the music that the world calls “Andean” is a mere facade meant to earn money, then what is true Andean Folk music? For many years this has been an issue, however, in more recent years more efforts have been made to present the music of the Andean people in a more true sense. However, this still presents a problem to the study of this music, as we cannot simply place it into a box, and say that the music follows the same rule. It can also not be perfectly transcribed, so the student of this music can only make observations based upon repeated listenings to various music from these countries. As such, I can only present elements that I have noticed, not ones that can be backed by fact. For the reader's benefit, I have