Music Publishing Research Paper

Over the past fifty years, the British Music Publishing industry has undergone dramatic changes. It has evolved as an entity with innovations in technology, changes and creations of laws and new mediums to promote and exploit songs to a wider audience. Therefore, the way in which the music publishing industry operates and exploits its assets has completely transformed, and continues to do so at a rapid pace. This paper will attempt to explore the ways in which publishers exploit song copyrights and the way in which this has changed over the past 60 years. It is important to define what is meant by copyright and its role within the industry. The Performing Right Society website states: “Copyright

For the past 15 years, tech companies have created websites and apps that are convenient for people to consume music. The music industry has been very defensive about streaming companies using music. What makes the music industry hostile against tech is the not only the lack of knowledge, but the process of paying for the use of copyrighted music. Regulations in the past have helped in protecting copyrighted work and the way other parties pay to owners, but it has been changed to solve the copyrighted problem for streaming music on the internet. The proposal to give publishers opt-out options is a big step in solving the piracy issue that has impact one of the music industry’s important source of income

As a publisher you will be at the edge of new music. As in you have the chance listen to an artists’ music before its release to record labels or radio. A disadvantage of being a publisher is that you can never guarantee success for you artists. You can invest a lot of time polishing their skills and helping them create music but you may not be able to successfully plug or sell your artist’s work. This can be very frustrating.

In recent years, the music industry has immensely changed from buying physical copies of an album to streaming songs online from services such as Apple Music and Spotify. The landscape of the music industry is slowly transforming due to listeners' transition from buying music to streaming music. Many think that these services are giving artists a run for their money, as less and less physical copies of their work are being sold. Due to this, artists are leaning to consider licensing out their music and corporate sponsorship. Yet many think that artists are "selling out" if they take this action. Yet, in the midst of the large upheaval, artists should be allowed to use their music for advertisement.

The music industry offers a multitude of jobs, but they all seem to preform as one. The music industry can seem as if it is a extraordinarily complex system with many different functions, but if one area does not function properly then the whole industry could fall to shambles. Even though the jobs may seem as if their functions are easy to perform they all still need to be taken into great consideration. The array of jobs within this industry can range anywhere from the responsibility of composing a song, as the songwriter to the job of insuring that the song is marketed properly. Music is a source of entertainment that is used in most peoples every day life, even though it may not be recognized for its complexity there are many careers that are necessary for the music industry to preform properly. Lets begin with the essential backbone of the music. First a song has to be composed by a Songwriter. Songwriters are responsible for the lyrics and melody within a piece of music. Songwriters work on a schedule that is unpredictable and can become demanding at times. Then a Manager needs to be in the picture to handle financial business and negotiate with Agents and/or Representatives during certain appearances and recording opportunities. They may also be responsible for searching for businesses that are looking to endorse their client. Making the industry earn a greater income is an area in which a Marketing Executive specializes in. Working as an overseer for the recording portion of music

Music is at our fingertips. We can turn on a radio or select a song on a menu and it

We are currently in the Digital Era of music. Music recording has been transformed from music stored on vinyl records and audio cassettes to the first introduction of the Compact Disc. The Compact Disc was a huge shift in how music would be recorded, distributed and heard. Following the Compact Disk (CD), technology continued to advance with more inventions to aid our listening enjoyment. Among those inventions were the MP3 player, iPod, iPad, smartphone and the current ultimate digital music store, iTunes. Each of these digital advancements in music have intertwined their ability to offer consumers music that is handheld, portable and digitally store hundreds to thousands of music files into an electronic music library. However, all that glitters is not gold. The ability to download music from the Internet has created a piracy frenzy. Online file sharing sites, such as the now out-of-use Napster, have given consumers a way to steal music from the artists. “Napster opened us up to a world where we had the luxury of sharing music files amongst a massive community of nearly 80 million users (at its peak) without ever spending one penny” (Alex Bracetti, 2013). The history of music is not the only element that has been affected by digital technology. Digital technology has also

Music has a powerful influence on society, like mass media and television. In our society today, music has the ability to define our culture. Many people around the world listen to music while driving, at work, doing housework, or even studying. Music may be seen as simple and unproblematic, but looking at the structure behind it is very important. One of the key features of music is music copyright and what that means to the music industry. Defining what this means in the historical context is of great significance. Music and copyright is a vital aspect of the music industry. The question that remains, however, is what happens with motivation or intension when samples of music are not originally controlled in a larger network.

The dawn of the internet brought forth a revolution that, by now, has seeped its way in the the very fibers of almost every human experience. Education has changed. Communication has changed. Entertainment has changed. Business has changed. Entire industries have been built, and destroyed, by the information age. The music industry, in particular, has felt both. With precursors of the Compact Disc (CD) and digital music formats, Shawn Fanning single handedly eviscerated the music industry. Napster, his peer to peer mass file sharing service, is what landed the fatal blow, and the industry has been bleeding out since.

Music is part of parcel in the everyday lives of people. Many believe that when words are not enough to convey what one feels, music can. Music has varying genres but all have the same goal—that is to encapsulate emotions through the lyrics of the song. When one is happy, the one listening to it will be happy. If the song is sad, it can bring nostalgia to its listener. Further, music has been regarded as an art, because singers and song writers have their diverse ways on how to write it. As an art, it includes skill and talent to make it more appealing to the market. However, writing a song and signing it does not end there. Since these songs are considered to be a property of those who were able to write and sing such, it must be protected. That is why there are copyright laws which seek to protect songs of various artists all over the world. This paper will discuss how copyright gives the protection the artists need and why it is still necessary.

Music videos are very popular in our culture. Not only do artists provide a visual for a song, they also incorporate symbolism and a storyline to go along with their lyrics. They are very interesting to watch and experience, and even more fun to create and film. For my Advanced Music Research Project I researched editing softwares and techniques in order to create a music video to “Is There Somewhere” by Halsey.

Music producers can put in a lot of time and work to advance in the industry. The first part is regarding to fame. One of the top points of gaining fame is having your name known. With the very famous platform “SoundCloud”, people can release their projects and

As the internet continues to expand, individuals can more easily share and contribute information to be circulated among the general public. While the effort to spread learning helps enlighten those around the globe, the information shared can often bring up troubles on the internet. For example, websites like the International Music Score Library Project (IMSLP) allow internet users to download free classical music sheets and recordings. However, this website directly interferes with the job stability of music editors and publishers because it serves as a “business threat” that causes “messy copyright issues” (Wakin). Many music publishing companies’ rely on supporting themselves through the publishment and selling of composers’ works -- from Baroque to current day Contemporary Music -- so the competition from websites such as IMSLP severely affects other companies’ businesses. At the same time, IMSLP’s repertoire is continuing to surpass its current count of 400,000 music scores and as a result, is gaining more attention from music companies and musicians alike.

In fact, digital music has been a major contributor to the music industry’s revenue increase since its recent emergence. Subscriptions to online music services and online radios, such as Pandora and Spotify, have also assisted in raising the industry’s overall profits by over $200 million during the past 5 years (Degusta). Nonetheless, despite the overall transition to digital format, physical music sales still account for a substantial proportion of industry revenues in major markets. Physical formats account for more than half of all global revenues, while digital formats now account for 39% of total industry global revenues and a majority of revenues in 3 of the world’s top 10 markets (Smirke).

Introduction: Setting the trend for the future, the distribution and consumption of recorded music transformed dramatically with the launching of Apple’s iTunes in 2001. The proliferation of online music subscription services and other music sharing services exerted a great pressure on the conventional music distribution business model. Combined with this transformation, piracy of digital music had a profound impact on the whole industry. These worsening conditions in the market place for recorded music forced both established and upcoming new artists to experiment with new ways of selling their music.