Music That Subverts The Standard Form Of Arranging Sounds Produced By Musical Instruments And Approaches

It was wonderful to learn about the prominent figures in the different musical eras, the classical is no exception. The primary composers that unveiled the style was that of Joseph Haydn, wolf Amadeus Mozart, and Ludwig Beethoven. These composers used their skills to fluctuate the mood of the piece, they indeed had the ability to manipulate the mood with the arrangement in tempo, dynamics, melody and texture. They were all exceptional for their

To understand why music is a product of human intention and perception, we start by defining or understanding the nature of music. Music is defined as the sounds or combination of vocals and instruments in a way that it produces a form of beauty, expression, or harmony of emotions. Arguably, people compose or make music through many ways (Resnicow, Joel E., 20-29). While some people might compose music without incorporating instruments, others use instruments to produce beats that match with their sounds. However, to argue that the

According to Locke ““Musical exoticism” may be defined as the borrowing or use of musical materials that evoke distant locales or alien frames of reference ... Musical exoticism is a matter of compositional craft, of making the notes do something different from what they usually do" (Locke, 481). In the 16th and 17th centuries, the increase in Western trading was not only the trading of goods across cultures, but also merchants also began to share their cultures through various mediums. In terms of music, instrumentation, melodies, singing techniques, cultural settings, and sounds were traded. The respect for other cultures and the sharing of musical elements, not only had a drastic impact on the music of the time, but

Serialism is a rigorous system of composing music in which various elements of the piece are ordered according to a pre-determined ordered set or sets, and variations on them. The elements thus controlled may be the pitch of the notes, their length, their dynamics, their accents, or virtually any other musical quantity, which, in serial terms is called a parameter. More generally, serialism is any music which uses any ordered sets applied to any musical element.

A human writes a piece of music when they feel driven to in some way or form. Some music is direct story-telling such as American country music, or Korean

Chapter 1- 3 made me chance the way I listen to music; I did not realize all the elements needed to make music; such as, the sound, Rhythm, melody, and harmony, this essential elements work together perfectly to make music. Moreover, Key, texture, and form are elements that structured music. Key or tonality states to the central note; notes in a specific scale (Major Scale or Minor Scale) are used by melodies. Additionally, there are three basic musical textures monophony, polyphony, and homophony. the way in which music ideas are systematized is called form; the most common music forms are the ternary form and binary form. Finally, chapter 3 explains all types of instruments by the type of sound they produce

To Introduce, traditional and sentimental music are both a like and diverse however to comprehend you should first realize what they are. The term sentimental music was a period of western music which was conveyed into from 1820 to 1900 AD. Sentimental music is connected with the development sentimentalism that happened in the eighteenth century . Sentimentalism was not just a development identified with music it was identified with the way we may now and then act. Established music is the music of the traditional period that started in 1730 to 1820 AD, a sort of music which wasn't advanced or complex, yet smooth, straightforward, and unwinding. Traditional music is connected to classicalism, a style of expressions of the human experience,

the combination of simultaneously sounded musical notes to produce chords and chord progressions having a pleasing effect. They also mention and demonstrated how to insert courts to a melody.

Counterpoint, according to the Encyclopedia Britannica, is the “art of combining different melodic lines in a musical composition. It is among the characteristic elements of Western musical practice” (Jackson). Counterpoint is very prevalent in Western music, from around the Renaissance Era to modern times, and has been common practice until the twentieth century (“Counterpoint”). From the Renaissance era to the Classical era, counterpoint has had the same general principles and structures, been utilized by great composers, such as Bach, Mozart, and Beethoven, and resulted in some of the most beautiful music.

Music underwent a plethora of changes throughout the twentieth century, including a complete transformation from the large symphonic works of the late 1800s to the short, electronic ditties of the late 1900s. With all that change, choosing only three composers to represent the entire twentieth century would be impossible. For example, the innovation of electronic music added an entirely new genre to the world of classical music; however, the three composers discussed here did not write in that style and instead influenced other aspects of the music world. Arnold Schoenberg, Aaron Copland, and Igor Stravinsky each greatly impacted the musical world around them. Schoenberg’s journey away from tonality to serialism changed the way that composers wrote for the rest of the century, while Copland’s music emancipated American sound from the European styles. Stravinsky brought many musical styles to the height of what could be accomplished in each one, and his excellence influenced many composers during and after his time. Schoenberg, Copland, and Stravinsky represent three of the most important composers of the twentieth century.

Postmodernism in music often follows characteristics that also adhere to other areas of postmodernism, like embracing the absence of a single defining structure or ideology. It is not seen as a specific style of music but rather music in the postmodern era. American composer John Milton Cage Jr, born on September 5, 1912 in Los Angeles and having died on August 12, 1992 in New York. Music for Piano, composed through the years 1952-1962, consists of 85 indeterminate compositions for piano. The works contained paper imperfections that were then turned into sounds using chance

Expressionism was a development of early 20th century music that had been marked by the use of complex, unconventional rhythm, melody, and form. The intention of expressionism in music was to express the composer’s psychological and their emotional life, within their compositions. Expressionism is known as a modernist movement, and it initially was originated in Germany at the beginning of the 20th century. Some popular characteristics of expressionism in music are clashing dissonances, abrupt musical language, episodic, fragmentary form and structure, and great emotional intensity. Three central figures come to mind when thinking about expressionism in music, which are Arnold Schoenberg, Anton Webern, and Alban Berg. A composition that was worked on by all three of the central figures that showcased this movement, is Pierrot lunaire by Arnold Schoenberg.

It is not uncommon in music that a particular style or genre may share similar traits with another completely different musical genre. In fact, this happens quite often, and much like other forms of art, different types of music influence each other regularly and co-exist to create newer forms of music. A brilliant example of this is demonstrated through the music of Claude Debussy and his widespread influence on 20th century music. Considered one of the fathers of “impressionistic music” (a title he personally disapproved of), Debussy’s selection of harmony opened an entirely new realm of harmonic possibilities that hadn’t existed previously. Through the implementation of extended harmonies and flowing non-diatonic melodies (among other techniques) he carved a unique sound completely different from his contemporaries. One of the genres his music inspired was Jazz. Debussy’s usage of harmony and modulation was highly influential on many of the Jazz greats including Duke

Finally, the last element is the emphasis on improvisation: the ability to extemporaneously compose on an existing melody. This is often considered as a chance to show off for the performers. Through improvisations and ornaments which were both elaborated by the extemporaneously composition of performers added interest and differences between music and even the same piece of music might sound different.

Music from all over the world presents a range of musical theories. Some of these are documented in writing whilst others are transmitted orally. Discuss and give examples with reference to both Western and non-Western music.