Music Writers Of All Time Essay

Beethoven’s hearing was getting so bad, he could not hear orchestras in theaters unless he was sitting really close, he struggled with hearing the voices of singers, and he had difficulty hearing the high notes (50). Away from music, Beethoven struggled with hearing people that spoke in low tones and people that spoke very softly (50). Beethoven did not want the word to get out that he was losing his hearing, he believed his music career would be tainted if people knew about his hearing condition. Beethoven was able to hear some music and speech up to about 1812, but at the age of 44 Beethoven had little to no hearing, he could not hear speech or music (51).

Deaf people living in a hearing world have certainly made their mark in the hearing community. Deaf people can do anything that hearing people can do. The band shown in the film called “Beethoven’s Nightmare “caused quite a stir in our class. I think that we were simply amazed that deaf musicians could play so well. By showing the audience this experience, it provides hearing viewers with the knowledge that this type of event does occur within the deaf community and that the deaf can appreciate

Beethoven is perhaps the most famous musician of all time. His influence on later composers was extremely huge, to the extent where many composers were intimidated by his music. Ludwig van Beethoven was born in 1770 into a family of musicians. His father and grandfather were both musicians at the court of Elector in the German town of Bonn. His grandfather was very respected, but his dad not so much given that he was an alcoholic. At a young age, Beethoven was put in charge of his family’s finances and started a job at the court. He composed music and helped look after the instrumentation. Around the same time, he began to write music. In 1790, an important visitor passed through Bonn: this was Franz Joseph Haydn. He was on his way to London for a visit when he stopped to meet Beethoven and agreed to take him on as a student when he came back from London to Vienna. In 1792, Beethoven moved to Vienna to study with Hayden. Apparently, it did not go as planned. Hayden was old fashion and a little overbearing, while Beethoven was rebellious and headstrong. Beethoven found support among the rich arts who lived in Vienna. Prince Lichnowsky gave him board and lodging at his place for in return, Beethoven would compose music and preform at evening parties.

When I was in fifth grade, I was caught between two worlds, playing a woodwind or string instrument. If I played a woodwind instrument I would have to blow in it to make music, but string instruments are played with a bow to make music. After much thought, I decided that the violin was the best instrument for me, because it has a beautiful, unique sound, plus the possibilities are never-ending. I could receive a compliment from a teacher, or even get accepted to the symphony.

Beethoven had reached complete deafness in the 1810’s. At this time he piano playing and conducting were deteriorating. At the age of 44 he was no longer able to play in public, but insisted on conducting still. Often times the performances were chaotic and he was hard to comprehend by musicians. He had a custody battle for his nephew Karl, in which he won. This caused disaster as Beethoven craved attention and companionship. After 1818, Beethoven conducted some of his greatest works even though he was completely deaf. Beethoven’s music was influenced by Haydn and Mozart although he had his own unique style. He was one of the greatest composers ever and had to overcome his complete deafness and suffering to put out these great works.

Ever since his father began teaching him as a child to play the violin and clavier, any keyboard instrument such as the harpsichord, Ludwig van Beethoven has been amongst the most renowned and influential composers of music. Despite the harsh punishments and mistreatment Beethoven suffered through while practicing with his father, he still managed to become a “prodigy” at a rather young age, having his first public recital at around seven years old. After his first recital role music played in his continued to grow, and soon after dropping out of school to pursue music “full time” he published his first composition.

In Bonn, on December of 1770, a child was born to a lower middle class Finnish couple; Johann and Maria. Given the name Ludwig after his grandfather, a choirmaster, this child would grow to continue the name of the musically inclined Beethoven family, and eventually supersede its reputation with his own genius. As a deaf composer and musician, Ludwig von Beethoven is one of the greatest paradoxes in the realm of music. From his upbringing, his triumph over his disability, and his world renowned success in music, it is still proclaimed that he is one of the most influential and well known classical musicians in the world.

His deafness was a slow deterioration, rather than a sudden loss of hearing, so he could always imagine in his mind what his compositions would sound like. The compositional process for Beethoven took time, he did not take shortcuts like Rossini did. Rossini would recycle his own music as well as have the librettist and composer working almost simultaneously to speed up the process. In a sense, you could say Rossini was a little bit lazy. By shortening the time of production you would not really give the chance for the music to fully develop and be completely unique. The two composers both lived and produced music in the Romantic era. ETA Hoffman comments on Beethoven’s music telling us about how it can enlighten us, “to the realm of the monstrous,” but also how vibrant this world can be: “Burning flashes of light… giant shadows.” In my opinion, Hoffman considers Beethoven’s compositions to be a gift to his listeners. “We live on, enchanted beholders of the supernatural!” Hoffman’s statement about Beethoven can be contrasted with the fact that Rossini’s characters have always worn masks, self-consciously staging their actions in theatrical fashions, as opposed to real, they are constantly aware that they are operatic characters rather than real human beings. In Freudian terms they have no unconscious, they have no past and no future, no memory of who they have been and no anticipation of

Regrettably, though in the late 1790s Beethoven began to lose his hearing. Then at the start of the 1800s Beethoven changed the way he created music and his personality because of the increasing deafness. Prior to the increasing loss of hearing Beethoven had been full of pride and independent, though a little odd. When his hearing started to go he changed, he became more apprehensive and ill tempered. Despite becoming absolutely deaf by the end of his life Beethoven’s works were still brilliant. It was on March 26, 1827 when Beethoven died, the cause was a simple cold that turned into pneumonia and then later dropsy.

The clear connection between Beethoven’s deafness and Appiah is that sometimes identity is a concept that we can’t always choose. It can sometimes come to us as we continue on with life, so we have to accept our fate. An example of this would be when Appiah mentioned how John Mill fell in love with a married woman named Harriet Taylor. She understood him because she, herself, was also a philosopher. Mill and Taylor had a platonic relationship that lasted for 20 years, but after her husband died, they lived together as a man and a woman by marriage for a few decades.

Ludwig van Beethoven is a name that is common to most people and is synonymies with great classical music. He is known, quite loosely, as the German composer who created beautiful pieces with an incredible disability. Despite an unhappy family setting and the deafness that struck soon after, the man appeared to rise from his misfortunes and follow his passion. Mr. Beethoven created some of the most wonderful music and is considered one of the greatest musicians of all time. Ludwig, at a very young age, began his career as a marvelous piano player and composer of piano music. Beethoven continued his work expanding to string quartets and other kinds of chamber music, songs, two masses, an opera, and nine symphonies. The

Around 1796, by the age of 26, Beethoven started to lose his listening ability. He experienced a serious type of tinnitus, which is a ringing in his ears. This made it difficult for him to hear music; he additionally maintained a strategic distance from discussion. The reason for Beethoven's deafness is obscure, however it has differently been credited to typhus, auto-resistant clutters, (for example, foundational lupus erythematosus), and even his propensity for submerging his head in chilly water to remain wakeful. The clarification from Beethoven's post-mortem examination was that he had an "expanded inward ear," which created sores after some time. As right on time as 1801, Beethoven kept in touch with companions portraying his indications

Beethoven already started to lose his hearing way before his dedication to Napoleon. Becoming deaf made his life miserable, but he tried to come to terms with his condition. The most likely reason for his loss of hearing is probably because of lead poisoning. There were high amounts of lead found in his hair. Beethoven was often irascible and may have suffered from bipolar disorder and irritability brought on by chronic abdominal pain that has been attributed to possible lead poisoning Over time his hearing loss

Musical instruments have played many major roles in helping with the construction of many societies around the world today. Many people do not realize what musical instruments have been responsible for and how they have helped shape the world today. There have been many instruments that have helped create and sculpt the world, but one instrument that I want to inform readers about is the trumpet and where it came from, as well as how it has changed over many years. The point that I am arguing is the fact that many people do not know where the trumpet has come from and how it has affected society.

Composers rely heavily on ritornello form. More freedom in the form although a sinfonia proper is later developed.