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Music of the Baroque

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Unit 3 – Music of the Baroque
1. Name two important visual artists (such as painters) and also two important writers of literature (such as poets) from the Baroque Period. Do not name musicians.
(Visual Artists) - Peter Paul Rubens & Artemisia Gentileschi / (Writers)- John Fletcher and Francis Beaumont
2. Write a paragraph about “The Baroque Style”.
The baroque style was very well suited to the wishes of the aristocracy, who were enormously rich and powerful during the seventeenth and eighteenth centuries, also religious institutions powerfully shaped the baroque style. Churches used the emotional and theatrical qualities of art to make worship more attractive and appealing. The middle class too, influenced the development of the …show more content…

The Camerata wanted to create a new vocal style modeled on the music of ancient Greek tragedy. Since no actual dramatic music had come down to them from the Greeks, they based their theories on literacy accounts that had survived. The Camerata wanted the vocal line to follow the rhythms and pitch fluctuations of speech.
6. Write a detailed description of each of the following new forms in Baroque music:
A. concerto grosso – Extended composition for instrumental soloists and orchestra, usually in three movements: (1) Fast, (2) Slow, (3) Fast.
B. Fugue – Polyphonic composition based on one main theme or subject.
C. Opera – Drama that is sung to orchestral accompaniment, usually a large-scale composition employing vocal soloists, chorus, orchestra, costumes, and society.
D. solo concerto – A piece for a single soloist and an orchestra.
E. Baroque suite – A group of dance, usually in the same key, with each piece in the binary form or the ternary form.
F. Oratorio – Large-scale composition for chorus, vocal soloists, and orchestra, usually set to a narrative text, but without acting, scenery, or costumes; often based on biblical stories.
G. Sonata - In baroque music, an instrumental composition in several movements for one to eight players. In music after the baroque period, an instrumental composition usually in several movements for one or two players.
H. church cantata - Composition in several movements, usually

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