My Beautiful Launderette Identity

Many writers explore the notion that cultural differences may inflict feelings of disconnection for their central characters. This is shown in the two texts ‘Neighbours’ and ‘Migrant Woman on a Melbourne Tram’, as both protagonists struggle to cope with their newly exposed environment. Despite this, we learn that it can be resolved through the acceptance of one another, yet others may remain to dissociate themselves from society.

Compare and contrast the role of women at home during World War I and World War II.

An authors values and ideas originate and stem from their personal, historical and cultural context. By comparing the two authors Tim Winton (from an Australian context) and Zohra Saed (Afghani/New York context) we are able to see how similar values are shaped through identity/contex. Winton uses various literary techniques to embed personalised values into his texts such as place, family, and identity in “Big World”, 2005 and “The Turning”, 2005. Zohra Saed has implanted her values of culture, family, memory and identity into “What the

What defines you? Is it the many tiny, wriggling spiders that could potentially be inside your body, the experiences you might have had in Istanbul, your list of hobbies which may or may not include crochet, or is it something a bit more trivial, such as where you come from? Who are you? Take a moment to reflect on yourself. In an essay concerning the argument of identity, Richard Rodriguez forces his readers to analyze themselves, particularly during the high climb of immigration in America today, because with the rising amount of cultures and ethnicities finding a home in this country, there really is no “black and white” answer. The question of identity is the key idea in Rodriguez’s Blaxicans, further expanded upon by careful word choice,

Forming a new identity in a foreign country is not an easy task. Immigrants usually face challenges to identify themselves. Identity formation is the development of one’s distinctive personality due to particular reasons such as new environment, new culture and conflicts. During the process, some characters from Jhumpa Lahiri’s The Namesake either create or deny the bond with their own culture; some undergo conflicts among generations. Those processes reflect significantly in Ashima and Gogol throughout the book. The degree of assimilations determines to what extent the characters have formed the new identity in the new culture.

This view shows the shift from a fairly negative to positive attitude that migrant in the 21st century experiences and the changing relationships that the present migrant in Australia holds compared to a past migrant. The chance to express individuality is another form of the changing attitudes of the migrant experience in Australia. Fatima shows that here she is able to freely express herself and her opinions and is glad that she has left “Hell”; her country of origin (Pakistan) and a metaphor for a place that is torturous and evil. Referring back to “Migrant Woman on a Melbourne Tram”, the migrant revealed that her culture is different by wearing clothing that is unusual to the typical Australian woman. This established alienation and distance between her and the Australian people.

In her essay “My Two Lives,” Jhumpa Lahiri, an Indian American, explains the balance between the identities of the two countries inside her heart, as well as her psychological struggle between her bicultural identities. She describes herself as an Indian-American because she moved with her family from India to the United States when she was very young. However, confused with her identity through her growth, she feels that she doesn’t belong to either of the two countries because of its completely different cultures. When she is at home, she deals with her parents in an Indian way, which is strange compared to the American way that she come across outside. She says that she has a distinctive identity in spite of her Indian appearance

The main character of “Araby” and “A&P” differ in just about every way imaginable. In “A&P”, the main character, Sammy, is in the late stages of his adolescence; whereas, the boy in “Araby” new to this stage of life. Yet, they both end up misconceiving emotions for girls who have a higher social class than them. For example, in “Araby” although age is never explicitly stated, we assume that that newly pubescent boy becomes infatuated with his friends older sister

Comparatively, ‘The kite runner’, explores the disparity created by differences in cultural backgrounds. This connection manifests in the relationship between Amir and Hassan, though Amir is true to Hassan in private, he feels the need to relate to Hassan according to the prevailing social hierarchy in public. “Afghanistan is the land of the Pashtun’s…not the flat-nosed Hazara’s, these people pollute our homeland. They dirty our blood.” The inclusive language at the beginning of the quote is aimed at the Pashtun’s whereas the negative connotations of ‘pollute’ and ‘dirty’ emphasise the subservient position of the Hazara’s in the Afghani society and thus losing their sense of placement within society. Amir has to face that fact he is disloyal to his relationship with Hassan and begins personal growth. “He’s my servant! Had I really though that?” “Everywhere I turned I saw signs of his loyalty, his goddamn unwavering loyalty.” the absence of conjunction emphasises his thorough regrets that act as a barrier preventing him from

Social conditions are what shape a country. Over the years, people, not only in Afghanistan, but around the world create norms that define people’s roles in life, their future, and how they should be treated based on their gender and beliefs. Khaled Hosseini’s first novel, The Kite Runner, comments on the social conditions of Afghanistan through telling a story about the lives of two Muslim boys; a privileged Sunni Pashtun, Amir, and his long-time friend and servant, Hassan, a loyal but disadvantaged Shia Hazara. Hosseini expresses Amir’s uncertain feelings toward Hassan which form the decisions he makes throughout the book. These choices result in Amir destroying his relationship with Hassan. The Kite Runner, by Khaled Hosseini is a commentary on the social conditions in Afghanistan as shown through the roles of women and men in society and the ideals of Afghan culture. Unfortunately, these problems are still active in most of Afghanistan.

Another scene in the play that has a positive impact is when Michael tries to force Alan to play a game that required each person to call someone who he loves the most. Michael thought that Alan is also gay but in denial so he tries to urge Alan to “come out of the closet” by confessing to his true affection on the phone. So when Alan picks up the phone to call someone, everyone at the party thought that Alan is calling another gay man. But it turns out that Alan is calling his wife, his lover and soul mate. Michael is hurt by this acknowledgement because he was wrong about Alan. This scene exhibits not all men who may have conduct like a gay man is gay. Furthermore, it also shows that any man can have gay friends but he still can be characterized as a heterosexual.

In the novel, Kite Runner, by Khaled Hosseini, the protagonist, Amir, is torn between two truths as he lived associated with different kinds of religious groups in Afghan society: Pashtuns and Hazaras. Each identity played a unique part in Amir’s life. Whether they had a positive or negative effect, both changed his values and beliefs. Individuals also shaped Amir’s character. Baba, Assef, and Hassan were major influences upon Amir’s growth throughout the book; their differences shaped Amir into the man he later became as all three represented a different side of Afghan society.

It was this filmed that sparked the 1927 production code, which was called the Don’t and Be Carful’s. This production code was a guideline for professionals in the industry, on what was not to be depicted on the screens for audience to watch. The representation of miscegenation was strictly prohibited from the years 1930-1956. This production code was a reflection of the views that were held in society at the time. As cinema is often a reflection of society, miscegenation when it is present in films is often if not always represented to the audience as problematic. The relationships start off great but have a hard time progressing to anything further as, each side has to deal with problems that they cannot relate to, or has issues addressing with their partners. These as these were the views of society at the time, the view that these interracial relationship wouldn’t work and were unnatural were projected on our screens to further reinforce the message to the audience.

In his novel, The Kite Runner, Khaled Hosseini depicts his homeland Afghanistan as a host to many different cultures and classes, such as Pashtun and Hazara, Sunni and Shiite, with this dichotomy of beliefs and attributes being powerful enough to shape diverse, sometimes negative relationships amongst the characters of the novel and their behavior to each other, as well as establish that individual’s identity. Each person interprets the impact of the role of belief and social status differently, while all living in the same setting, adding to their complexity and depth as a character in the novel with many different figures tied together by the same geographical and cultural conditions.

incomprehensible extent. In Afghanistan, Hazaras–the ethnic minority–have experienced ethnic discrimination by Pashtuns–the ethnic majority–because of a revolt dating back to the 18th century.Another form of discrimination in Afghanistan arises from the distinct religious groups–Shi’ite and Sunni Muslims. Shi’ite Muslims correspond with the Hazara ethnic group, but the Sunni Muslims correspond with the Pashtun ethnic group. This discrimination affects every age group in Afghanistan, and affects each of those individuals, “mental and physical health” (Pascoe). In his 2003 novel The Kite Runner, Khaled Hosseini exposes and discusses the ethnic and religious discrimination found in past and present day Afghanistan. By creating tense situations that originate, whether consciously or subconsciously within the characters, the author uses these conflicts to illustrate the impacts that stem from the masculine stereotypes associated with Afghan culture, the dire need for a father’s approval, and the on­going effects of a child’s jealousy. In The Kite Runner, Khaled Hosseini uses these intense conflicts to develop characters’ relationships and forces the reader to consider how the main character’s loss of innocence stems from a need of approval and ethnic and religious discrimination.