My Capsule Collection Essay

Clothing today is seen as easily assessable and creative, but that was not always the case. We are lucky to live in such a modern world of clothing. Over the course of time, the development of clothing has changed drastically as well as the style.

It is known fact that the study of fashion design is influenced by the cultural and social activities which is different in different areas and over different time span. Designers generally try to design clothing that will not only be functional but also pleasing aesthetically. The wearing for a garment depends on the person who is to wear it and also the occasion it will be worn in. A wide range of patterns, styles and colors are required to come up with perfect garment. Throughout the years the style statements, fashion industry has changed a great deal.

With over thousands of clothing collections from prehistoric life to the present, the Museum of London, Victoria and Albert Museum, and the Fashion Museum in Bath allow visitors to observe the many changes that occurred in fashion throughout the years. With my prior knowledge about the 1800s fashion styles, I began to focus on a different era within the 19th century at each museum. Focusing on different eras enabled me to thoroughly analyze and compare each fashion style.

The passageway of modernism has introduced innovative components in the development of an individual's personality. The identity character as a social construct is highlighted through the effect that fashion has brought in, experimenting, producing and changing individual identity. The style and appearance of an individual is a portion of the fashion's period and usually refers to the possibility of people to utilize fashion industry products. This takes place just like any other consumer good that can be modified with respect to the prevalent societal codes. The modifications can be made either through surpassing or through copying them. Modern fashions are part of postmodernism. This is in the view of the fact that developments and growth in the fashion industry accompany and express development of the society through embracing postmodernism. Developments in the fashion industry offer options regarding styles, image and clothing through rejecting the options presented in modernism. This paper discusses Versace designs and their relationship to postmodernism.

The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion

Minimalism in visual art emerged in the 1960s, New York. This art movement was influenced by Greenburg’s doctrine that the progressive evolution toward flatness while artists started making an extreme visual reduction. Minimalism was a reaction to abstract expressionism, which created to against excessive gestural painting like Jackson Pollock. They were also like to use industrial materials in order to move the visual projects towards sculpture and against “formalism”(Arnason, 2013, p.510). Artists considered the importance of working environment due to they want audiences to experience the art through the body rather than eyes.

There have been and still are hundreds of fashion designers in the world. But only a few of them have had any major impact on fashion industry today. And even fewer have revolutionised the fashion industry completely. One of these revolutionaries is the renowned Christian Dior. He reestablished Paris as the centre of the fashion world, and created his name as a symbol of elegance, quality, and modernity. I will be looking into how Dior’s context informed his practice, by using three of his most iconic and popular designs; The Bar Suit, Venus Dress and the Cygne Noir dress. And how these were a direct representation of 1945-1950 France.

(Choose a garment, which can be used to discuss fashion from the point of view of the consumer. This garment must be able to demonstrate how the consumer individually constructs their identity and conveys that identity through the style and styling of clothing. You should treat this garment as an object as a form of evidence, which can help you to explain theories of fashion discussed in the sessions. The intention of your analysis is to examine the ways in which we can ‘read’ objects and images, understand their meanings and explain them in the context of broader theoretical and social concerns. You should aim to be as analytical as possible. You may want to use further

One of the finest French artists of the 19th century thought of by many is William Bouguereau. He was well known for his traditional

“Minimal art is characterized by its simplicity in both form and content, where personal expression is removed in order to achieve this. The intention of minimalist artists is to allow the audience to view a composition more intensely because the distractions of theme etc. have been removed”. Minimalism can be detected as early as the 18th century where the artist Goethe constructed an Alatar of Good Fortune that consisted of a stone sphere and a cube. In addition, in the 1920’s artists such as Malevich and Duchamp created works that suggested at minimalist intentions. “The Minimalist movement is similar to Conceptual Art in that the outcome is used to express a theory. Minimalism is

Having a present interest in vintage and retro fashion led me towards the idea of a vintage themed art piece. I contemplated a range of ideas and after some compromise, I decided to work with the theme ‘vintage’ by devising ideas around crafting everyday objects into a piece of art. Vintage items, including, classic books, cameras, type-writers, cushions, buttons, prints, wall paper, etc. were all considered. I wanted to expand on my knowledge and talents, therefore, I decided on sewing a stylised and imaginative artwork combined with the use of appropriate, complimenting materials.

There is often some confusion when people start talking about the post-modernism and modernism in architecture in terms of  their philosophical terminology differences. Modern architecture is known for its minimalism (Linder, 2004); buildings were functional and economical rather than comfortable and beautifully decorated. The post-modernism architecture, however, is called a “neo-eclectic, significantly assuming the role of a regeneration of period styles for designing houses, and a never-ending variety of forms and characteristics, asymmetrical designs for commercial buildings” (Fullerton Heritage, 2008). An example of these two polar opposites, “Less is more” made by Mies van der Rohe in 1928 (Blake, 1976) and "Less is a bore" made by

this was deeply thought about in terms of modern style of fashion. The fashion styles from the nineteenth period are following one another in the book and the text is written precisely. The particular part of the individual styles are explained in the book and have viewpoints, on the manners and presentation that people had when wearing the garments, this indicated unquestionable questions within the style in the clothing that was worn.

This essay aims to analyse the key role that the surrealist movement has played on fashion and the fashion industry. Both from a historical point of view, as well as its continued impact on fashion today, as a source of inspiration for contemporary fashion designers.

This essay will be considering the historical development of haute couture by analysing Charles Frederick Worth’s (father of haute couture) key factors in the success of haute Couture. I will then discuss Coco Chanel’s thriving impact on haute couture as well as ready-to-wear caused by the second world war. Saint Laurent’s drift to ready-to-wear and the high street fashion system will also be discussed in order to answer if haute couture is relevant in fashion today. The books I will be analysing and referencing are ‘A Cultural History of Fashion in the 20th Century’ by Bonnie English, ‘Couture’ by Ruth Lynam, ‘How Fashion Works’ by Gavin Waddell. Which will thoroughly breakdown the evolution and historical development of fashion by cultural, economic, environmental and social changes to finally come into a conclusion.