Summary
Through beginning visual research into designers, who influence me aiming towards creating my capsule collection I have noticed that I am drawn to the quality, detailing and styling of minimalistic and simplistic fashion. This I will be using as a key concept throughout my whole collection, looking to then create a potential minimalist collection of my own. Where I am aiming for my final outcome to be characterized by the use of simple design, enhancing the deliberate lack of decorative or adornment within style, with this in mind to develop and collaborate into my practical work, the topic I have chosen to discuss is the historical development and understanding of minimalism within a fashion context, defining the way different fashion
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Expressing the status of minimalism can be represented through the pared-down qualities, basic shapes, objectivity, designs with the barest elements and essentials stretched to produce maximum effect and unsigned/unnamed style. Often very sparse detailing but produced with fabulous finishing combined against impersonal tones, where the details can be repeated creating a layering effect. The Minimalism movement defines and collaborates, with the relative aspects that are shown within the Modernism period and often can be mistaken for the Abstract expressionism take on the art world, leading to transferring a style passage to the Post-minimal creative art practice. Potentially minimalism could also be interpreted as not just for the arts, but also as a life style choice to reflect yourself as a person, if your personal preferences are based on no fuss and no a bother attitude, but also in fact refined pieces that contain detailing through the quality of an object, and of the simplicity, stripped back to purely just key essentials that have been played upon with classical yet contemporary details that can be transferred into a fashion
A mother of a gay student that faced bullying stated in an article, that anyone who has “‘’hate in their hearts’” should accept people with differences because they are “‘going to be who they are’” (James, Boy Assaults Gay Student as Cellphone Captures Attack). In a perfect society, everyone would accept each other and not judge others based on appearance or social status. However, today many people still face the problem of acceptance. Harper Lee’s novel, To Kill A Mockingbird, illustrates how others can learn to be accepting from the characters in the novel. Scout leaves her naïve childhood behind and changes to into an accepting young adult through
“Minimal art is characterized by its simplicity in both form and content, where personal expression is removed in order to achieve this. The intention of minimalist artists is to allow the audience to view a composition more intensely because the distractions of theme etc. have been removed”. Minimalism can be detected as early as the 18th century where the artist Goethe constructed an Alatar of Good Fortune that consisted of a stone sphere and a cube. In addition, in the 1920’s artists such as Malevich and Duchamp created works that suggested at minimalist intentions. “The Minimalist movement is similar to Conceptual Art in that the outcome is used to express a theory. Minimalism is
As we read Jack London’s The Call of The Wild and To Build A Fire, we interpreted that the books have a few comparisons, but differ at the same time. Both of the books are based on the Yukon during the gold rush, and they both persevere with the situations they are given. The second similarity between the two is that in both novels, they involve the sled dogs. In To Build A Fire, we saw that the man was on an adventure and he needed to build fires to survive, but he did not succeed. In The Call of The Wild, we got to see the growth in Buck as he eventually became a strong sled dog. The differences in these examples is that in The Call of The Wild, Buck has a good ending to life, but the man does not.
This essay aims to analyse the key role that the surrealist movement has played on fashion and the fashion industry. Both from a historical point of view, as well as its continued impact on fashion today, as a source of inspiration for contemporary fashion designers.
The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion
The world has become aesthetically poorer for this change, as the result of which brightness and contrast have been replaced by dullness and similarity. There can be little doubt, however, that the drastic reduction of the decorative element in male clothing has, to some extent, achieved its aim.
There have been and still are hundreds of fashion designers in the world. But only a few of them have had any major impact on fashion industry today. And even fewer have revolutionised the fashion industry completely. One of these revolutionaries is the renowned Christian Dior. He reestablished Paris as the centre of the fashion world, and created his name as a symbol of elegance, quality, and modernity. I will be looking into how Dior’s context informed his practice, by using three of his most iconic and popular designs; The Bar Suit, Venus Dress and the Cygne Noir dress. And how these were a direct representation of 1945-1950 France.
The 18th century, more precisely between 1715 and 1789, was a significant time period in the fashion sphere for women in France. The time period itself was a mark of great change for the history of France due to various political reasons as well as various art movements and often times fashion, despite being a branch of art, is overlooked by most viewers. However, fashion during this time excelled in France and was essentially the symbol of a new era in this domain; French fashion was now snowballing into something much greater that still echoes to this today. Ultimately, the goal of this essay is to describe women’s fashion during the period of 1715-1789 and the shifts it made through the analytical use of various sources including artwork, literature, museums’ online archives and internet sources.
There is often some confusion when people start talking about the post-modernism and modernism in architecture in terms of their philosophical terminology differences. Modern architecture is known for its minimalism (Linder, 2004); buildings were functional and economical rather than comfortable and beautifully decorated. The post-modernism architecture, however, is called a “neo-eclectic, significantly assuming the role of a regeneration of period styles for designing houses, and a never-ending variety of forms and characteristics, asymmetrical designs for commercial buildings” (Fullerton Heritage, 2008). An example of these two polar opposites, “Less is more” made by Mies van der Rohe in 1928 (Blake, 1976) and "Less is a bore" made by
I wanted to send the updated spreadsheet from this week and anther candidate that Rachelle has qualified for you Mya Roblow.
There were two major art movements during the 1960’s: Pop Art and Minimalism.The two movements are still relevant and influentiantial now in the 21st century. These two art movements do not meet the standard of arts original idea. Pop art represents popular culture, comic books, advertising and television. Pop art movement appeared in the mid 1950’s. It challenged traditional art, it is loud and aggressive, filled with vibrant colors. Once you are familiar with a some Pop art paintings, its unique style is easy to distinguish among the rest. It represented more everyday life than anything. Minimalism and Pop art can be very similar but yet have countless differences that vary from artist to artist. Minimalism isolates the material and blurs out any emotional content and personal expressivity. Minimalism reduces everything to its essential elements. The events that occurred during these movements, such as the Civil rights and the Vietnam War influenced artist to try to challenge other type of art forms and go beyond just “fine art”.
This essay will be considering the historical development of haute couture by analysing Charles Frederick Worth’s (father of haute couture) key factors in the success of haute Couture. I will then discuss Coco Chanel’s thriving impact on haute couture as well as ready-to-wear caused by the second world war. Saint Laurent’s drift to ready-to-wear and the high street fashion system will also be discussed in order to answer if haute couture is relevant in fashion today. The books I will be analysing and referencing are ‘A Cultural History of Fashion in the 20th Century’ by Bonnie English, ‘Couture’ by Ruth Lynam, ‘How Fashion Works’ by Gavin Waddell. Which will thoroughly breakdown the evolution and historical development of fashion by cultural, economic, environmental and social changes to finally come into a conclusion.
The passageway of modernism has introduced innovative components in the development of an individual's personality. The identity character as a social construct is highlighted through the effect that fashion has brought in, experimenting, producing and changing individual identity. The style and appearance of an individual is a portion of the fashion's period and usually refers to the possibility of people to utilize fashion industry products. This takes place just like any other consumer good that can be modified with respect to the prevalent societal codes. The modifications can be made either through surpassing or through copying them. Modern fashions are part of postmodernism. This is in the view of the fact that developments and growth in the fashion industry accompany and express development of the society through embracing postmodernism. Developments in the fashion industry offer options regarding styles, image and clothing through rejecting the options presented in modernism. This paper discusses Versace designs and their relationship to postmodernism.
My favorite piece of art that’s been displayed, or at least talked about so far, this semester has got to be the little berserker chess pieces from the Germanic Tribes lecture. While not necessarily a primary piece of art, the small sculptures represent the tribe of Viking warriors that fought fearlessly. In detail, the depictions of the berserkers show them wielding swords and shields as if they always stood ready to battle. Then to add to the appeal, the berserkers in the chess set are biting on their shields as if they were wild animals. I imagine this group of Vikings looking very intimidating and using the wild and fearless personas to strike fear into their enemies. Another interesting fact worth mentioning is that the term “going berserk” came from the descriptions of this tribe.
of art as a finished product, signed by the artist and authenticated by the art market,