The rhythm of the 1960s’ song echoing across the alley corner jogs my memory, bringing me back when I was still a 10 year-old girl enjoying a peaceful childhood with my grandpa and grandma. My childhood was filled with happiness, peace and the love of my grandparents. I had a special bond with my grandpa because he would always go above and beyond for my needs and wants. His methodical routine lifestyle, selflessness, and drive for personal development were a large part of who he was. For example, his morning routines included waking up at the same time every day without the use of an alarm. His love and natural knack for music extended to the people around him, eventually helping me understand and appreciate Jazz. I remember his excitement over me playing the keyboard for the first time and getting music lessons. He was eager to be a large part of my childhood development and his feelings were genuine. Pondering about this, all of the past memories with my beloved grandparents come back to me as vividly as if they had happened yesterday. I specifically recall my grandma sitting on the sofa by the window and carefully knitting my dungarees. She had a wood-gilded, silver tin box, a wedding gift from my grandpa; It was an irresistible attraction holding the wonders and mysteries of the world inside. I loved playing with the box as the colorful threads shimmered in the sun. One time, I rushed outside with my friends and forgot to put the box back. When I came home, my grandpa
Living across the street from my Papa Gene, I found myself spending every summer day in his humongous- or so my eight year old self thought- pool, treating myself. I was always the kid that thought my grandparents were a God-sent gift to me and I was the luckiest girl in the world. I can still recall the the taste of the orange creamsicle popsicles my grandma would place in a cup outside and let melt before I drank them because she knew that was my favorite way to eat them. I definitely spent the sweetest of summers at that small house with the huge pool. While many childhood memories were made at my grandparent’s house, the one picture that will burn in my head until the end of time will be the one
‘He told me I have the wrong kind of fingers’” (7). When the father fell for it, the boy’s sisters also told the father similar stories so they could get out of their lessons. Even when all three children had stopped playing their instruments, their father still tried to get them to play, but with different instruments, “‘the trumpet or the saxophone or, hey, how about the vibes?’” (7). No matter what the children said, the father tried to get the children integrated into music somehow. When the children refused to play different instruments, the father tried to get the children to listen to recordings so they could be inspired, “‘I want you to sit down and give this a good listen. Just get a load of this cat and tell me he’s not an inspiration’” (7). No matter how hard the children pleaded into getting away from music, the father still tried to connect his kids into music
In the memoir A Long Way Gone, author Ishmael Beah describes his survival journey as a lost child in his country, because of the civil war in Sierra Leone, then becoming a child soldier facing war daily, afterward the process that Beah went through during rehabilitation and finally in fear escaping the civil war. Ishmael Beah emotional journey has three stages of development in which Beah utilized music. In the first stage, Beah uses music as a survival mechanism to keep sane and safe. In the second stage, begins when he loses his brother and friends, Beah reaches the lowest point with the loss of his entire family again, some friends, music, and being forced to join the war. In the final stage, is the process of rehabilitation where Beah connects with music once again. Ishmael Beah exposure to music at a young age stayed with him throughout his life. (Beah, 2007, p. 5-218)
I remember the first time I started to like basket ball. I was never a baseball
“It is in playing and only in playing that the individual child or adult is able to be creative and to use the whole personality, and it is only in being creative that the individual discovers the self.”(page 50) Lastly, music has already helped me grow and find myself as an individual and I can’t wait to see what the rest of my life has in store for
From the creation of harmonies to singing to instruments, music has been an abstract form of human expression. Although an auditory collection of pitches and volumes, musicians can manipulate the same notes and bring them alive for their audiences. The true emotion and energy that’s felt in music really comes from the player as feelings are transferred to and through the listener. This interaction between performer and the house is catharsis, the complete release of strong repressed emotions. Thanks to the musician, music has the ability to grasp people and cause them to sense emotions and feelings without lyrics or images even being necessary. Although it’s believed we can only hear with our ears, something about music makes it emotionally if not physically tangible. In James Baldwin’s short story “Sonny’s Blues,” a narrator certainly unaware of the impact of music invites himself to experience jazz for the first time. Baldwin uses the final scene of his story to argue that music has an effect on those who are able to experience it. Baldwin does this in one single moment by letting the fixed, practical minded, “well-intentioned” narrator experience catharsis from jazz as his growing, free-spirited brother communicates with him through jazz.
The narrator, a teacher in Harlem, has escaped the ghetto, creating a stable and secure life for himself despite the destructive pressures that he sees destroying so many young blacks. He sees African American adolescents discovering the limits placed on them by a racist society at the very moment when they are discovering their abilities. He tells the story of his relationship with his younger brother, Sonny. That relationship has moved through phases of separation and return. After their parents’ deaths, he tried and failed to be a father to Sonny. For a while, he believed that Sonny had succumbed to the destructive influences of Harlem life. Finally, however, they achieved a reconciliation in which the narrator came to understand the value and the importance of Sonny’s need to be a jazz pianist.
My grandfather, George Eveleth, was eight years old when he and his family survived the 1906 San Francisco earthquake. Their house also survived, and on that day, George sat on the front steps watching the parade of refugee’s stream passed on their way to the tent city in Golden Gate Park. His father left the house that morning and when he returned, he brought with him two items - an antique clock and a banjo. George took up the banjo and by the time he was in high school, he was playing professionally. Along the way he met and was mentored by a local percussionist and bandleader named Art Hickman.
Music has always been integral in my life. During my childhood, when I was four years old, I pressed my fingers on an oven handle like a piano. Throughout my childhood years I listened to my mom’s old-school mix CD’s, along with the Pandora music app on my old Kindle. In fifth grade, I picked up the piano. My alto saxophone studies began in seventh grade. When high school arrived, I turned my focus to guitar and voice. The more knowledge I absorbed, the more knowledge I craved. My decision to pursue music was also influenced by the inspirations I’ve encountered on my journey so far.
The perception of one’s role and how they fit into a particular community can very important, so it makes sense that feelings of exclusion can be particularly devastating, especially at a young age. Shelby Martinez, who has been my closest friend since high school, has shared her adolescent experiences with these feelings of exclusion, with me on numerous occasions. On many of those instances, she reflected on how much time she spent by herself in her bedroom with headphones on, just listening to music. It was clear that music played a big role for her growing up, so I decided to do my musical ethnography on her. Shelby spent her adolescence in Yuba City, which is a relatively small Northern Californian town that embraces country life, with big focus on agriculture, hunting, and country music. However, Shelby was didn’t hold this same affinity for a rural
On the eve of November 23rd 2015, I interviewed my grandfather, Benny Reno Emerson, on the influence of music in his life. During the interview we talked about how long music has been a part of his life and how it has shaped who he is today. We also touched on three songs that meant the most to him. The three songs that he claimed to be the most significant to him were “K.T.”, “Kill the Pain”, and “I’m a girl watcher”; all songs that he has performed live, at stages across the Midwest, including the well know Wisconsin summer musical festival Summer Fest.
Throughout its history, music has permeated the significant events of American history. Its effect on American society and the way the American people cope with each event has only grown as popular music evolves and new genres reach more and more individuals. People can remember where they were and their exact surroundings to amazing detail when asked about life-changing events in history. Older generations will remember the bombing of Pearl Harbor. Their children will remember when Kennedy was assassinated and when man walked on the moon. Their grandchildren will remember much of the turmoil of the ‘70s and ‘80s and their great grandchildren grew up in the world impacted by the events of September 11, 2001. Even one’s surroundings during the start or end of a relationship or personal events such as graduation, getting a driver’s license, or getting married can all be paired with the music that was popular at the time.
As a child I frequently made up little songs, and there seemed to be a constant stream of music in my head. I could see myself in the children she was observing and like them I didn’t have a framework for my experience – it was just my life. Whether it was singing while playing, tapping out some rhythm, singing at the top of my lungs to a favorite song, or goosebumps from hearing “Hall of the Mountain King”, it all felt familiar and warming. It has also made me aware of the musicking I continue to make every day in small ways here and
In 1973, exactly twenty-five years prior to my birth, my parents were just in elementary school. They told me stories about their lives back then but none contained any traces of music. The only stories about music back in those years were from my grandmother. Back then, my parents grew up in Viet Nam in a poor family with no televisions so they couldn’t really listen to any music growing up. Although my parents could not listen to music on television like how we can now; they were able to come to live performances by local artists held at the district’s performance center every other month because the shows were free. My grandmother told me that the music back then was really different than how it is now. The songs served many purposes to the citizens, it was an encouragement to soldiers at war, it was the rhythm that put kids to sleep, it was the comfort food for everyone who listen. Grandma told me the style
As I take a look back on my life, I realize how great it has truly been. I had an absolutely amazing childhood and I am beyond blessed for it. I grew up in a home with two loving parents that have been with me through it all and now of days that is something to be truly thankful for. My parents taught me to strive to be anything that I wanted and that I could be anything that I set my mind to. These dreams changed throughout my life as I grew older and as I grew into the person that I am today.