My Darling Clementine : A Film That Follows The Classic Semantics And Syntactics Of An Original Western Film

In chapter two of The Cultures of American Film, the main focus is the establishment of studios. As demand for films rose in the early 1900’s, production companies needed to expand; this lead to the creation of large scale studios.

Sunset Boulevard and Double Indemnity, are just two out of the many incredible films directed by renowned director Billy Wilder. The two films which were released six years apart, (Double Indemnity- 1944, and Sunset Boulevard- 1950) are uniquely similar, in that both films share many of the same aspects, idea’s, and similar in narration, as one another. Both of these extravagantly, directed films are indeed classics. The films, both tell an intriguing story of spiritual loneliness of a female character, and how they use their power, money, and provocativeness, to “lure” the male character. We see the life of a once innocent (male) character, who is being hurtled towards his own self destruction, the character is “supposedly” unaware, of his own self harm through his seemingly ‘good/beneficial’ decisions that he makes.

When the subject of Native American characters comes up in conversation, most picture Tonto from the film The Lone Ranger. However, many don’t realize how the film industry has created a stereotype that has affected generations of Native Americans. From mascots to logos of tobacco and other products, the early westerns have help mold minds into placing Native Americans into something they are not. The documentary Reel Injun help shed light on the subject as well as raise awareness to how these films have not only created a stereotype, but in a way allowed the Native American culture to become nothing but a myth.

The Alamo is a 2004 American war film about the Battle of the Alamo amid the Texas Revolution; it is a motion picture that catches the dejection and fear of men sitting tight for two weeks for what they hope to be sure passing, and it some way or another succeeds in taking those popular society brand names like Davy Crockett and James Bowie and giving them human structure. The film was coordinated by Texan John Lee Hancock, delivered by Ron Howard, Brian Grazer, and Mark Johnson, dispersed by Touchstone Pictures, and featuring Dennis Quaid as Sam Houston, Billy Bob Thornton as Davy Crockett, and Jason Patric as James Bowie. The film relates to history, the Alamo looks exact, and, in reality, we find that San Antonio de Béxar was deliberately re-made with small saving of cost. In any case, a feeling of the way the occasions at the Alamo are joined with the national story of slavery, development, and the evacuation of Native American from the eastern United States in the 1830s and 1840s is missing. On the off chance that we incorporate this bigger story, we can maybe figure out the more extensive point of view that at first created enthusiasm for the venture.

In the film, A Bronx Tale (1993) directed by Robert De Niro, the character Calogero Anello played by Lilo Brancato, demonstrates cinematic language. The cinematic language uses various visual codes in cinematic storytelling to convey the meaning of a film. The components of cinematic storytelling are portrayed through various techniques such as, camera movement, mise-en-scene, cinematography, sound, editing, and etc. within a film’s frame to help tell the story. The main character Calogero faces many obstacles throughout the film, but they mostly result in a battle of trying to receive acceptance from his father, Lorenzo Anello played by Robert De Niro. Through the course of the film, the director accordingly uses the setting of the film

John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.

The film “American Tongues” documents a variety of English accents that are present across the United States and highlights a lot of the opinions people have about accents and people who speak these accents. A large majority of the people who express opinions about other peoples’ accents tend to express negative views, as they see their own accent as the superior one. The film focuses on showing the array of accents found in the U.S., but also how a lot of people who speak these “inferior” accents work to learn “Standard American English” to increase their chances of getting jobs and communicating in more official domains. Although the film was made in 1988, it expresses views still present in today’s society towards different accents, as people tend to continue judging others based not only on what they say, but also how they say it.

In the movie Hitch. Dir. Andy Tennant. Perf. Will Smith, Eva Mendes, and Kevin James Sony Pictures, 2005. Dvd. The movie Hitch is about Alex Hitchens who plays “The date doctor” or a consultant as he calls himself. When Alex Hitchens was younger he fell head over heels over Cressida he came on a little strong that led her to another man’s arms. That experience taught him so much that Alex decided to coach other men in avoiding the same mistakes he made to get them to the woman of their dreams. While coaching one of his clients, Albert Brennaman, who is secretly in love with a client of his investment firm, celebrity Allegra Cole, Hitch finds himself falling for Sara Melas she is a gossip columnist whom after her best friend had a one night stand with a gentleman that said that he was the date doctors “client” Sara Melas decided to write a column to expose the “The date doctor” unknowingly that the person she will be exposing would be Alex Hitchens the person she is slowly falling for. Albert and Allegra’s relationship continues to progress while “The date doctor” realizes that none of his own methods are working for him while pursuing a relationship with Sara. At the end of Sara’s investigation she finally finds out the identity behind the much talked about “date doctor” that leads to her break up with Alex. She proceeds to write and publish her story knowing the damage that would cause for his clients and for Hitch reputation the expose article caused Albert and Allegra to

The world of film has changed dramatically over the last fifty years, both in technology and perceptions on how the industry should work and how it is viewed by the public. The ending of the production code in Hollywood started the cultural change in the industry. With this restrictive institution gone, many directors chose to take advantage of this in many different ways. My favorite of these is Mel Brooks; he chose to break and push boundaries both socially and comedically. Brooks’ style often includes crude humor inlaid with deeper jokes and meaning, many fourth wall breaking moments such as the “We’re in now now” scene of Spaceballs, to stand out in the world of comedy. His masterpiece, Blazing Saddles, is one such film that did just that. Through its new found sense of humor in the post production code era and its twists on common genre tropes of the time, Blazing Saddles was able to find its place into the New Hollywood Cinema.

The western movie I pick is John Ford’s movie Stagecoach (1939). The movie is about a group of people traveling together by stagecoach from the town Tonto to Lordsburg. The people traveling together are a diverse group of people. All of them have the specific motivation for going, but they all share the same goal reaching to Lordsburg. The characters are Dallas who’s a prostitute, Mrs. Lucy Mallory who is the wife of the Army Cavalry officer, Ellsworth Henry Gatewood who is a banker, Hatfield who is a gambler, Samuel Peacock who is whiskey salesman, Doc Josiah Boone who is a alcoholic doctor, Buck Rickabaugh who is a stage driver, Marshal Curley Wilcox who is a marshal riding shotgun, and Ringo Kid who is an escaped outlaw.

During the end of the 3rd Century, the Playwright Plautus wrote many of the first Roman comedies. A Funny Thing Happened on the Way to the Forum is a musical comedy film adaptation of Plautus's comedies.Set in ancient Rome, many aspects of Roman theatre, including stock characters, were included in the film’s production. While the film is based off of multiple comedies, Plautus's Pseudolus character Calidorus is nearly identical to the film’s Hero. During the time Pseudolus was written, the Crisis of the Third Century led to up to 25% of Roman population being comprised of slaves(Southern). Of the many stock characters Platus included in his comedies, Calidorus/Hero, the son of Pseudolus’s owner and the stock character adulescens, best

The question is whether No Country for Old Men and Stagecoach provide adequate examples of the decline in American moral values. From my perspective of today’s world and my interpretation of No Country for Old Men and Stagecoach, I can see how the argument could be made that they have declined or haven’t changed at all. I see a difference between the relationship of Ringo and Dallas vs other members of their traveling group compared to Sheriff Bell vs Chigurh. These relationships, in my opinion, explains a lot about the development of moral values, or lack of, in the western United States. In this paper, I will describe the moral values that are represented in each movie and I will also try to describe my understanding of why American moral values may have declined between No Country for Old Men and Stagecoach.

Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that that journey is not the same for every individual. For Charles Foster Kane (Orson Welles), the main character of Citizen Kane, directed by Orson Welles, the path towards riches and a fulfilled life is being well liked. He serves to please others. He strives for that attention. This view cost him his happiness in the end. In this man’s rise and fall through prosperity, Welles shows the futility of striving solely for likeability.

Wendy’s father, Mr. Darling, sets the prime example for adult male stereotype. Barrie characterizes him as the breadwinner of the Darling family and a proud businessman. Throughout Barrie’s insight into his character, the reader observes him insist upon respect and obedience from his children and wife; and even the family dog. In one instance, Mr. Darling even boasts to Wendy that his wife, Mrs. Darling, not only loves him, but more importantly, respects him. This attitude as displayed by the character of Mr. Darling as the most prominent adult male influence can be argued to be associated with the male stereotype in many ways. Mr. Darling’s character in the text supports the culturally stereotypical view of the male gender as the

The Western film genre is typically set in a secluded village in the middle of the desert, normally in the American West. The setting includes wooden buildings, tumble weed, cacti, trains, horses and carriages. The storyline for western films is usually the same, namely, a hero travels to a remote village, usually on a horse, and brings peace to the warring villagers.