My Experience At Connecticut College

As a youth, I engaged in many forms of dance expression. I studied tap, jazz, and ballet for fifteen years. During these formative years, I choose to forgo many youth experiences so that I could participate in advance dance programs. The hard work paid off when I received a college scholarship to a performing arts

When I was four years old I was introduced to a tall, petite, beautiful ballerina who spun around the room with elegance, and effortlessly captured the crowd with her stunning abilities. As a little girl, I sparkled with admiration and was inspired to be all she was, it was from that point on, that I ventured into an unknown world of art, strength and expression. Now being eighteen years old with about fourteen years of experience in the dance world, I have learned and developed the norms, values and practices of the culture, and the conflicting theory within it.

I have been dancing since the age of two. When asked about my career aspirations, there is no hesitation before saying “I want to be a dancer.” Being a dancer means putting all other distractions aside, and focusing on my craft. Currently, I dedicate over forty hours a week to dance, which is a schedule that requires sacrifice. When I am dancing, the rest of the world fades away, slipping out of my mind with relaxed importance. For that moment in time, I am completely free, wholly focused on my goals, letting me know dance is what I’m meant to do. With this realization comes a responsibility to myself and the work I have put into improving my craft thus far, and I know I must seek out the best opportunities for growth and continued learning.

My education became my top priority when starting community college. I am first generation student and my parents just expected me to attend college. I did not have much help from my parent in enrolling or the process of entering college. I did not let that stopped me and continued to do my best. During my community college experience, I did not really like school and struggled with math a lot. I took the wrong classes my first year and changed my major two times. I was never connected to my college and never participated in any clubs or organizations. I felt like I was just there for class, I also think it was this way because I was working a full-time job at the same time. I honestly hated school but I knew that education is very important. During this time, I doubted myself a lot because I did not think I could make it through college. After learning about the Validation theory by Laura Rendon which states “nontraditional students (whom Rendom defined as those from diverse racial/ethnic and cultural background) often doubted their academic ability” (Patton et al. 2016 p. 39). I felt connected to this theory right away because I

“What are you even doing here? I have never seen such flawed technique in all my years as a choreographer.” The words echoed throughout the medical college auditorium. Impelled by the admonishment in front of my peers, I persevered in my endeavor to improve upon my dancing prowess and by the final year of medical school was leading the college dance team. The above mentioned undertaking further spawned an interest for the discipline of Latin Ballroom which lead to participation at the national level. The unwavering focus and persistence even in the face of unfavorable odds is more broadly reflective of my approach towards learning, both academic and extracurricular. This has been instrumental in achieving stellar academic outcomes including being ranked nationally in the top 0.0004 percent in the premedical test and the top 0.6 percent in the common aptitude test for management training.

Of all the values that dancing instilled within me, I believe I learned the greatest lesson when I forfeited my first love. In my mind, I rationalized that school’s importance outweighed my devotion to dance. In my eighth grade year, my studio encouraged me to join their dance company, while my school implemented an academic plan for me that met my educational needs, which included placing me in ninth grade honors courses. Faced with the truth of the difficulty of balancing schoolwork with a demanding practice schedule, I reluctantly withdrew from my dance

Being committed to competitive dance for 15 years has immensely impacted my life, as I have not only progressed technically and performance-wise, but I have been given numerous opportunities for self growth and development. Dancing has shaped me into a well-rounded, confident individual who is able to prioritize responsibilities, cooperate and collaborate with others, and exhibit strong leadership skills. Involvement in any extra curricular can aid one in developing a true passion, and through dance, I have been fortunate to find my passion.

I’ve always dreamt of dancing in New York City and this summer I earned the opportunity to live out that dream. After auditioning and waiting months for a result, I was accepted into the Rockette’s Summer Intensive. The program was, in brief, intense. I went into the intensive not knowing anyone, first time in New York, and all while the stress looming over my head that I was performing with strangers the challenging choreography that was just thrown at me in seven days. The first few

21st of May, California State University of Long Beach held the CSULB Dance In Concert at Martha B. Knoebel Dance Theater with the collaboration and choreography by the CSULB dance faculty such as Colleen Dunagan, Rebecca Lemme, Sophie Monat, Andrew Vaca, and featuring guest Laurel Jenkins and Doug Varone. From the show, the dances represented through various genre such as contemporary, contemporary ballet, and modern dance. The element of contemporary defines as a collaborative style that includes modern, jazz, ballet, and hip hop. All these styles of dances were shown by connections after each intermission. In particular, I will concentrate mostly about contemporary dance out of all the dances in the concert and talk about the effects on three out of six performances. The performances reflects mostly on how we describe life and nature and partially define life to every aspect of the emotion were being introduced by the dancers.

On April 14, 2017, my friend and I visited for the first time Salt Lake City Community College dance company’s annual performance. The show was presented at the Grand Theater at the South City Campus of the college. The performance’s name “Moving Words” imply what the audience was about to experience. “Moving Words” consists of 18 different dances and each of those dances brought a unique feeling to the overall performance. I thought that the dancers and choreographers have done an amazing job. However, after seeing all the different dances there were two that stuck together with me, because of the ideas and the morals these dances introduced.

Dancing is a recreational activity that has been enjoyed by millions of people for centuries. There have been countless styles of dance and thousands of memorized steps that have been performed in front of people or even just simply enjoyed alone without and audience. When a handful those thousands of steps come together, it creates a routine. Even though there are countless dancers that are breathtaking when they perform the routine in front of and audience, most dancers cannot be proficient without someone to assemble those countless steps together to create something awe inspiring, beautiful, and entertaining to watch. Dance is a world of constant change due to the want of awe, the need to produce something unique, and the necessity to catch the audience’s attention. Although many people believe some dance styles have not changed for centuries, innovative choreographers flip dance styles upside down with their unique approaches.

Througout my academic career, I have learned as much about myself as I have learned in school, whether it be from high school, to community college, and my journey that lead me to Arizona State University. I can honestly say as my parents did, that I wish I would’ve tried harder in high school. I scraped by taking the easiest classes possible and choosing to take the easy way out. Looking at my transcript makes me cringe, because I know that I am capable of so much more. I wish that I would’ve taken the honor classes and tried so that I would’ve been able to apply to a college other than a community college. My time at Mohave Community College was a significant improvement from my experience in high school. Not only did I graduate with near honors (3.49), I had made the Dean’s list and Honors List for three out of my four semesters, the first time this had happened since middle school. I had never felt more motivated and focused in my life. I was taking 16 credits and prospering and had a balance of work, school, and a social life. I had never felt more proud of my self in my life. As I sit here and write this paper, I question my time here at ASU as I try to plan the nex chapter of my life. I wonder where I am supposed to go and what I am supposed to do.School for the first time had become a priority, however, it began to consume my life. I would spend hours and hours on end doing homework and studying, and although there seems to be nothing wrong with this, I wouldn’t go

A relaxed and enjoyable evening, students are able to dance with a fellow student or invite a friend from out of school as they show off their ballroom dancing skills. Karen Feldman’s expertise is invaluable as our students learn something new and have a night for themselves. Today our MPC is used as a venue for off-site dance lessons for people of all ages, and many years ago the school even offered dancing lessons. In fact, chances are there are some members of the school community who remember being taught the fine art of ballroom dance under the watchful eye of John

Being a dance educator, I strive to expand the knowledge of my students in everything I have learned about dance. I am currently attending technique courses such as ballet and modern, exploring the science of the body, history, rhythmic analysis, teaching methods, composition, and production to contribute to my knowledge of becoming a dance educator. I hope to encourage the students to not only learn from myself, but themselves and their fellow classmates as I remind myself that they are the future educators, performers, and artists of dance. Furthermore, I encourage commitment. I will help my students seek the potential to overcome any obstacle by providing positive and critical feedback.

Starting the semester with this activity provided a new insight to the way our peers dance. We have all danced together for quite some time no, and while it is apparent we each have our own personal styles we bring to a dance, this is perhaps the first time we explored what may influence each of those