My Fair Lady is a 1964 American musical based off of a play called, Pygmalion by George Bernard Shaw. Eliza Doolittle, who lives in London, is not very educated and does not speak very good English. Professor Henry Higgins meets Eliza in a subway and proclaims that he could teach her how to speak properly. Eliza agrees to let him teach her and she is taken to his home and is taught how to be proper and if she convinced Queen Victoria that she belonged in the higher class then in return Professor Higgins would reward her with chocolates. Professor Higgins teaches Eliza how to speak proper English by helping her with her pronunciation of several different phrases that would teach her how to speak properly so that no one would know that she was not actually from a high class family. She goes on to perfect her speaking so that she could attend me the derby for her first test. She does well but at the end she gets involved with the race and she ruins her cover and exposes herself. She goes on to continue working hard to perfect high class tendencies. She, along with Professor Higgins, later attend the ball for her final test. She dances and talks amongst the other guests and no one seems to see past Eliza’s act. She convinces everyone except for Colonel Pickering, who insists that she is an imposter. Eliza carries on as if she is who she is perceiving to be. She returns home with Professor Higgins and they all have a laugh about what had happened at the ball except for Eliza
In this chapter of The Feminine Mystique, Betty Friedan denounces a fundamental notion of the mystique: The role for women in the home is equal to the role of men in society. To further explain this notion, she makes use of several different rhetorical devices such as antithesis, when she establishes a connection between the dreadful physical and mental health of full time housewives plus men working on assembly lines, and she does so in order to accentuate the hidden problems of “alcoholism, obesity, chronic fatigue, and lack of interest in sex” due to preconceived ideas about gender roles. Moreover, she makes use of logos, when she provides her readers with statistics about how “Women constituted nearly half of the professional workforce;
After Higgins, confesses to his undying love for Eliza. Eliza decides to leave Higgins’s home because felt that it would only hurt Higgins more to have her stay another moment in his home because she did not share the same feelings for him. She now resides at the home of Mrs. Higgins.
Eliza changed herself for the better. In act 5, she told the two men to start calling her “Miss Doolittle” and that was the beginning of learning her self worth. She was done being treated like a “live doll” and began to see herself like a Duchess, like Higgins
1. Early in the essay, Carl T. Rowan describes Miss Bessie as five feet tall and no more than 110 pounds. While explaining how she doesn’t seem physically threatening, Rowan notes she had a “towering presence in the classroom. She was the only woman tough enough to make me read Beowulf” (411). Rowan’s resistance towards reading Beowulf led to him learning about Miss Bessie’s large brown eyes, that resembled “daggerish slits” (411). Rowan describes his former teacher in a way that resembles someone who is looking up to an authoritative figure. Whenever he comments on her appearance or personality, it he does in a very respectful context. Just by the way Rowan often talks about Miss Bessie, it’s obvious the amount of respect and admiration he has
Me Earl and the Dying Girl, a novel written by Jesse Andrews, introduces Greg Gaines, a 17 year old loner, has miraculously passed through high school under the radar and without a scratch. Greg is clumsy, awkward and he sticks to his method of not being included in any social group at school, but knowing at least one person from each group. The only person Greg spends most of his time with is Earl whom he makes “really bad” films with. Earl, who comes from a wild and broken family speaks more wisdom throughout the novel than Greg who remains cynical. Greg refuses to call Earl his friend but rather his “co-worker” in respect that Greg stands by the fact that he doesn’t have any friends because he isn’t worthy of them. In a way, Greg seems very self concerned and doesn’t really pay attention to the issues of others.
Some actresses see Lady Macbeth as sympathetic to her husband like Sarah Siddons and Kate Fleetwood, feeling sympathy for Macbeth is a decision both actresses made for Lady Macbeth to be relatable and more human, Siddons who portrayed her in the mid-1800s said that she approached her as, “keen to present the character in as attractive a light as possible, so sexually appealing – fair feminine, nay perhaps even fragile” (Sarah Siddons qtd. In Robert Miola, 94). Siddons saw the character of Macbeth as honorable and to have him as a husband only proves Lady Macbeth is very taken with him, having put all of her efforts into seducing such an honorable man. Kate Fleetwood’s own interpretation of Lady Macbeth was very domestic, the societal hostess. In an interview in 2011, Fleetwood who was directed by her husband Rupert Goold in the 2007 version of the play said that, “When Rupert suggested to me about the domestic side of her, that started to ring really big bells for me” (Fleetwood qtd. In Miola, 135). The argument about how Lady Macbeth truly loves her husband and tried to summons the spirits is because she knows that Macbeth is very ambitious, and she needs all the strength she can have to convince him to act out the three witches’ prophecy. This arguement and its solution is very valid, Lady Macbeth only acting out for the benefit of her husband, she wants her husband to be the king of Scotland but it does not mean she wants to queen herself. In an interview, Fleetwood also
Manipulation, greed, narcissism, desire, impulsivity, paranoia, lack of empathy. These are the words often used to describe a sociopath. Sociopaths use these traits to fulfill desires and gain power. They do not retain or possess empathy for anything, and although it may seem like they care, the relationship is superficial and often toxic. In Macbeth, the relationship between Lady Macbeth and her husband is not only damaging but is also toxic to those around them. While Macbeth may exhibit sociopathic tendencies, the true sociopath is Lady Macbeth. In Shakespeare’s Macbeth, Lady Macbeth shows how her sociopathic behavior shaped the story through her use of manipulation used to coerce Macbeth, the impulsivity of these actions, and the paranoia that follows them.
In this paper, I will explain how the article “The Lady and the Tramp (II): Feminist Welfare Politics, Poor Single Mothers, and the Challenge of Welfare Justice” by Gwendolyn Mink relates to the thematic focus of working women and the Marxist and socialist branch of feminism. In Feminist Thought: A More Comprehensive Introduction, Rosemarie Tong explains that Marxist and socialist feminists understand women’s oppression as a labor issue. Women’s work is not viewed as a productive contribution to society. One of the ways Marxist and socialist feminists sought to improve women’s oppression was through the wages-for-housework campaign of the 1970s, which fought for work done in the domestic sphere to be paid and respected by society. In this same vein, Mink’s article can be viewed as a continuation of sorts of the wages-for-housework campaign. Mink suggests that poor single mothers have the right for their work to be recognized by society and supported economically like the Marxist and socialist feminist in the 1970s.
Higgins tries to take all of the credit for Eliza’s transformation into a lady. In his mind, Eliza did nothing and without him, she would not have been able to accomplish this task. Mr. Higgins continues to express his dominance by telling Eliza what to do even though she does not work for him. Eliza does not like the way that Mr. Higgins treats her and leaves his house, angrily. After searching for Eliza, Mr. Higgins finally finds her and tells her that he paid for her services and she needs to finish her job. In this way, he treats her as if she is
In the play Macbeth, Lady Macbeth persuades her husband into performing certain actions against his better judgement which ultimately causes Macbeth’s downfall. Without Lady Macbeth’s persuasion and planning, the murder would have never taken place. She is the backbone of the whole play and is Macbeth’s evil partner. Lady Macbeth becomes Macbeth’s partner in crime and gives evil advice to her husband. Lady Macbeth forces her husband with determination to make wrong conclusions. William Shakespeare challenges the role that women play in society by serving up a terrifying lead female character in Lady Macbeth to warn his contemporary society about the dangers of letting women hold political power.
The term epiphany is pretty common in literary terms, and most often means a moment of realization or self discovery. In a story, it’s when a character discovers an awareness or knowledge that really changes their views on life. They start to “see a new light” as some would say. In the story of “The Lady with the Dog,” there are four parts, and each of the four parts of the story involves an epiphany of some sort, one way or another.
The play Pygmalion and My Fair Lady, the musical, are the same story. The only major difference between the two, is that My Fair Lady has songs added to the dialogue. I believe the musical version is more enjoyable because the music adds more feeling to the story.
Before I watched ‘my fair lady’, I didn’t know anything about the movie, so I expected Eliza is a pretty and cultured woman. But Eliza was just countrified flower woman. It was also very surprising me.
Eliza, in the climax scene vulnerably asks Higgins, why he made her a sophisticated Duchess if her never cared for her, and why did not he thought of the trouble it would make for her, on which Higgins shocking reply says:
The play "Pygmalion" describes the process of the transformation of Eliza, who appears in three images in the story: Eliza begins as a flower girl, then she transforms into a lady with noble accent and in good manners, then an independent woman with self-respect and dignity.