My Grandmothers House by Kamla Das

Individuals should learn to accept themselves for who they are, not what society wants them to accept. As we continue to evolve, we build up our own characters, and they are typically a mix of the ethnicity and culture we inherit from our family, various encounters in our life, distinctive identity and personality we have. Our character and identity is not something that we get easily, it's an intricate process. The story “The Other Family” by Himani Bannerji is based on a mother and a daughter who immigrates to Canada. They belong to a black family, but after the immigration they are living in the dominance of the white society.The school is considered as the hegemony of Canada and teacher is considered as the mainstream, it is a sort of social institution that a hegemony shape but they does not know the awareness of marginalized groups. The mother feels anxious when she sees a drawing of a white family by her daughter. It was the misperceptions of the kid that lead to forget her identity or she was too small to identify it. So to examine about the identity of the marginalized individual the beginning is to focus on the quality of the education. It is necessary for every school system to teach equality and inclusions of every group status so that the marginalized group are not left isolated from the society. Secondly, the fear of the marginalized parents from losing their kids in the mainstream society shows their lack of confidence in their own cultural pride. Since

“Your life does not get better by chance, it gets better by change.” Jim Rohns quote highlights the basis of Debra Oswald’s play Gary’s house, and also Miroshav Holubs poem The Door. This essay will explore the notion that change causes people to shift their thinking and actions after significant catalysts. Gary’s House illustrates many of the issues and predicaments confronted by the characters and how their alteration in behaviour can have a beneficial outcome for them or others around them. The concept of "The Door" is based on the idea of taking risks and embracing change. The poet uses persuasive techniques to encourage and provoke the audience to take action.

Each moment the Ramsey’s spent in the house becomes infinite in its memory as the house has absorbed every second they existed there from all perspective imaginable (Hunter 2004, 32). The House asks “will you fade? Will you perish?” (Woolf 1927, 339) as it deteriorates, questing the memories that resonate and pulsate through its corridors as well as its mortality. Animals and plants brought life to the stagnant house once again, morphing into the memory of the Ramsey’s as they nestled amongst their abandoned possessions (Woolf 1927, 345). Mrs McNab reappears to restore

Throughout the course of the book, A Long Way Home, Saroo Brierley, the author, encounters a series of traumatic experiences that lead to bittersweet moments. Unlike a normal child’s infancy, Saroo was physically and mentally consuming. Through his experience, we are able to get a glimpse of the many struggles and hardships young children live in India daily. His petrifying experiences of living on the streets, Liluah, and Nava Jeevan finally lead to his safe haven of being taken by the Brierley’s.

In addition to this, belonging to a family is a key concept in this novel. The novel opens with an alluring introduction to the family; a blissful atmosphere is created through the picturesque icons of their family life. The composer uses small photograph like icons to allude towards the widely acknowledged contentment that is readily associated with the memories in a picture album. Tan introduces the motif of the paper crane which he carries through the length of his novel as a symbol of affection and belonging between the family members. The next pages signify the break in contentment as the man begins his journey and a salient image of the couple with their hands grasping the other’s parallels the anxiety and despair in their downcast facial expressions. Although the gloomy atmosphere, the light sepia tones in the picture allow an insight into the tender and loving relationship that the family members share. Upon the man’s departure the paper crane motif returns and he hands it to his daughter as a token of his undying love for her. His migratory experience is studded by the comfort and ease that he obtains from a picture of his family. In paralleled scenes on the boat and the new apartment, the

In this poem, symbolism is used to help reader’s find deeper meaning in the little things included and show that everything comes back to the father’s fear of the child he adores growing older and more independent. “In a room full of books in a world of stories, he can recall not one, and soon he thinks the boy will give up on his father.” This sentence makes a reader assume that the story the five year old so

The apartment is very small and lacks much sunlight. The small window in their apartment is the only window, and that is where they get the little bit of sunlight in their home, which barely gets through. This small window is a symbol because even with all of the problems and struggles the Younger family goes through, that little bit of sunlight makes it in through the small window. This symbolizes the little bit of hope there is for things to get better and them to get out of the bad situations they go through. This small window helps the audience see the Younger family’s

Literature can be a powerful tool for social change. Red Rooms by Cherie Dimaline is about the weaving of indigenous stories through the common element that they were patrons of an urban hotel. The narrator, Naomi, works as a housekeeper at the hotel and imagines the past, present and future existence of the patrons by what they left behind. Dimaline shows how indigenous histories and knowledge operate, in that they are not linear, and they do not have a definite beginning or an end. The novel subtly shows the need for an Indigenous resurgence, but the book itself is an act of resurgence because it shows the importance of indigenous literature. This paper will argue that Red Rooms itself acts as an act of indigenous resurgence

Many Americans live with the idea that the days of racism are far behind us; however, the film The House I Live In, directed by Eugene Jarecki 's, and the book The New Jim Crow, by Michelle Alexander, state otherwise. Although the United States holds five percent of the world’s population, it is responsible for a fourth of the world’s prisoners. More than the majority of these prisoners are of color. (Jarecki 2012; Alexander 2012, 189) Therefore, the statistics contradict the U.S.’s long-held ideal of freedom and equality. This large prisoner population has been a consequence of the War on Drugs—a war that has not only locked up millions of African Americans but also given them a permanent second-class status. Both the video and the book

She started to see beautiful things from her window that represented her new life. She wasn’t used to seen those things like this when her husband was around, because she was submissive to her husband and trapped. Another part of the story that i found ironic was when Kate Chopin started to describe the scene outside the window. She described the outside as “The delicious breathe of rain, the notes of a distant song, countless sparrows were twittering and patches of blue sky”. At this point is when i realized that she wasn’t sad for her husband and this was a sign of a new life.

My mother, Lisa Dawn Hicks Kern, was born at Wadley Regional Medical Center, Texarkana, TX, on Sunday, June 15, 1969. Her father, James Kenneth Hicks, was 28 at the time of my mother’s birth; he was employed at Red River Army Depot as an electrical engineer. Her mother, Sharon Lee Clark Hicks, was 25 when my mother was born, at the time she was the home maker. My mother had an older sister who was a four year old toddler at the time of my mother’s birth. Kimberly Ann Hicks was born at Wadley Regional Medical Center, Texarkana, TX, on Monday, August 30, 1965.

The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.

This arising tone of regret and distance is also formed by the speaker’s depiction of his father having “cracked hands that ached,” (1. 3) which further signifies the father’s struggle with the severe coldness. The concept of self-sacrifice is apparent in this portrayal of his father’s disregard to his own pain in order to provide warmth and light for his family’s home. The stirring of “banked fires blaze” (1. 5) within the house,

wind. It was as if it was crying, almost howling for its voice to be

This image represents the fusing of color and sound by the dying person’s diminishing senses. The uncertainty of the fly’s darting motions parallels her state of mind. Flying between the light and her, it seems to both signal the moment of death and represent the world that she is leaving.” The last two lines show the speakers confusion of her eyes. She is both distancing fear and revealing her detachment from life, “And then the Windows failed – and then/I could not see to see “. Which ends the poem, with her