My group created a retelling of Othello in a modern-day college setting. Before we started to film, I met with the group after school for all of the brainstorming meetings except for one, since I had to take a mock AP test. During the meetings, we went over possible settings and ideas for the film. We played around with a few ideas, and even started to film one. The day that the group met to film the prototype idea, I was not present. The idea didn’t work, so we ended up scrapping it and choosing a new setting altogether. We knew that we’d need at least a week to film everything, so Sophie and I ended up typing a completely new script without talking over all of the specifics with our group. That week, we started filming, while also making …show more content…
In the original play, both Desdemona and Emilia don’t do much compared to Othello and Iago, but since the majority of the characters in our film are female, the power struggle between genders isn’t as apparent. Because of this, however, females are given more opportunities to have a say in the action. In Othello, Othello is the only black character, but in our film the only important white character is Deborah. Though unintentional, it shows how Deborah cannot do anything, even though she is the privileged race. Even though Deb only talks to Iris a few times, she seems to genuinely trusted her, which shows the general consensus on Iris’ personality as well as reinforcing Deb’s “feminine” and simple personality. As mentioned above, our new setting was in a college, and we used TU’s campus to film. Though none of the people in our group are in college, we’ve heard all the rumors. The drama! The backstabbing! The secrets! It was the perfect place to host a remake of a Shakespeare play, and having a theatre club was just a bonus. The modern setting of our film contrasts nicely with the olden war-time of Othello while still retaining many of the same ideas and concepts. I’ve already mentioned why we chose a college setting, but another reason why it works well is because it fits the characters. Though technically adults, they overreact to small provocations, and
The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love
In Shakespeare’s time, women didn’t have as much freedom as they do now. Instead, it was a time that they ought to behave in a certain way in response to their family’s honour under a strict social hierarchy and rules. However, Shakespeare gave three women power in Othello. Desdemona, Emilia, and Bianca, although they are from different social classes, are able to use their power to successfully resist male authority.
In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.
In William Shakespeare's ‘Othello,’ Othello himself is seen as the obvious outsider because of his race. However, his own wife Desdemona can be reasoned to be just as much of an outcast, even though she’s described as the perfect woman. She affected the actions and feelings of other characters by being young, innocent and easily manipulated, and by being so visually striking.
In Shakespeare’s Othello, the role of women is greatly emphasized. The important characters of the play, Othello, Iago, and Cassio, each have a women that stands behind him. These women each have an obligation to remain loyal and respect their husband's wishes, especially Desdemona and Emilia.
In Othello, the play vividly portrays the tragic fall of an admirable General who is transformed into a victim through manipulation by the atrocious villain, Iago. William Shakespeare illustrates the setting of Venice in the late 16th century, displaying gender inequality as an issue where wives are viewed as possessions belonging to their husbands. However, Emilia, being one of the most loyal characters, developed qualities of an early feminist who opposes unjustified treatment towards Desdemona. Emilia is practical and realistic due to her clear knowledge of humanity within both genders, in which she further challenges the male authority in order to advocate her right to speak.
Othello, by William Shakespeare is well known for its richness in literary content and elements pertinent to societal ideas. Moreover, women are portrayed in Othello in ways that confirm, but also contradict their treatment in Shakespeare’s time. Both female action and language represent these ideas such as expectations for a wife and expectations for how a woman is to act. That said, there are many other lines spoken by these characters that defy the expectations placed on women at time. Overall, the feminist critical lens allows a reader to understand Othello and the manner in which it is slightly sexist and controversial. This lens allows the reader to observe both discrepancies of how women are treated, and common characteristics found
Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)
Women in the sixteenth century were commonly dominated by a patriarchal society. Meaning their loyalty and respect lay amongst the men in their lives with little choice for opposition. In Othello by William Shakespeare, he portrays the role of women in a way typical to their representation in Elizabethan and Venetian society. While the women may be presented as mentally stronger than their male counterparts, the language given to these female characters suggest that they have internalized society 's expectation of them. Apart from moments of private conversation and Emilia 's reaction to Desdemona 's death, the women behave in a submission that is expected of them, believing it to be the natural way, as the men continue to downgrade and treat them as secondary citizens. Shakespeare represents this status of women through the traditional views of the male characters, moments of submission from the females, and how the women internalize this society.
n Shakespeare's play Othello many issues are undertaken and explored. The three women play a vital role in this. Only one of the women in this play survives. All the women have no separate identity within the play; all three are married or associated with a male character. Bianca is the mistress of Cassio, Emilia is married to Iago and Desdemona is married with Othello. According to the time that the play was written in and the general hierarchy within Venetian society men hold all the power and women are considered to be of low intellect. Yet it is the women that speak the most sense throughout the play and it is also the women that are able to trust other characters in the play. Each woman represents a different social level, Desdemona
In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello. From a careful analysis of the story, tragedy in Othello is result of violating expected gender roles, gender performance by Desdemona and Othello, and the result of Iago’s inability to tolerate these violations.
In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.
Although the play focused primarily on male characters, some of the most notable performances emerged from the female roles. The wives of Othello and Iago, Desdemona and Emilia respectively, were confident and charming in their roles. In song, in speech, and even in death, their interactions were continually heartwarming and heartbreaking.
In many of his works, William Shakespeare explores ideas of gender differences and racial tensions. Othello, a play whose characters are judged again and again based on appearances and outward characteristics, is one such work. The protagonist's different ethnic background provides a platform for probing ideas of racial conflict. Similarly, the presence of well-developed yet opposing female characters adds a dimension of gender conflict and feminist views. These seemingly separate themes of Othello-sexual difference and racial conflict-are closely connected because of similar ties of prejudgment and stereotype. The play's treatment of sexual difference and gender roles strengthens Othello's racist tones
The goal of my research paper, I will be studying and analyzing the female/male double standards, love/trust vs betrayal in William Shakespeare's "Othello". In "Othello Shakespeare discusses how women have to live and follow the rules of "man's society and a woman's only obligation is to remain chaste and submissive as well as I will be describing Shakespeare's usage of characters that are developed with traits that follow with today's standards because "Othello" takes place in Venice in the early 1600s and the themes that are presented can also be used in today's language. I will be displaying the characteristics in Desdemona, Othello, Iago and Emilia and how they capture the essence of men and women. I will be demonstrating the trust, the