My Heart Aches, and a Drowsy Numbness Pains My Sense, as Though of Hemlock I Had Drunk, or Emptied Some Dull Opiate to the Drains One Minute Past, and Lethe-Wards Had Sunk: 'Tis Not Through Envy of Thy Happy Lot,

The similarities between the poems lie in their abilities to utilize imagery as a means to enhance the concept of the fleeting nature that life ultimately has and to also help further elaborate the speaker’s opinion towards their own situation. In Keats’ poem, dark and imaginative images are used to help match with the speaker’s belief that both love and death arise from fate itself. Here, Keats describes the beauty and mystery of love with images of “shadows” and “huge cloudy symbols of a high romance” to illustrate his belief that love comes from fate, and that he is sad to miss out on such an opportunity when it comes time for his own death.

Nevertheless, what Keats is trying to get at here is that autumn has finished all her work, and there is nothing to do but wait for winter, so she is going to be lazy and enjoy what all her hard work has brought her as she watches the “last oozings” (l. 22) of the

The similarities in the poem deal with similar topics expressed throughout the poem dealing with Keats’ and Longfellow’s fear of death. Differences between the two include the structure and the different images, metaphors and diction that they give off along with their different train of thoughts while writing the two poems. Their thoughts of the subject of death are able to relate to a variety of people because everyone is just human and cannot last forever. Just as these two poems show similar ideas can branch off into many different ideas and interpretations. The desire to continue to

The poem under study was written in 1818 after the completion of John Keats's 4,000-line poem

Keats was a key figure in the Romantic era in the first part of the 17th century which, according to René Wellek 's classic definition, sought to substitute 'imagination for the view of poetry, nature for the view of the world, and symbol and myth for poetic style. ' Therefore, Keats ' 'Ode to a Nightingale ', written in 1819, has an affiliation with the natural world, through both the metaphors he uses and his meter and rhyme. The fact that the poem is an Ode to a nightingale shows that Keats is addressing the bird in particular and therefore it asserts the link that is found in Romanticism between humans and the natural world. M. H. Abrams states that Keats wrote this poem, whilst reminiscent of a Horation Ode, as what came to be known as a Romantic Meditative Ode which is 'the personal ode of description and passionate meditation '. It is clear here that what Keats is passionate about in this poem is 'the country-green '. Keats coined the term negative capability to describe 'passionate mediation ' in a letter to

if you look at his poem. After the 1st half of the 3rd stanza, all the

However, the impending death that creates the incapacity to write down thoughts does not detract from the complexity of the thoughts. On the contrary, Keats’ comparison of his imagination to harvestable grain shows confident self-recognition of his own ability, highlighting the awareness of “the poet’s own ripeness in his art” (Grosholz 604). This art “teems” in his brain and is “rich,” and these qualities compel him to pour out his feelings into this one sonnet, despite his belief that this will be the last sonnet he writes. However, his fervent but vain desire to express the entirety of his poetic notions “imparts to [him] the hunger, or poverty, necessary for production, but…also dwarfs whatever [he] has already written” (Hecht 116). Accordingly, by longing to write his unspoken wisdom, Keats rejects any greatness associated with his previous works. This untapped potential consequently creates a paradox for Keats as he is both the field of grain and its harvester (Saksono 97). Thus, he alone is capable of cultivating and sharing his work despite his waning health. The prospect of this work is still tantalizing to him, though, as Hecht states that “‘The high piled books, in charactry’ promise that if they could only be written, meaning would outlive the

The imagery and tone utilized by the speaker assists in conveying the speaker’s attitude toward the woman in the poem. More specifically, the speaker creates a warm, dreamy image when describing the woman as being hypothetically old as he says, “And nodding by the fire, take down this book, and slowly read,” with her eyes that will be “shadows deep.” (Lines 2-3, 4)

During the romanticism era, Line 1-8 talks about how Keats is afraid that he won’t be able to become a writer. The poem was written during Romanticism where a lung disease, tuberculosis was widespread over Europe. Even Keats mother died from this disease when Keats was a child. Because he grew up alone, he didn’t have anyone to tell about his feelings therefore he started writing poems to express his feelings. He was worried that he may die at a young age with tuberculosis before he could write down all the ideas in his head. Line 9-12 is about Keats fear that he will lose his beloved one. It is normal to lose your beloved ones during your life. However, Keats lost both of his parents when he was still young therefore he didn’t receive the love that he needed when he was young. Because of this, he was very desperate for a love which is another reason why he wrote this poem to show his passion for love. Background of the poet and the era are a significant context which contribute to my

The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens

John Keats’s “Ode on a Grecian Urn” is written through the power of eternity, beauty and truth regardless of existence, as Wordsworth showed likewise. Keats illustrated his poem through love in its sublime. For example, in the first stanza he says, “What wild ecstasy?” (Keats 930). If ecstasy is a huge feeling of

In the context of John Keats’ “Ode to a Nightingale,” “The Wild Swans at Coole” by William Butler Yeats raises compelling dialogue with Keats’ piece, which suggests that Yeats, to some degree, draws inspiration from John Keats, in that his pose concerning the nightingale becomes a basis and “touchstone” for “The Wild Swans at Coole.” Aside from commonalities concerning avians, both poems share elements of Romanticism, melancholy, feelings of weariness, and other key ideas, images, and plots as “Ode to a Nightingale” and thus, “The Wild Swans at Coole” strengthens Keats’ initial ideas in a harmonic and resonant fashion using its own unique methods. As a response to Keatsian Romanticism, Yeats revises the ideas surrounding transcendence of

Keats, on the other hand, uses the “Ode on a Grecian Urn” to express his perspective on art by examining the characters on the urn from either an ideal or realistic perspective. In the beginning, Keats asks questions regarding the “mad pursuit” (9, p.1847) of the people on the Grecian urn. As the Grecian urn exists outside of time, Keats creates a paradox for the human figures on the urn because they do not confront aging but neither experience time; Keats then further discusses the paradox in the preceding stanzas of the poem. In the second and third stanza, Keats examines the picture of the piper playing to his lover “beneath the trees” (15, p.1847) and expresses that their love is “far above” (28, p.1848) all human passion. Even though

Structurally the poem is a ballad written in twelve quatrains. Keats wrote the poem with the intention of it being read as opposed to sung (Cummings). The first three lines of each quatrain are written in iambic tetrameter, while the fourth varies between iambic dimeter and