My House, And Household Apples

The mood of the speaker changes to guilt as the speaker and her mother realize they would "crawl" with "shame" and leave an "emptiness" in their father's heart and yard. The author negatively connotes "crawl," "shame," and "emptiness" to invoke a more serious and shameful tone. The beginning of the conveyed a more matter-of-fact and pragmatic tone, but changes into a more sentimental one by the end to convey family is more important than the money. The symbol of the tree represents the family, and connects it to their father's hard work and dedication to the family. If they were to cut it down, it would be symbolic of their betrayal. Imagery of the tree is used to describe the freedom and beauty of the tree as it "swings through another year of sun and leaping winds, of leaves and bounding fruit." The tree represents their family bond and how strong it is even through the "whip-crack of the mortgage."

The tone of despair and loneliness is carried on to the proceeding stanzas, and is more evident in the last two. By saying that “Water limpid as the solitudes that flee

The diction in the excerpt is an essential component to the dramatization of the plot’s central incident. Jewett uses rich language to intensify the simple nature of the main character Sylvia’s journey up a “great pine-tree.” For example, in describing the tree, the narrator uses personification as he mentions the “huge tree asleep yet in the paling moonlight.” The use of personification harkens back to those universal moments in childhood in which everything alive had human feelings, and creates an emotional attachment between the reader and the tree. Jewett also uses other figurative language, like similes, to relate the grandeur of the tree to the audience. She writes, “It [the tree] was like a great main-mast to the voyaging earth…” In comparing the tree to the great mast of a ship, the author invokes feelings of awe at its size.

One of the most pervasive themes in this passage is that of a spreading decay that is taking over the society. This is first expressed in quite a literal sense, as an actual decay of fruit and produce, which spreads like a virus across the American countryside and farming lands. Due to the economic mismanagement of the farming industry, fruit and other produce are left to rot and decay on the trees because they are not picked by the farmers. The text gives many examples of different fruits being left to decay on the farms. We see, for example, the cherries, that are described at first as “full and sweet”, being left to turn into seeds which “drop and dry with black shreds hanging from them”. The purple prunes, which now “carpet the

Once I was able to associate these words to emotions and issues present in everyday life, the poem started to make me feel sad. I began thinking about all of the emotions and feelings that everyone hides as they go about life. For example, how the waitress I see once a week may have an eating disorder, or how the singer I look up to just lost her son, or the businessman who got laid off today. Everyone has their own personal battle that they carry everywhere, at any given moment. This explains why the setting is so plain, since the internal struggles people face affect them even at a bus stop. While each person waits, the waitress may be thinking about how much skinnier the person next to her is. The singer could be remembering when she held her baby. And the business man could be planning how to break the news to his wife. No matter how small, everyone experiences a type of trauma or bad experience, and this poem seemed to show what happens when these emotions become bottled up. No one can help each other because they are so stuck within their own issues. The difficulty helping others reminded me of the idea of having to take care of yourself before being able to take care of others.

The narrator's vision of her ancestors expanding a plentiful life is emphasized with the picturesque “blue fields…with leaves and vines and orchards.” This then strikes the narrator with the realization that cutting down the tree would be a betrayal to their ancestors, their dreams and the demise of the heritage of the

stories of personal breakdown. It is a symbol that home is not the best place because

Then, in the seventh stanza the narrator talks about when she finds the orange she has a “vision” of its “exotic land”(29-30). She goes on describe “the sun/ you swelled under/ the tree you grew from” (30-32). Using visual imagery, this setting sounds almost perfect. Kelly uses this imagery to suggest that because if the orange is perfect, it must have come from perfect beginnings. If the orange is her lover then, she is saying that because he is such a perfect person he must have had a wonder life leading up to this point. Another piece of imagery is when the narrator “[climbs]/ the hill, [looks] down/ on the town [they] live in/ with sunlight on [her] face” (41-44). This visual imagery is used to set a romantic scene in which the narrator is finally happy, and at peace that she has found the perfect orange. When the narrator looks down on her town it’s her looking back and reflecting on her life before she met her true love. The sun light on her face is the bright future she and her lover are going to have together. In the last stanza Kelly uses visual imagery to end the poem with the narrator “[walking] away/ [leaving] behind a trail/ of lamp-bright rind” (49-51). The visual imagery of her walking away leaving behind the rinds of the oranges is the way Kelly ends this poem. The narrator and her lover are walking away from their past lives and starting a new one

This theme is brought through the song by showing multiple literary devices. Such as “I'm the one at sail, I’m the master of my sea”. This metaphor shows the realization and empowerment that oneself can give in a depressing situation. This simile “Falling like ashes to the ground, Hoping my feelings they would drown” compares his feeling of sadness and depression to ashes, and wanting them to drown and vanish, from his life. This line, “All the hate that you’ve heard has turned your spirit to a dove” explains how all of the hate that he has experienced and gone through has turned his feelings around, and decided to look on the bright side of things. Personally I think this is a great

The use of symbolism and imagery is beautifully orchestrated in a magnificent dance of emotion that is resonated throughout the poem. The two main ideas that are keen to resurface are that of personal growth and freedom. Furthermore, at first glimpse this can be seen as a simple poem about a women’s struggle with her counterpart. However, this meaning can be interpreted more profoundly than just the causality of a bad relationship.

The author talks about the air and how the flies were "tumbling and singing." Hurston mentions that the flies were "marrying and giving marriage" and she ties that to the pear tree that Janie is sitting under. She does this by saying "oh to be a pear tree...in bloom." Later in the passage, the author talks about how nothing in Janie's grandmother's place was gonna answer the questions that Janie had. Then she goes on to say that Janie "searched as much of the world as she could." She uses this to say that Janie tried to look for the answers to the questions Janie had about the "singing bees" and other things. The author uses the pear tree as a symbol for the life that Janie wants to have when she gets older. She uses it as a symbol for Janie wanting to blossom like a pear

Another of these key notes is found in the poem in the beginning of the second section of the book. The poem says, “and sometimes fail to walk the air”. I feel like this line points to our ability to truly “walk the air” yet we do not always utilize the ability’s we have and or leverage them to the best of our ability. This poem over all is a reminder that we are beautiful, colorful, imaginative people who need to make the best of the surroundings we find ourselves in, though they are not what we long for in our core

For the two lovers, the forest stands in magical contrast to the harsh Athenian laws. Hermia and Lysander’s escape to the forest represents the desire that mankind has to be one with nature in hopes that they will be able to live a life free of rules and structure.

The speaker refers to the night as his acquaintance. This implies that the speaker has a lot of experience with the night, but has not become friends with it. Thus, because even the night, which has been alongside the speaker in comparison to anything or anyone else, is not a companion to the speaker, the idea of loneliness is enhanced. In addition, “rain” (2) is used to symbolize the speaker’s feelings of gloom and grief, because there is continuous pouring of the rain, which is unlikely to stop. In line 3, “city light” is used to convey the emotional distance between the speaker and society. Although the speaker has walked extensively, he has not yet interacted with anyone – thus distancing himself even further from society. Moreover, the moon, in lines 11 to 12, is used as a metaphor of the speaker’s feelings. The speaker feels extremely distant from society that he feels “unearthly.” The idea of isolation and loneliness in this poem is used as the theme of the poem; and the use of the setting and metaphors underscores the idea that the speaker feels abandoned from society.

What did that tree, leaning out from the bank, all white and lacy, make you think of? She asked. Well now, I dunno, said Matthew. Why a bride, of course- a bride all in white with a lovely misty veil.” (Montgomery, 65-66) It is identified here how nature pleases Anne’s eye. The way in which she is able to take a tree branch and bring it to life by imagining that is connected with something beautiful like a bride. It doesn’t only suggest her inquisitive imagination, but also her intellect. With using the enjoyments of nature to foster a desire, and with her perceptive vision she is capable of imagining the branch as something else. Through its beauty and emphasis on colour she can make a connection that the tree branch can be compared to a bride. It is crucial how Anne doesn’t take the natural sights of Avonlea for granted, because she values the power of self-expression in nature. Through her imagination with nature she is able to seek comfort. This is seen on her first night in Avonlea, when she’s afraid no one will come for her, so she turns to a tree as her home, where she can sleep. She states, “I had made up my mind that if you didn’t come for me and to-night I’d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night.” (Montgomery, 64) This scene represents how Anne is reliant on nature. Instead of being afraid that no one has yet to pick her up she uses nature to occupy her time. She is inspired by nature to