Browning, Robert. “My Last Duchess.” The Harvard Classics. Bartleby. N.d. Web. 22 January 2015.
This poem, written in 1843 by Robert Browning, tells the tale of the fictional Duke of Ferrara’s former duchess. While discussing with a servant his plans to remarry, the Duke reflects upon some of his late wife’s memorabilia, including a portrait of her. He explains that she was pleased too easily; that “she had a heart…too soon made glad” (22-23). He expressed to the servant that his former duchess too often gave her attention to other men and ranked them just the same as she ranked her own husband, who very clearly believes that under no circumstances should he be in competition with a stranger for his wife’s kindness. Thus, it is inextricably apparent that her overly-friendly disposition was a source of deep discomfort to the Duke. It is suggested in the poem, though not explicitly stated, that the Duke had his last duchess killed so that he could start over with a newer, better-behaved wife.
In my essay, I intend to examine the Duke of Ferrara’s
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Collins, Thomas J. & Vivienne J. Rundle, eds. The Broadview Anthology of Victorian Poetry and Poetic Theory. Toronto: Broadview Press Ltd, 2005. Print. This anthology enlists hundreds of Victorian poems, a large number of which are Robert Browning’s. Other poets whose work are featured include Felicia Hemans, Elizabeth Barrett Browning, Alfred Tennyson, Matthew Arnold, Dante Rossetti, Christina Rossetti, and many others. Additionally, this anthology contains a section on poetic theory with essays written by and about several of the featured poets, including Robert Browning. I intend to use this anthology to study different poems of the Victorian era. In doing so, I can effectively identify a trend that reveals nineteenth-century poetry as being infatuated with ideas of dominance, power, and gender
Pre 1914 Love Poetry from the Victorian and Elizabethan Era Conventional females were considered to be second class citizens who were expected to refrain in conveying their natural feelings and emotions. Women were also socially neglected, as they were expected to remain at home whilst their respective husbands ensured the upkeep of the family by managing the family finances. The male population at this point in time ignorantly viewed women as coy, innocent characters, seemingly unaware that women had the same feelings and emotions as themselves.
Love, death, and infidelity were weaved through the readings this week. In “My Last Duchess” by Robert Browning, the speaker is a Duke who is looking at a painting of his last (now deceased) Duchess and remembering her. His memories are not fond; he was jealous and possessive, and frankly, a bit of a drama queen. His suspicion is evident repeatedly, starting in line 13 where he states, “Sir, ‘twas not/ Her husband’s presence only, called that spot/ Of joy into the duchess’ cheek”. Lines 21-24 boldly say what he was alluding to earlier on, “She had/ A heart—how shall I say? —too soon made glad,/ Too easily impressed: she liked whate’er/ She looked on, and her looks went everywhere.” She blushed easily and enjoyed looking at things, so in his mind she was a bit promiscuous. He thought his wife unfaithful basically because she was polite. This, as well as his uppity attitude, are both made clear in lines 31-34, “She thanked men, —good! but thanked/ Somehow—I know not how— as if she ranked/ My gift of a nine-hundred-years-old name/ With anybody’s gift.” He thinks that his name alone is a better gift than anything else; he’s conceited and entitled.
The two Browning poems, ‘Porphyria’s Lover’ and ‘My Last Duchess’ were written to convey to the reader how women were treated in that era; as possession, as assets. Both of these poems can be read from different points of view and they also both are what is
Robert Browning and Alfred Lord Tennyson are celebrated authors and poets in the field of field of literature. A deeper analysis of some of their works displays particular similarities and distinct differences that make each one of them unique. For instance, Browning’s My Last Duchess and Tennyson’s Ulysses show similarities in the overall theme, death, but each brings it out in different styles. This essay explains the comparison of the two poems in detail and the respective significance of use of stylistic devices.
“Maud: A Monodrama” is the lengthy poem that dominated the first collection published by Alfred, Lord Tennyson after he became poet laureate. In its rich and romantic symbolism, it is characteristic of the great poet 's work. Notable, also, is its critique of the hypocrisy and other social failings of Victorian Britain. “Maud” became one of the best-known poems of the period, and continued to be influential even after its style became dated.
The poem “My Last Duchess” is a historical event that involves the Duke of Ferrara and Alfonso who lived in the 16th century. Robert Browning "My Last Duchess" presents a narrative about a recently widowed Duke who talks with an emissary had come to an arranged marriage with another lady from a powerful and wealthy family. In the perspective of Duke, power and wealth were integral in marriage and was determined to be married to a wealthy lady from a famous family. As the Duke orients the emissary through the palace, he stops and shows a portrait of the late Duchess who was a lovely and young girl. The Duke then begins by stating information about the picture and then to the Duchess. Duke claims that the Duchess flirted with everyone and did not appreciate the history of the family: “gift of a nine hundred years old name.”(33) However, when an individual continues to read the poem, it is evident that the Duke played an important role in killing the lady. Duke states that “he gave commands; / Then all smiles stopped together”(45-46) he used these words to define the death of his beloved Duchess. The aim of the essay is to analyze literary devices that emphasize the content of the poem, which includes rhetorical questions, exclamation mark, and em dash.
the personality of his duchess, he is shown to be a heartless, arrogant man. His complete
Response to Robert Browning’s “My Last Duchess” Robert Browning’s “My Last Duchess” is an aesthetic monologue about the Duke of Ferrara’s painting of his late wife. The Duke is meeting with his potential new wife’s family to discuss his marrying the Count’s daughter. While giving a tour of his estate the Duke shows the family his painting of his late wife, the Duchess.
Browning composes his work through the use of the form, dramatic monologues. This helps to portray the psychotic mindset of the character to notify the reader and expand their knowledge. In addition, this enables Browning to capture the deluded aspect of the character. Robert Browning unveils his work through one long stanza; this is signified in My Last Duchess, where it illustrates the Duke’s potency and sense of mightiness. Furthermore, this demonstrates how much of a self-absorbed, narcisstic imbecile the Duke is to give the reader the characters attributes.
The dramatic monologue “My Last Duchess” was penned down by Robert Browning. In this poem, the narrator is the Duke of Ferrara, and the listener is the count’s agent, through whom the Duke is arranging the proposed marriage to a second duchess. The poem is ironical and reveals its rhetorical sense, gradually. In the later part of the poem, the Duke claims that he does not have a skill in speech, but his monologue is a masterpiece of subtle rhetoric. While supposedly entertaining the listener by showing his wife’s portrait, he clearly reveals his character. Through his formalized tone of rhyme, he reveals his egoistic and jealous attitude.
I compared and contrasted the attitudes the women give toward the speaker in the poems “To His Coy Mistress” and “My Last Duchess.” I was able to do this by using elements like speaker, figurative language, and tone. To show how the poets reveal the attitudes that the women give off. In the poems “My Last Duchess” and “To His Coy Mistress” the speaker expresses throughout their poem that they exclusively only want to use women for pleasure and convenience. This was inferred based on their tone and figurative language used in the poem. The speaker's used a different and unusual tone and style in order to get their message about women across to us.
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
“My Last Duchess,” by Robert Browning, depicts powerful husbands attempting to control the actions of their wives as they are free to do as they please. In contrast, women are expected to be faithful and attentive only to their husbands. The power and control of the Duke is conveyed by a painting of the Duchess. It belongs to the Duke and is referred to as “my last Duchess” (1). The use of “my” demonstrates the possessive nature of the Duke and his claim of the Duchess as his own personal possession, much like the painting itself. As the Duke persists on forcing domination upon the Duchess, he is greatly displeased to find that she treats and considers him as the same value as nearly any other man.
Bridging the distance between nineteenth and twentieth centuries, Gerard Manley Hopkins’ poetry is of great significance. As often the case with innovators and artists who are ahead of their times, Gerard Manley Hopkins was torn by contradictions and his poems regarded as unconventional for the historical period. His works are specifically marked by the varied use of linguistic features and rhythmic patterns which did not match the traditional writing styles of the
Veering from the egocentric poems of the Romantic era, Victorian poets began to write poetry not only to express the feelings of an “I,” but also to inspire change in the collective “we.” Being from a historical period with a dramatic class divide, Victorian poets wrote with the intention of crafting beautiful lasting poetry as well as articulating a need for cultural reform in their now. One of the most renowned Victorian poets, Elizabeth Barrett Browning possessed the expert skill of integrating not only imagery and precise rhyme scheme into her poetry, but afflicting her readers with a sense of pity so paramount they had no choice but to make a change.