My Last Duchess by Robert Browning
In his poem “My Last Duchess”, Robert Browning gives his readers a complex picture of his two main characters. The Duke, who narrates the poem, is the most immediately present but Browning sets him up to ultimately lose the reader’s trust. The Duchess becomes the sympathetic character, a victim of foul play. It is through the various representations of the Duchess within the poem that we come to know both characters. The representations of the Duchess, which focus on her ever-present smile and easily satisfied nature, come in sharp contrast with the desperate, sputtering language of the Duke as he tries to tell their story on his own terms. This contrast is a manifestation of the Duke's
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The painting, then, can be viewed as the Duchess’s record of herself for posterity. She is preserved with a “spot of joy” in her cheek, a “faint/ Half-flush that dies along her throat”, and an “earnest glance” at the viewer (15, 18-19, 8). The word earnest suggests that the Duchess does not seek to deceive those who will look at her painting. The mild blush reveals at least some sense of modesty, which frees the Duchess from the suspicion that her smile is actually a smirk at her husband’s expense. The happy expression on her face, therefore, may be taken as a real indication of a pleasant life left to us by the Duchess herself. By declining to tuck any more details into the portrait, the Duchess and the poet chose to give a brief, clear impression of this unfortunate woman; all we know is that she smiled.
The other source of knowledge about the Duchess is the commentary offered by the Duke. While his story is more detailed than the painting, it is also a portrayal that the Duchess or those she befriended might disagree with. She cannot contradict her husband in any way more concrete than her demure painted smile, so here the reader must tread more carefully. The Duke’s statements are full of value judgements, and it is important to look past them in assembling a picture of the Duchess. She is described as having “a heart…too soon made glad,/ Too easily impressed,” which of course is how the Duke perceived her
In "My Last Duchess," the speaker describes a specific painting to the reader. It is a portrait of the Duke's late wife. The speaker directs the reader's attention to the Duchess's passionate responses given not only to the Duke, but also to many other men who admire her beauty. The artist conveys this lady's charming and flirtatious personality. The Duchess had many admirers that competed for her attention. Her rare beauty and flirtatious manner attracted many admirers. Her facial features express her passion and gratitude towards the men that competed for her attention. She had a teasing and playful quality, which she used to make the Duke jealous of the men attracted to her beauty. The Duke spoke communicated his displeasure about her improper behavior. She continued to smile and attract the attention of
The poem “My Last Duchess” is a historical event that involves the Duke of Ferrara and Alfonso who lived in the 16th century. Robert Browning "My Last Duchess" presents a narrative about a recently widowed Duke who talks with an emissary had come to an arranged marriage with another lady from a powerful and wealthy family. In the perspective of Duke, power and wealth were integral in marriage and was determined to be married to a wealthy lady from a famous family. As the Duke orients the emissary through the palace, he stops and shows a portrait of the late Duchess who was a lovely and young girl. The Duke then begins by stating information about the picture and then to the Duchess. Duke claims that the Duchess flirted with everyone and did not appreciate the history of the family: “gift of a nine hundred years old name.”(33) However, when an individual continues to read the poem, it is evident that the Duke played an important role in killing the lady. Duke states that “he gave commands; / Then all smiles stopped together”(45-46) he used these words to define the death of his beloved Duchess. The aim of the essay is to analyze literary devices that emphasize the content of the poem, which includes rhetorical questions, exclamation mark, and em dash.
In the story “My last Duchess,” the Duke is speaking to the envoy of another nobleman of his second bride to be. The Duke describes the circumstances of his last duchess in which it was painted and boasted how Fra Pandolf the painter made her “look as if she was alive”. The Duke continues speaking about the unfortunate fate of his former wife. It is evident that a crime has been committed; He was jealous and annoyed of his easily impressed wife so he murdered her. His tone and demeanor is one of extreme arrogance and it is clear he is a dangerous man who poses a threat to any and all women he claims to love.
Browning uses a possessive pronoun in the Duke’s description of his late wife. He writes, “That’s my last Duchess painted on the wall.” The use of the “my” shows the objectification of the “last Duchess” by the Duke. Duke Ferrara calls the late Duchess ‘his’ to show ownership over her, this possessiveness may confirm why he is not happy with her friendliness. This kind of behaviour was normal in the 16th century as women were seen as inferior because they were classed as property of the men. During that time, most societies were an extreme patriarchal society. Browning produces a sinister undertone whilst he is talking about his wife “painted on the wall” instead of the painting of his deceased wife, which continues to develop the
“My Last Duchess,” by Robert Browning, depicts powerful husbands attempting to control the actions of their wives as they are free to do as they please. In contrast, women are expected to be faithful and attentive only to their husbands. The power and control of the Duke is conveyed by a painting of the Duchess. It belongs to the Duke and is referred to as “my last Duchess” (1). The use of “my” demonstrates the possessive nature of the Duke and his claim of the Duchess as his own personal possession, much like the painting itself. As the Duke persists on forcing domination upon the Duchess, he is greatly displeased to find that she treats and considers him as the same value as nearly any other man.
“That’s my last Duchess, painted on the wall...Will’t please you sit and look at her? ...since none puts by the curtain I have drawn for you.” Later in the poem, the reader realizes s/he is an emissary of a potential marriage. Being a dramatic monologue, the reader gets a front row seat to Alfonso’s shift in motive and attitude. The reader initially is led to believe Alfonso adored his late wife by the way he originally describes the fresco, “I call that piece a wonder...the depth and passion of its earnest glance...how such a [flattering] glance came there.” Later in the poem, however, the reader realizes Alfonso’s true feelings toward Medici by the way he tells the emissary of her personality. Listening from the emissary’s point of view makes the poem more interactive because it’s almost like Alfonso is having a personal conversation with the reader. It also makes the poem more mysterious because the reader doesn’t know if Alfonso is a “reliable” character—the reader only knows what Alfonso has told him or her (the emissary). By putting the reader in this position, Browning suggests that the emissary would have had the same opinions on objectification (arranged marriage, obsession with status) as Alfonso did; otherwise, why would he have said, “I gave
Thus the Duchess is bound to the Duke and has become imprisoned within his art collection as nothing more than a possession. The Duke exemplifies this view when he makes reference to another piece of his art collection, as if the current and previous subjects of his monologue were completely analogous, “Notice Neptune, though/ Taming a sea horse, thought a rarity/ Which Claus of Innsbruck cast in bronze for me! (Browning 54-56), he truly appreciates both pieces with similar enthusiasm. Although the Duchess is allocated no space to give her side of the story, through the Duke’s depiction the reader can infer that she was killed for having her own free will and as such there is zero doubt that she is a victim of imprisonment of the Duke’s egocentric ideals. While he puts an adulterous spin on her actions, by declaring:
Trust is a key factor to have a healthy relationship. The Duke is unhappy and gets jealous when the Duchess smiles at men and “thank[s] men—good!” (31) as he thinks she doesn’t smile nor enjoy his company the way she smiles at other men. This reveals that the duke’s relationship with her is that the Duchess does not give him enough attention. Browning also reveals that the Duke is hiding the painting behind a curtain, this suggests that he doesn’t want her to be smiling and looking at anyone but him. The hiding of the painting also represents how the Duke only wants the Duchess for himself. The blush that is called the “spot/ of joy into the Duchess’ cheek” (14-15) reveals that the Duke only wants his
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
Indeed, it quickly becomes clear that the Duke disliked many things about his dead wife. The Duke dislikes how the Duchess liked everything that she saw, believing that she was “too easily impressed; she liked whate’er she looked on”. It disappoints him because he wanted to impress her with his marriage to her and also with his money and lifestyle. What annoyed the Duke most was that:
Upon further speculation,a little more of the Duke's personality reveals itself.Much selfishness can be found in the manner in which the Duke conceals the picture.He claims "none puts by/The curtain I have pulled for you but I"(Browning,9-10).If he's the only one who controls who sees the picture,it can be said that he might have been selfish and controlling towards her when she was alive,or in her death he finally found a way to control her.This seemed both funny and ironic, since he has another young woman waiting to be put to the
I think he was more in love with his paintings and art in general. I believe he married his wife because he knew that she was an obedient caring woman and would support him. A man who truly loved his wife would not put art before his own wife and would definitely not allow her to die in front of him. This just proves what his true priorities in life are.
The dramatic monologue “My Last Duchess” was penned down by Robert Browning. In this poem, the narrator is the Duke of Ferrara, and the listener is the count’s agent, through whom the Duke is arranging the proposed marriage to a second duchess. The poem is ironical and reveals its rhetorical sense, gradually. In the later part of the poem, the Duke claims that he does not have a skill in speech, but his monologue is a masterpiece of subtle rhetoric. While supposedly entertaining the listener by showing his wife’s portrait, he clearly reveals his character. Through his formalized tone of rhyme, he reveals his egoistic and jealous attitude.
Dramatic Monologue in Robert Browning’s My Last Duchess and The Bishop Orders His Tomb at Saint Praxed’s Church
The persona of the poem is Ulysses himself. Just like the Duke in My Last Duchess, he uses dramatic monologue. This is demonstrated when he talks to his soldiers during his past years as an energetic youth. Using the stylistic feature of flashback, he takes readers through his past life, connoting the excitement it brought him. He then brings one back to the present that immensely shows the contrast and equal discontent that Ulysses feels. The flashback also aids in building the image of the poem, in order to identify oneself with the persona. Furthermore, he uses a mixture of archaic and simple words, which is also seen in Browning’s