STORIES BY RABINDRANATH TAGORE
1. Title: My Lord, The Baby
I Raicharan was twelve years old when he came as a servant to his master's house. He belonged to the same caste as his master, and was given his master's little son to nurse. As time went on the boy left Raicharan's arms to go to school. From school he went on to college, and after college he entered the judicial service. Always, until he married, Raicharan was his sole attendant.
But, when a mistress came into the house, Raicharan found two masters instead of one. All his former influence passed to the new mistress. This was compensated for by a fresh arrival. Anukul had a son born to him, and Raicharan by his unsparing attentions soon got a complete hold over the child. He
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And besides, there was at the time nothing to attract his eyes. And you cannot keep up for ever the pretence of an imaginary bird.
The little Master's mind was made up, and Raicharan was at his wits' end. "Very well, baby," he said at last, "you sit still in the cart, and I'll go and get you the pretty flower. Only mind you don't go near the water."
As he said this, he made his legs bare to the knee, and waded through the oozing mud towards the tree.
The moment Raicharan had gone, his little Master went off at racing speed to the forbidden water. The baby saw the river rushing by, splashing and gurgling as it went. It seemed as though the disobedient wavelets themselves were running away from some greater Raicharan with the laughter of a thousand children. At the sight of their mischief, the heart of the human child grew excited and restless. He got down stealthily from the go-cart and toddled off towards the river. On his way he picked up a small stick, and leant over the bank of the stream pretending to fish. The mischievous fairies of the river with their mysterious voices seemed inviting him into their play-house.
Raicharan had plucked a handful of flowers from the tree, and was carrying them back in the end of his cloth, with his face wreathed in smiles. But when he reached the go-cart, there was no one there. He looked on all sides and there was no one there. He looked back at the cart and there was no one there.
In that
barn. Here, he comes to a realization while looking at the bird's feathers saying this, that the
In the first half of the passage, the author portrays the creature as a baby by creating a disoriented tone through the use of obscure diction and childlike imagery in order to express the creature’s bewilderment and lack of comprehension at the beginning of his life. The creature mentions how his earliest memories are “confused and indistinct”, that he remembers them with “considerable difficulty”, similar to how adults have a difficult time recounting
Readers must examine Amir’s redemption to Baba. Amir feels guilty of his mother’s death, his first sin to Baba. Longing for Baba’s love, Amir knows that Baba “hated me a little… After all, I had killed his beloved wife, his beautiful princess, hadn’t I?” (Hosseini 19). Amir’s day of birth starts his betrayal to Baba since his birth causes Baba’s wife to die. Furthermore, Amir continues
Moving swiftly through the trees, Cobyn followed a mental map he had of the surrounding area. He and his family had traveled from the Marshlands before. It had been the place he had been born. The Unknown had driven them out though, leaving their city to burn. Cobyn's infant sister, Aleen. Aleen, had been lost that day, as had so many other Keddish people. The moon shone down from above, like a silver sun lighting his path. Creatures moved, fast and flitting through the trees as Cobyn walked, keeping a quick pace. He could hear the crunching of the leaves under his bare feet, and occasionally the moonlight would catch the hilt of the sword making it shine. Cobyn hurried. The armies would not clash for many days, having
The boat creaked, rocking back and forth gently in the waves. A piece of charcoal gripped in her hand as she scribbled on a paper, attempting to mimic her brother, who was crudely drawing stick figures in a book. She glanced up at the two adult figures moving the boat, warm affection flooding her. They were comfort, protection and nourishment. As she went back to her drawing, a large blue-skinned hand rumpled her hair, sparking a laugh. The burst came out mixed with a bark, a clear sign of her heritage. Her brother laughed in response, and with a mischievous glance began tickling the foot closest to him. Soon, all the passengers reveled in laughter, their barking and merriment echoing out across the waters. The day passed, uneventful and boring,
One day I was taking a hike in the Himalayan mountains and came upon a big wall of stone blocking the path. In the middle of the stone wall was a round little door with a key hanging on a hook beside it. Being cautious I crept up to the door and knocked. I don’t know who would have answered the door if someone had answered. I was puzzled and stuck to the spot thinking of what to do. I decided to walk back to my village way down below and come back tomorrow to see if the wall was still there. When I got home I ran straight to the town square to go to my father’s workshop. I told Papa all about my journey in the mountains. He warned me of animals that would take me away to the darkest corners and eat me up. Just then Tijana came running into the store. “There is a tiger in the rice fields!” he shouted. Every once in awhile the wild beasts from the jungle would come into the valley in which the village sat. Our bravest men would shoot arrows and protect us. When the creature went away or was dead we would celebrate, but that never
An animal is any “living organism other than a human being” (OED). When the definition of animals directly divides them from humankind, examples of half-human, half-animal creatures are meaningful yet complicated symbols. A Midsummer Night’s Dream plays with the mystical and supernatural by frequently breaking down the barriers between animals and humans. Fairies are neither human nor animal, and they live in a world, Fairyland, which is separate from and invisible to humans. Considering the definition of animal is anything that is not human, the world of fae is unconsciously rooted in animalistic imagery. This world is also home to other half-human creatures such as satyrs, centaurs, nymphs, mermaids and sprites. A Midsummer Night’s Dream thus highlights and breaks down the barriers between the human and non-human world, and with seemingly little purpose. This essay will analyze the use of animal imagery, particularly through the donkey and serpent, to argue that animal imagery intensifies the emotions of the play, from exaggerating comedic elements to accentuating the dark and nightmarish aspects of Fairyland.
Baba, Amir’s father, is in search of retrieving his ethical values, for both himself and in the eyes of the servant Ali, Hassan’s father. Hassan was born as a result of Baba sleeping with his servant’s wife, Sanauber. When Amir finds out about his father’s unfaithfulness, he begins to question his father’s past saying, “How had Baba brought himself to look Ali in the eye? How had Ali lived in that house, day in and day out, knowing that he had been dishonored by his master in the single worst way an Afghan man can be dishonored?” (Hosseini 257). He even doubts his own past claiming if Ali can be lied to, his life has the same potential of being bluffed. Babas adulterine can be seen as being very disgusting and vulgar, as expressed by the second half of the quotation; “dishonored by his master in the single worst way an Afghan man can be dishonored?” Amir also questions how Baba had the courage to even “look at Ali in the eye.” Despite Baba’s crude and disloyal deed, he progressed with life, treating Hassan and Ali with honor and respect.
"I suppose the boy's got a point," Arthur said. "Look at the pup's li’l legs. Something like that is useless in here."
Furthermore, Amir forgives Baba for not telling him that Amir and Hassan are half-brothers. Hassan gets treated very well by Baba, considering he is a server at Baba’s house. Hassan gets great birthday presents, and he is always welcome to father-son activities with Amir and Baba. Sometimes Amir is jealous and doesn’t understand why Hassan gets treated the same as himself. Amir wants to be treated better, because he is Baba’s son, and Hassan is Baba’s servant. What Amir doesn’t know is that Hassan is his half-brother. Years later, Rahim Kahn tells him this when Amir visits him in Pakistan. Amir learns that a long time ago, Baba had an affair with a Hazara woman, which was socially unacceptable. Out of this affair, a child was born: Hassan. Hassan is not Ali’s son; Hassan is Baba’s son. Baba never tells Amir, and this makes Amir very angry and disappointed. For Amir, his father is a hero and not a liar. However, when Rahim Kahn explains Baba’s situation and why he acted this way, Amir starts to
“The Little Mermaid” by Hans Christian Andersen is one of the worlds most cherished fairy tales. Through the years, this story has inspired its fair share of different adaptations and spinoffs, as well as intertwined itself in popular culture. Although it is widely considered a children’s story today, upon close examination, we can find various elements of literary devices and themes, all of which provide the seasoned reader with a deep connection to the story. To honor the tradition of story-telling, it is essential that a short summary of the story be given.
One of the controversial issues in the story is the diffident opinions between Rahim Khan and Amir about should Amir’s father admit Hassan’s identity. Amir’s father and his friend Rahim Khan decided to hide the truth that Hassan, the boy Amir always considers a servant, is actually Amir’s brother. When Rahim persuades Amir to save Hassan’s son by telling him that Hassan is also his father’s son, Amir strongly resists his father’s decision and cannot believe that the father he always admires cheats on him for all his life time. In my opinion, Amir’s father did wrong on hiding the truth and I supports Amir’s point of view that a father should not hide the truth but face the problem, carry the responsibility and establish a role model to his children. Rahim Khan tries to convince Amir that they
Amir was a son of a reputed father and he gets to attain school and he gets to learn and experienced many things. For example, he gets to participate in the poetry recitation where he is much interested in and sports although it wasn’t his choice. Whereas, Hassan as a servant stayed home to do the household work. Hassan made Amir’s breakfast, cleaned his room and did all the household chores while Amie goes to school. Though Hassan desires to get the education but there wasn’t a chance given to him as a servant. Therefore, despite illiteracy he would passionately listen to what Amir would read for him. Additionally, Amir grows up as young child who longs for his father’s love and approval. He lives with inexplicable jealousy of Hassan. Whereas, Hassan grows up as a young child serving under Amir and respecting Amir’s order. Hassan is cheerful, loyal and loving. He always attempt to please and serve Amir. Moreover, Hassan wasn’t privileged like Amir as he had to undergo insult and defamation by other people around
The present work is focused on undertaking an in-depth analysis of two famous religious paintings: The Virgin and Child by Barnaba da Modena, an Italian painter from the fourteenth century, and The Elevation of the Cross by Peter Paul Rubens, a seventeenth century Flemish artist and diplomat. Following, by comparison, a thorough account of the two works' features, careful observation reveals more than one interpretation.
Briefly hesitant, he got his volunteers; they set out to get supplies. As they were going in, wounded