My Stranger Experience By Dr. John Howard, At The Dinah Washington Cultural Arts Center

While reading The Stranger I noticed that traits that Albert Camus character depicts in the book are closely related to the theories of Sigmund Freud on moral human behavior. Albert Camus portrays his character of Meursault as a numb, emotionless person that seems to mindlessly play out his role in society, acting in a manner that he sees as the way he’s supposed to act, always living in the moment with his instincts driving him, and if the right circumstance presents itself the primal deep seeded animal will come out. I believe that most of the character’s traits fall under Freud’s notion of the Id and Ego mental apparatus, and don’t believe that his idea of the super-ego is represented in this book.

The Essential Conversation: what parents and teachers can learn from each other, written by Sara Lawrence-Lightfoot, focuses in on the “essential” discussion that occurs between parents and teachers when it comes to a child’s education and life while looking further into the hidden meanings behind this exchange. Lawrence-Lightfoot describes how often times the dialogue that occurs between parents and teachers has hidden undertones such as anxiety along with parental ghosts from the past along with several other trajectories that may impact how effectiveness of parent and teacher discussion/collaboration. The theme of Lawrence-Lightfoot’s book can best be summed up in a quote she shared about parent-teacher conferences; “Beneath the polite surface

“My Appearance”, written by David Foster Wallace, revolves around a 40 year old female actress, Edilyn, who has made notable achievements in her acting career- including an Emmy nomination- and has been invited to David Letterman’s late night show. Her second husband is against this as he is worried that her appearance on the show could be problematic and terminate her career in the film industry. He believes that the sole purpose of Letterman’s show is to ridicule people and thus wants Edilyn to ridicule herself before Letterman has the chance to do it. Along with his friend Ron, they prepare Edilyn for the show and provide her with an earplug so that they can control how the show goes. They both believe that such a television appearance can either make you or break you depending on how well one handles David Letterman. At first the show is a disaster as things do not go as planned, but once Edilyn sets aside the acting and becomes her true self, the show ends up being a success. However, her husband still believes that she was acting and insists on the idea that no one is as they appear to be. In the end, despite her husband’s objection, Edilyn is convinced that Letterman is a sweet guy misunderstood by her husband and his friend.

The Stranger The Stranger exhibits a society that has confined itself with a specific set of social standards that dictate the manner in which people are supposed to act. This ideology determines the level of morality, and how much emphasis should placed on following this certain "ethical" structure. Albert Camus's main character, Meursault, is depicted as a nonconformist that is unwilling to play society's game. Through Meursault's failure to comply with society's values and conform to the norm, he is rejected and also condemned to death by society.

In the short story "The Guest" by Albert Camus, Daru's predicament goes hand in hand with France's difficulties and Camus' self-appreciation. In the short story “The Guest” we are introduced to see Daru’s concern to attend the political situation in the French North

A hero is not only someone with superpowers but can be anyone. It can be anyone like you or me. A hero is someone who is willing to stand up for other people. The book, A Lesson Before Dying, takes place in Louisiana and is about an innocent Black man convicted and sent to the electric chair. In the story there are real people that Ernest Gaines alludes to. Ernest Gaines makes an allusion to Joe Louis and Jackie Robinson. Beside these two, Mamie Till also stepped up and was audacious. They were all fearless and gave hope to many other people because of what they were doing. These heroes took a stand against society and changed the world for everyone.

Strangers in the Land of Paradise by Lillian S. Williams explores the settlement of African Americans in Buffalo in the time of the Great Migration. In this book, Williams discusses the process in which migrants from the South made their own black communities in Buffalo while bringing their beliefs and traditions with them, and having those beliefs evolve over time in a new setting. Her work sheds light on the experiences of blacks in Buffalo during a time where many changes were occurring; the Civil War had just ended and the Industrial Revolution was underway. She also speaks on how Buffalo was unique in that it became the final point for those escaping the racism and violence in the South, since it was the last point before crossing into Canada. In her own words, “the book examines the growth and development of Buffalo, the movement of European immigrants and African American migrants into the city, and their ability to secure an economic foothold. It tests the extent to which family and friendship networks for blacks were a significant force in their migration and acculturation. It also describes the establishment of institutions that African Americans created to shape their modern, urban community" (p. xiv).

The 1960’s was a decade of great change in America, from civil rights for African Americans to equal rights for women, the American people were rising up and discovering that their voice in the political discourse was just as important as those they elected to office. One other such group that awakened and challenged the existing status quo that kept them silent and scared were the lesbian, gay, bisexual, and transgender (LGBT) communities across the country. From the first large-scale associations of LGBT individuals that formed in San Francisco in the 1950’s to the political and social groups that came to be following the Stonewall Riots of 1969, they would speak out and not allow themselves to be kept down anymore. The aim of this paper is to establish the events and opinions that led up to the uprising at the Stonewall Inn such as perceived and real discrimination by police, medical professionals, and society itself, what actually happened at Stonewall, and how they sparked the modern LGBT movement in the United States over the next half century to the present day.

In this paper, I will dispute that in Mary Fisher 's "A Whisper of AIDS" speech, the use of pathos and ethos assists in her demand to end the ignorance, prejudice and silence surrounding HIV/AIDS. I will discuss how she replaces the "face" of AIDS with her own, allowing the conservative crowd to connect with HIV/AIDS. Fisher approaches the speech as an epidemic speech; heavily relying on ethos and pathos she created compassion and connection to an audience that usually shows disinterest and silence on the topic of HIV/AIDS. This paper will also discuss the logos within Fisher 's speech, and how she cleverly surrounds the logos of her argument with pathos and ethos. Although, Fisher has approached the speech as an epidemic, she holds a strong pervasive argument within the speech.

The struggles not only happen by outsiders for African Americans LGBTQ individuals, but within their own communities. Yet the LGBT movement’s lack of substantive work on issues most relevant to people of color leaves the movement vulnerable to irrelevance and division—and leaves fully one-third of the members of the LGBT community underserved.

I have recently watched the movie called “The Laramie Project.” The Laramie project is about a young gay student named Matthew Sheppard, who was murdered in Laramie, Wyoming by two boys from the town named, Aaron McKinley and Russell Henderson. The evidence and testimonies from the case suggested that Matthew was attacked, because of his sexuality as a gay man. Matthew was beaten, tied to a fence and left dead in Laramie, Wyoming in 1988. This movie captures the reaction of the murder and draws on hundreds of interviews conducted by the theatre company with the inhabitants of the town, company members, own journal entries, and published news reports. After watching this movie, I reflected on my own perspectives and thoughts about a few issues in the movie, such as hate crime, the phrase “Live and Let Live,” and “flaunting it.”

The lives and careers of gays and lesbians from the era of the Harlem Renaissance have been discussed at length. Numerous works have been published on the lives and careers of Alberta Hunter, Ma Rainey, Bessie Smith, Langston Hughes, Alaine Locke, Richard Bruce Nugent, and Countee Cullen. Eric Garber’s 1989 article “A Spectacle in Color,” explores the gay and lesbian subculture during the Harlem Renaissance. He underscores the ways in which black gays and lesbians created social and intellectual spaces not only in private but public places as well. Henry Louis Gates, Jr. describes the Harlem Renaissance as being “as gay as it was black, not that it was exclusively either of these.” Most of the work produced on this era has focused on the

Howard, John. Men Like That: A Southern Queer History. Chicago: The University of Chicago Press, 1999. (hb). ISBN: 0-226-35471-7.

Albert Camus creates a series of characters in The Stranger whose personality traits and motivations mirror those that are overlooked upon by the average man. Camus develops various characters and scenarios that show true humanity which tends to have been ignored due to the fact of how typical it has become. Camus incorporates abominable personality traits of the characters, variety, consistency, and everyone’s fate.

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.