Myth Of Devotion

The Homeric Hymn to Demeter tells the story of Demeter, the goddess of fertility of grain. Demeter has a daughter with Zeus by the name of Persephone. The hymn explains the strong bond between Demeter and Persephone and how distraught Demeter is when her daughter is abducted. This traumatic event causes Demeter to live among mortal men disguised as an old woman and withdraw the fertility of the earth. In this paper, I will examine how the Homeric Hymn to Demeter operates as a charter myth, or narrative that explains modern practices, and how successful the hymn is in conveying the modern practice.

Together, the two patriarchal figures conspire to kidnap and force Persephone to marry Hades. This is done behind Demeter’s back, intentionally removing her from her role as mother. Their actions directly diminish or outright remove the will of Demeter, a symbol of women in Greek culture (The Homeric Hymn to Demeter 29-30). This theme of a removal of female autonomy is mirrored later in the text when Hades tricks Persephone into eating pomegranate seeds. This action is a deliberate attempt to remove Persephone’s ability to choose for herself, condemning her to spend the winter months in the underworld with him. Not only does this subjugate Persephone to Hades’ will, but it also lends justification to the subjugation of women by men (372-400). By removing the sovereignty of the female mind, the myth promotes male authority.

Another literary element that presents the story’s theme is the plot. According to Routledge (2013) the Hades is an ancient Greek that means a place where the wicked dead reside and are punished. The Hades

Hesiod’s gods lost their carelessness and gaiety of the Homeric gods, became the moral forces, severe guardians of order and justice, born of Zeus. The role of gods according to Hesiod belongs not only the Olympian gods with human form, like Zeus or Apollo, but the Earth, Sky, Star, Wind, Fight, Lies, Victory, Wisdom, violence, etc. Zeus as for Hesiod is not just carrier of the power, as Uranus and Kronus, but also the embodiment of a long-awaited order, keeper and guardian of ethics. The desire to have a better life and a constant feeling of dissatisfaction are natural for people, and the gods tend, on the contrary, to complicate people’s lives and create new difficulties. Thus, the Hesiod’s style of poetry is close to Homer’s one, but because of the general didactic orientation Hesiod’s poetry is almost out of bright Homeric metaphors, similes and epithets.

The title “Myth” seems to be appealing to the Greek tradition of storytelling, and the poem itself seems to be motivated by or at least influenced by Erebus, a Greek deity, who is the personification of darkness and shadows. In Greek mythology, Erebus, is referred to as the limbo the dead have to pass to reach Hades, who rules the underworld of death. In her poem, Trethewey uses Erebus’s as dream like “Rift” between sleeping and waking in which the speaker is able to see the lost loved one is alive and well. In the poem Trethewey references the Erebus in the beginning of stanza two and end of stanza five. Of course, this is easy to relate to Trethewey

In the poem Zeus is shown in a very positive light, as he is one of the key characters in the story. The author continually praises Zeus throughout his poem, making the text not only a story of the creation of the universe but also showing characteristics of a hymn to

     Hades is one of the brothers of Zeus. He is the unlucky one who got to rule the underworld. He is cruel and unforgiving. Only two have ever gone to Hades domain and returned, Hercules and Odysseus. Hades fell in love with Zeus’s daughter and devised a plan to abduct her. With Zeus’s help they succeeded in the capture of Persephone. Her mother Demeter was so enraged she cursed the Earth. She continued the curse even after she was released. It was only after her mother Rhea was allowed to see her that she let the Earth prosper (message).

The Greek myth is how about how the seasons change and the poem is Demeter talking to Hades. Demeter is talking to Hades about her daughter Persephone and how he kidnapped her and cause the

It is often—in books, poems, paintings, and sculptures—that one hears of and sees the goddess of love. But when is it that one hears of the god? In Greek mythology, Eros is the god of love, and a god who is many times overlooked. In Robert Bridges’ “EPÙÓ” and Anne Stevenson’s “Eros”, the idea that Eros is overlooked is portrayed, but in two separate ways. Techniques such as diction, imagery, and tone are used to help convey the idea.

The aim of my report is to explain how the view of the afterlife in Ancient Greece has shaped works of art, books and the mentality of people. In order to do this I am going to explore how ancient Greek people saw the underworld as well as Roman people and the Renaissance period. Because Greeks saw the underworld as a dark, dreadful and gloomy place, many of the works that refer to it, either in Roman times or the Renaissance, are influenced by this view. In particular works like the Odyssey by Homer or The Phaedo by Plato, explained to a certain level the structure of the afterlife in ancient Greece. These two pieces of literature severely influenced works like the book VI of the Aeneid by Virgil where he depicts the underworld referencing to the Greek point of view. But a deeper description of the underworld is given by Dante in his Divine Comedy where he uses Virgil as his guide, from the depths of hell to the Purgatory while Beatrice, Dante’s ideal woman, guides him through heaven. All these time periods shared the idea of the underworld as being a place where souls pay the sins they committed during their lives.

In Ovid Metamorphoses, the Roman literature described the ruthless act of Pluto of rape, to seize and carry away Proserpine without the consent of Ceres and in parallel in the Homeric Hymns of Demeter; Persephone was seized and carried away by Hades without the consent of Demeter. The invariant theme that was identified in both the Greek and Roman literature was the loss of innocence of Persephone/Proserpine. Despite the various differences the story was presented, it reinforced the innocence that was stolen from the god of the underworld, Hades or also known as Pluto. Throughout this paper, it will discuss the similar characteristics of the two myths such as the motive that led and encouraged the god of the underworld to kidnap

Duality occasionally results as the cause for suffering, while it is a product of the mind, it can often revolve around condemnation and the fear of judgement. Sylvia Plath’s poem, “Two Sisters of Persephone” illuminates the idea of the duality that exists within a woman’s personality. The title “Two Sisters of Persephone” suggests that there are two sisters being described in this poem, when in reality, Plath allures the reader by revealing that the two designated qualities actually deal with the two lives that Persephone endured as the Goddess of the Spring and the Queen of the Underworld. Plath conveys the concept of dualism through the purposeful use of structure, and depicting imagery to illustrate the contrasting lives of the renowned deity, Persephone.

Two epic poems from two great civilizations depict their authors' varying views of the Underworld: The Odyssey and The Aeneid. The Greek poet Homer describes the hardships of Odysseus and his struggle to return home to his beloved wife and family after the Trojan War in The Odyssey. The Roman poet Virgil composed The Aeneid for the first emperor of the Roman Empire, Caesar Augustus, in order to rebuild Rome after the civil war had ended. The Aeneid portrays a demigod, Aeneas, whose mission is to create a grand city that will be known as Rome. This paper analyzes the differences and similarities in how Virgil and Homer view the Underworld in The Odyssey

One similarity that we find in both The Odyssey and Inferno, is the fact that both Ulysses and Dante travel to hell. Ulysses travels to the underworld, Erebus. Ulysses seeks out his mother for news regarding his love, Penelope: 'Your wife still remains in your house, but she is in great distress of mind and spends her whole time in tears both night and day. No one as yet has got possession of your fine property, and Telemachus

When this word “myth” is used, the term is usually related to a fable, invention or a fiction story. Over the years, many scholars started approaching the study of myth differently. These scholars have approach myths in a way their meaning was traditionally regarded. In many traditions these myth are true stories and never refer to as false stories. ( http://ancienthistory.about.com/cs/grecoromanmyth1/a/whatismyth.htm )