Naïveté in Flannery O'Connor’s Good Country People Essay

Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her

The two most important souls in the story "Good Country People" belong to Joy-Hulga and

“Good Country People” by Flannery O’Connor is a short story told in third person omniscient point of view. The story contains a lot of irony, symbolism, imagery, and many more literary devices. Flannery O’Connor’s purpose was to demonstrate how “good country people” are not so “good.” Instead, they were categorized as “trash” and “good.” The short story interprets how the characters are contradictory and how women are portrayed in 1955 as well as today’s society.

Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships.  The mothers came to America from China hoping to give their daughters better lives than what they had.  In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture).  They were not expected to have their own will and to make their own way through life.  These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3).  To

Everyone wants to believe that they are beautiful. For this reason, we tend to seek out that approval from others including our parents, friends, and other loved ones. Flannery O'Connor's story, "Good Country People," focuses on this particular theme. In her narrative, a young girl named Joy Hopewell longs for her mother's approval. When she does not find it, Joy begins to believe that she is unworthy of anyone's admiration. This basic premise allows for Manley Pointer to easily win Joy's trust. Flannery O'Connor includes this string of events in order to show the significant role parents play in developing their children's self-esteem, as well as reveal that even though Joy Hopewell begins to believe that she is not beautiful, she

Thesis Statement: In Flannery O'Connor's short story "Good Country People," the expulsion of the outside world allows for more emphasis on the symbolic nature of each of the active characters.

“Good Country People,” is a classic example of the use of irony as a technique for imbuing a story with meaning. Irony works on many different levels through the piece. Examples of this range from O’ Connors use of clearly ironic dialogue to the dramatic irony that unfolds between Manley and Joy-Hulga. However the most obvious examples can be found in O’Connor’s characterization of these, “Good Country People.” The technique of irony is applied prominently to the character’s names and behaviors to present the contradictions between their expectations and their reality. O’Connor uses her characters to explore common notions regarding, “good” and “bad” people. Using their expectations for one another, O’Connor ultimately expose their

Flannery O’Connor was a short story author from Savannah, Georgia. She has produced many critically acclaimed pieces and has won several awards for them. Two distinct pieces she wrote are titled The Life You Save May Be Your Own and Good Country People. While both of her stories are unique, the underlying storyboard and character creation process that O’Connor used is the same throughout her stories. Her stories usually involve one or more self-centered woman, a younger person who become the victim of egregious crime, and a conniving male driven by his own motives. Good Country People and The Life You Save May Be Your Own do not stray from this rule. In either story, the narrative is driven around a shocking tragedy that is very unexpected. Even though in the tragedies committed in the book always have a belligerent and a victim, it is not easy to discern who amongst the two are the antagonist and the protagonist. In either of these narratives, the tragedy that occurred within the stories blurs the line between antagonist and protagonist.

Why are men consider to be the more dominate sex? Women throughout history have proven that they can do anything a man can and more, but still women are seen as lesser. Feminist believe in equality between the sexes. Author Flannery O’Connor applied feministic thinking in her story “Good Country People.” The story describes a mother and daughter experience when a young Bible salesman approaches them. Hulga and her mother, Mrs. Freeman, make excellent subjects for the story’s feministic theme. “Good Country People” shows the feminism by including a strong female character, acceptance of opposite gender roles, and symbolism for the male sex.

Good Country People by Flannery O’Connor is a story with a lot of ironic elements in it. These are mostly found in the way that the characters depict themselves in contrast of how they truly are. For example, Mrs. Hopewell says that she has no bad qualities of her own, but she is a constant liar is an how she happened to hire the Freemans in the first place and how they were a godsend to her and how she had them for four years. The reason for keeping them for so long was because they were not trash” (O’Connor 247). Mrs. Hopewell is not the only hypocrite in this story; Manley Pointer is also incredibly hypocritical, fake, and manipulative. He depicts himself as a “Bible salesmen”, but in reality he is a con artist. When Hulga opens up his Bible, she sees a flask of whiskey, cards, and condoms in it. This would be seen as incredibly offensive and sinful to a Christian. According to Thomas F. Gusset, “Joy/Hulga begins to discover that the Bible

The Joy Luck Club revolves around the idea of family; specifically focusing on mother-daughter relationships. Each mother-daughter pair faces their own struggles such as overly high expectations, miscommunication, and the passing on of undesirable traits. In the first story of this novel Suyuan Woo, the mother of Jing-mei Woo, wants her daughter to become a piano prodigy. She ends up putting such high expectations on Jing-mei that she refuses to practice correctly and become good. Since her mother set such high expectations for her daughter, her daughter begins to resent her. These expectations caused Jing-mei to feel as if she was never good enough for her mother and as a result, their relationship is weakened. Different from Suyuan and Jing-mei are Lindo and Waverly. All of Waverly’s life she feels as if her mother is always against her and is constantly pointing out the negatives in everything. She blames her mother for the failure of her first marriage because she pointed out everything wrong with her husband. Waverly says,

The relationship a mother has with her daughter is one of the most significant relationships either person will possess. In Amy Tan’s The Joy Luck Club, the stories of four mothers and their respective daughters are established through vignettes, which reveal the relationships between them. Throughout the novel, the mothers and daughters are revealed to be similar, yet different. Lindo and Waverly Jong can be compared and contrasted through their upbringings, marriages, and personalities.

Flannery O’Connor was born on March 25, 1925, in Savannah, Georgia. She was an American writer. O’Connor wrote two novels and 32 short stories in her life time. She was a southern writer who wrote in Southern Gothic style. In the Article, Female Gothic Fiction Carolyn E. Megan asks Dorothy Allison what Southern Gothic is to her and she responded with, “It’s a lyrical tradition. Language. Iconoclastic, outrageous as hell, leveled with humor. Yankees do it, but Southerners do it more. It’s the grotesque.”(Bailey 1) Later she was asked who one of her role models was and she stated that Flannery O’Connor was one she could relate to. One of O’Connor’s stronger works was “Good Country People” which was published in 1955.

He said to himself that she was too light and childish, too uncultivated and unreasoning, too provincial, to have reflected upon the ostracism or even to have perceived it. Then at other moments he believed that she carried about in her elegant and irresponsible organism a defiant, passionate, perfectly observant consciousness of the impression she produced. (43)

In her 34 years of existence, she was not proud but shameful that she had maintained her