Namatjira's The Dreaming

For the Aborigines their spiritually involves everyday objects such as plants and animals which are connected to their ancestors. Their spirituality and beliefs are kept alive by passing on their knowledge through ceremonies and “Dreamtime” stories. The “Dreamtime” stories are how the Aborigines explain the beginning of the Earth and the foundation of their core beliefs. In most of the stories, ancestral spirits came to the Earth and as they moved along they created the plants, animals and even rocks. One the spirits did their job, they morphed into stars, watering holes and other objects. An example of these “Dreamtime” stories is the “Rainbow serpent” which is about a serpent who “pushed out the land to make mountains, she spilled water over the land to make rivers, lakes and billabongs. She also made the sun and fire, and all colours of the rainbow.”

The Australian Indigenous community hold extremely significant corrections to the land of Australia, of which they refer to as ‘Country.’ Indigenous people acquire deep meaning from the land, sea and the countless resources derived from them. This special relationship has formed for many centuries. To them ‘Country’ is paramount for overall wellbeing; the strong, significant, spiritual bonds embody their entire existence. Knowledge is continually passed down to create an unbroken connection of past,

Albert Namatjira was born on the 28th of July 1902 in Hermannsburg (Ntaria), Northern Territory. In 1905, the family received into the Lutheran Church, this was the beginning of a transition. Albert was born as Elea, however later on his name was changed to Albert after being baptized. After being baptized, Albert’s father was given the name Jonathan and his mother was blessed with the name Emilie. During Albert’s school years, he attended Hermannsburg Mission School. He lived in an all boys’ dormitory away from his family. Growing up, Albert sketched many things. He mainly sketched all his surroundings, the landscape around him and in some cases he even made artefacts out of wood. During the Aboriginal expedition people became extremely attracted to his great landscapes due to his undeniable talent. The first time Albert left Mission School was at the age of thirteen for six months (what did he do??). After

In Namatjira by Scott Rankin, with Trevor Jamieson and Derik Lynch Published with Ngapartji Ngapartji Namatjira was Australia’s most famous Indigenous, watercolour artist and the first to achieve commercial success, but his story is hardly known.

These philosophical ways of being and abiding by are supported by the Dreamtime. The Dreamtime can be explained as ‘how the world came to be’ for Australia’s First People, centered around ‘how people must conduct their behavior and social relations’ (Broome, 2002, p. 19). There are estimated to be 600 different Indigenous countries that exist amongst the Australian continent, all with different ways of ‘doing’ (Edwards, 1998). The Dreaming is an important way of passing on knowledge, cultural values and belief systems from generation to generation (Australian Government, 2015). The deep connection that Aboriginal people have to their land is also an important concept relation to the concept of The Dreaming. The land is where the events of the dreaming occurred, with the spirit beings of The Dreaming, forming sacred parts of the Australian landscape (Edwards, 1998, p. 81). This spiritual way of being is also linked to elaborate laws of kinship (Phillips, 2005).

Indigenous people are dependant on their knowledge and understanding for the survival of their land. They needed to know the seasons and when and where the various types of food are available. The land needs to be protected to ensure the survival of the land. They do this by passing on knowledge of the land and its creation through stories, songs, ceremonies, dances and art. The closest English word for this knowledge of the land and its creation is the Dreaming. The Dreaming is a unifying characteristic of all Indigenous culture, but each group within Australia had its own particular Dreaming. The Dreaming of a group explained how features of their world came to be; the dreaming explained the sacred sites and their importance. It also set out the rules of how people should behave, particularly towards the land. The Dreaming gave meaning and direction to the lives of each Indigenous group, and continues to do so.

The land is a pivotal medium through which the Dreaming is communicated. Hence, when the High Court of Australia ruled that Australia’s land was occupied at the time of British settlement and overturned the notion of ‘Terra Nullius’, deeming it legally invalid, the opportunity was granted for Indigenous Australians to re-establish spiritual links with the land and their cultural

The identity of Australia as a place comes from both its physical features and the atmosphere, which is often created by its physical appearance. Three artists who have depicted the Australian landscape in different styles are Arthur Streeton, John Olsen and Sally Morgan. Streeton’s works are in a realistic but lively style typical of the Heidelberg school. He was intent on recreating the light and warmth of the land. Olsen and Morgan’s works, on the other hand, offer more abstract interpretations of the land. During the 1960s and 1970s, Olsen captured the essence and the energy of the landscape with his bold and bright brushwork whilst Morgan’s work from the 1980s portrays Australia from an indigenous perspective, which she achieves through her use of Aboriginal symbolism and cultural imagery.

For Aboriginal Australians, the land has a special significance that is rarely understood by those of European descent. The land, or country, does not only sustain Aborigines in material ways, such as providing food and shelter, it also plays a major role in their spiritual lives. As Rose put it, "Land provides for my physical needs and spiritual needs." (1992, p.106). To use Rose 's own term, to Aboriginals the land is a 'nourishing terrain '. (1996, p.7).

The ‘colonisation' of Australia by Europeans has caused a lot of problem for the local Aborigines. It drastically reduced their population, damaged ancient family ties, and removed thousands of Aboriginal people from the land they had lived on for centuries. In many cases, the loss of land can mean more than just physical displacement. Because land is so much connected to history and spirituality, the loss of it can lead to a loss of identity. This paper will examine the works of Tim Rowse and Jeremy Beckett as well as other symbols of identity that are available to modern Aborigines in post colonial Australia.

Living close to nature or living in harmony with nature is the whole purpose of Aboriginal life. There was no superior and inferior status between humans and nature. In fact for aboriginals the land and all the creatures have become inseparable companions. (Eds Dwight N Hopkins, P.71) But over the decades after settlement in Australia, Europeans disturbed the bond aboriginals have established with nature. In the following poems, one can see the poignant agonies of aboriginals for the disappearance their culture.

To better understand Aboriginals as a Dream Culture I want to give more insight into Aboriginal Australians general culture and their conceptions of “Dream Time.” In his discussion of religion, Mircea Eliade describes a concept of Cosmos vs Chaos (Eliade 1957). In this notion an unordered world is chaotic only until is it transposed during a sacred time: “By occupying it and, above all, by settling in it, man symbolically transforms it into a cosmos though a ritual repetition of the cosmogony” (Eliade 1957:31). In other words until a land is tamed or created it is considered unordered. This can be applied to Aboriginal’s understanding of the world prior to their current presence. Aboriginals believe that in a time before the Dreamings, the land and world was a featureless earth. It was not until the dreamtime, or time of creation: “where there is contact with appearances from both realms of inside the earth itself as from ill-defined upper region” that the earth began to have its composed landscapes (Cowan 1992:26). The Dream Time is not only a period but more of a dimension where ancestral beings moved across the earth and created not only land, but every aspect of the earth including animals, plants, and man. It is important to realize that the ancestors created the natural earth and that is why Aboriginals live a particular lifestyle. Most Aboriginals living in this cosmogony are hunter-gatherer tribes. This aspect of their life can be traced to stem from the idea of

Aboriginals or indigenous Australians are the native people of Australia. Aboriginals were nomadic people who came to Australia about 40,000 – 60,000 years ago from Southeast Asia. Religion is a great part of Aboriginal culture. The essay answers these questions: What do Aboriginals belief? What is a Kinship system? What is Dreaming and Dreamtime? What rituals does Aboriginals have?

The construction of Aboriginality in Australia has been achieved through a variety of processes, in various places and at various levels of society, giving rise to a complex interaction between the constructions. At the local level, the most striking line of tension may seem to lie between what Aboriginal people say about themselves and what others say about them. But crosscutting this is another field of tension between the ideas of Aboriginality (and non-Aboriginality) that people of all kinds construct and reproduce for themselves, and the constructions produced at the national level by the state in its various manifestations, the mass media, science, the arts and so on (Beckett, 1988).

The Indigenous Australian imagination perceives the way of the world and all that exists as not the result of a singular force or mind, but, rather, the result of powerful totemic ancestral beings who once roamed the land. This ontological tradition, known as “The Dreaming”, serves as an infinite link between past and present, people and place, and both the natural and spiritual world. “The Dreaming,” then, asserts that all of humanity and nature in its entirety is alive and connected. In his ethnographic account titled, Pintupi Country, Pintupi Self, Fred Myers examines the importance of The Dreaming to Pintupi society and its centrality in the constitution of their lived world. Descriptions of what happened in The Dreaming underlie Pintupi social relationships and constructions of “country.” It is through this mythological construct that the Pintupi Aboriginal people mediate their relationships with the land and negotiate aspects of personhood and identity.