Narrativa: El climax

My boy grew into a man, my girl long and slender like the blossoming mimosa at the end of the drive. Pedrito took on a certain gravity, became an important man around here. And I, Patria Mercedes? Like every woman of her house, I disappeared into what I loved, coming up now and then for air. I mean, an overnight trip by myself to a girlfriend’s, a special set to my hair, and maybe a yellow dress.

In Aria: A Memoir of a Bilingual Childhood by Richard Rodriguez, various stylistic devices and rhetorical strategies are used such as symbolism, and pathos. Symbolism Rodriguez uses in the piece, consists of his home, and the general public. To young Rodriguez, his time at home represented comfort, and safety. Furthermore Rodriguez's Home represented a “pleasing, soothing, consoling reminder” that he was in a sheltered environment away from “los gringos.” In contrast, the general public which consisted of Rodriguez’s neighborhood, school, and the store symbolised a time spent frightened by the english language sounds, the experience of feeling apart from english speaking children, and the idea that his parents were not powerful enough to protect him. Such symbolism is also used in order for Rodriguez to appeal to the audience's emotions in order to persuade them into agreeing with his argument on bilingual education. By Rodriguez sharing his experience of feeling afraid of the public language, he teaches the audience that while “it would have pleased me to hear my teachers address me in Spanish when I entered the classroom” he would delay learning the language of a public society. As Rodriguez and his siblings began to assimilate into the english language, he found that “The house I returned to each afternoon was quiet. Intimate Sounds no longer rushed to the door to greet me. There were other noises inside.” While this marked a lost of intimacy and the private language

The author creates a mood of being irritating by her “…awful grandmother…” and brothers “…Alfredito and Enrique…” who are occupied playing outside as “… a B-Fifty-two bomber…” [paragraph 5] and her grandmother with a “… long, long list of relatives … names of the dead and the living into one long prayer…” [paragraph 10]. Including, the imagery provided in the short story described the character’s actions by watching her grandmother pray while she counts her grandmother’s mustache hairs. Later, an unknown lady and man start talking to her brother asking if she could take a picture, than judging by their looks, they assume they do not speak English but only

     As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using

It was a cold October night when I first heard of Fortunato’s case, I was very amused at the thought of someone doing something so unhuman to a person. I guess some people can’t control their actions, but then again those people belong in a mental institution. This case in particular was very peculiar because it had gone five years without being solved. It was about a week ago when our department heard about this case, it wasn’t long before the case landed on my hands. I am after all the best detective in this state something to be proud of course. Going out to the other side of the world to solve a case was something I had never done before but this case was overdue and someone had to do

“Sí, nos perdimos en el mar. Estaba oscuro y que vio la luz por lo que se acercó a ella. Tenemos hambre y también muy cansado. ¿Podemos descansar aquí por la

People might have thought of giving a revenge on someone that you really hate, but if the revenge is to kill that person, what would it be like? There is a book named "The Cask of Amontillado" which handles this kind of subject. This book seemed to be a fiction, and is this book a literary or commercial fiction? While I was reading the text, I thought the plot, characters, and the theme was more towards the literary fiction. As I read this book, the unique plot and the first person of the protagonist is the narrator was very interesting.

The novella tells the story of a young migrant worker who is faced the the responsibility to help care for her family not only financially but in a manner of leadership as well. Throughout the story the character of Estrella changes drastically from a timid outcast to an outspoken leader. In the beginning Estrella is portrayed as a quiet young woman who is defined as an outsider. When looking at the character of Estrella she is characterized in the category as powerless. One reason that we can attribute Estrella’s state of power is her socio-economic circumstances. Coming from a family of five, Estrella assumes the role as the oldest daughter as well as second mother due to her father’s recent abandonment on the family. It is because of this abandonment that Estrella resents her mother’s older boyfriend Perfecto, who in return has gotten her mother pregnant.

Rodriguez does not comfort whose mother even though he feels something is not right. Richard thinks that his mother is “sad” and wanted to approach her and ask however claims they are “questions of paradise.” if someone's mother felt sad or upset, usually there children would try to comfort them and understand what they are feeling, however richard feels his mother’s pain but does not even try to ask what the cause of it is. Richard compares his mother too material objects. Richard thinks that his mother “seems very small,” when compared to the “expensive foreign cars” behind her. Richard instead of notices his mother, notices the expensive foreign cars more. Richard also does not even recognize what his parents are doing. He didn't realize that his father “has” only said one thing to him all evening. Someone would notice if their father had not spoken to them all day, however richard does not realize this to the very

Enrique’s journey begins when he is left on the porch all alone without his mother in sight. He is confused and questions “Donde esta mi mami,”(page 1)he is only 5, this confusion leads into rebellion then anger which is what finally pushes him to go on journey to find his mother, does she not love me, he questions, he wanted answers but also missed his mother so much that he does not care or even think about how hard and risky his travel will be.

Rodriguez is ashamed. He is ashamed with the fact his espanol is no longer his main language. The author presents, “I grew up a victim to a

Brian Doyle's Joyas Voladoras first appeared in The American Scholar in 2004 and was later selected for Best American Essays in 2005. Doyle’s intended audience is the general population, though his writing style attracts both the logical reader and the hopeless romantics who seek metaphors pointing to love in any way. The beginning of the essay provides insight to general information about the hummingbird, which holds the smallest, capable, and fragile heart in the world. He then explains the significance of the blue whale’s heart with comparisons, indicating that the blue whale holds a heart the size of a room. He ends his essay by expressing that a human’s heart is always closed due to the fear of it breaking, remaining constantly

Crónica de una muerte anunciada by García Márquez centres on the death of Santiago Nasar, murdered by two brothers in an act of revenge for their sister’s modesty. Set in Colombia, the novella takes on a semi-journalistic style of narration as its narrator attempts to discover the truth behind what really took place before Santiago’s death. The choppy, nonlinear structure of the story explores the differing accounts of various members in the community, almost all of whom had foreknowledge of the brothers’ plans before Santiago’s death, bringing into question the ideals and the true nature of a community as they did nothing to prevent it.

Continuing in the theme of conformity; if the boys are united by their heteronomy, Cuellar’s castration, in contrast, is the source of his ostracism. His unfortunate accident is a wound that ‘time opens instead of closes’, and as the story progresses, Vargas Llosa juxtaposes the boys socially inclusive youthful pastimes of football and studying mentioned earlier in the novel with his comparatively solitary penchant for the ocean and surfing “a puro pecho o con colchón” (94) in chapter five. In this passage, his distance from the others is symbolised by the isolation of the sea; the narrator says the water “se lo tragó” (95) and later, the boys state that “se perdió” (96). Clearly, Cuellar’s failure to partake in the testosterone fuelled rituals of sexual maturity in the city has seen him shunned from the rest of the boys and resigned to hanging out with “rosquetes, cafichos y pichicateros” (96) instead – the modern, metropolitan outcasts. Evidently, Cuellar is incapacitated by this highly heteronormative lifestyle, as the inherent masculinity of the city is a fixed identity that will perpetually exclude him, or anyone else who cannot fulfil Peruvian societies idea of gender appropriate behaviour.

Sandro Botticelli painted La Primavera between 1477 and 1482 for Lorenzo di Pierfrancesco de’ Medici, a member of the powerful Florentine family. While many Renaissance works depicted scenes of Christianity, this work as well as the others in its group – The Birth of Venus, for example - are focused around tales from classical mythology. Designed to hang in a private room, the painting did not need to be made accessible to large audiences like other works of the time, such as the ceiling of the Sistine Chapel by Michelangelo. An educated family with strong Humanistic ties, the Medici would have had the necessary knowledge to interpret the painting’s subject, while the common people would not have. Now located in the Uffizi Gallery in Florence,