Narrative Essay About An Elf Queen

Suddenly she found herself surrounded by a huge forest. There was snow all around so it was very cold, so Lucy put on one of the conveniently placed fur coats and went to explore the wood. She did not walk far when she saw a light walking closer she discovered it was a lamppost. It was here buy this lamppost Lucy met the talking fawn named Mr. Tomnas. The fawn invited Lucy to tea and almost turned her over to a woman called the white witch, but Mr. Tomnas ended up really liking Lucy so he couldn’t do it. Instead he led her back to the wardrobe door. When Lucy got back to her brothers and sister, she found out that no time had gone by at all since she walked into the wardrobe. Susan, Peter and Edmund didn’t believe Lucy when she told them there was another world called Narnia inside the wardrobe. Edmund was always following her around asking if she found any new countries in the cupboards lately, but Eventually Edmund found his way into the wardrobe land too, and met the white witch. She was kind to him, but was really a witch, and he allied himself with her. And without knowing he agreed to turn his brother and sisters over to her later he realizes the gravity of his mistake and how much of his brothers anger he is risking. Then Susan, Peter, Lucy and Edmund all find their way into Narnia and find out that the lion called Aslan expects them to be queens and kings over all in

The Princess and the Goblin is a story about self-realisation and the expansion of limits. The princess, Irene, is able to come to certain conclusions about herself with the help of her grandmother, who lives in the attic upstairs in the palace. The grandmother guides Irene through her rite of passage into adulthood, and helps to bring the princess and Curdie together in the end. However, the reader never really knows whether the grandmother even exists, and it is this uncertainty that causes the reader to question whether she is a personification of a force within Irene that is driving her to achieve all that she does. There are many elements of fairy tales that exist within the grandmother's

I have an entire playlist dedicated to Disney music. Their songs and movies can make anyone smile no matter how bitter you are. Everybody has watched Disney movies back when they were a kid, and have always regarded as happily-ever-after stories. But that was not always the case. What if I told you that in the original Cinderella the stepsisters chopped off parts of their feet to try to get the infamous glass shoe to fit. But how did it get from chopping feet to turning a pumpkin into an extravagant carriage? Was it media? All forms of media have a big effect on the general conception; from the printing press and Thomas Jefferson to televised news and Donald Trump. Or did our ever changing society create this facade of happily-ever-after that is sought after so often? In the article Fairy Tales and a Dose of Reality by Catherine Orenstein she utilizes historical references and allusions to modern media and challenges the perception of fairy tales and expose them as media-manipulated, romanticized stories.

The Princess and the Goblin was written by George MacDonald. And it was published in 1872, and this is a fantasy book. The characters of the story are the Princess Irene, her great grandmother named was Irene too, her nanny/nurse named Lottie, and the Little miner named Curdie. They are the people who lived above the ground and they are called sun dwellers. While the goblins are living underground and they only come out during night.

Once upon a time, there was a literary genre commonly know as fairy tales. They were mystical and wonderful and a child’s fantasy. These fairy tales were drastically misunderstood throughout many centuries, however. They endured a hard life of constant changing and editing to fit what the people of that time wanted. People of our own time are responsible for some of the radical changes endured by this undeserved genre. Now, these fairy tales had a young friend named Belle. Belle thought she knew fairy tales very well, but one day she found out just how wrong she was.

In Peggy Orenstein’s article, “What's wrong with Cinderella?” she discusses the problems with princesses. The first problem being that princess merchandise is everywhere. Orenstein writes about when she took her daughter to the dentist and once the check-up was over, her daughter got a princess sticker. Princesses are embedded into a child’s everyday life, making a “princess” more of a way of living than a fantasy. To further this point, Orenstein mentions how even now, in a show that is supposed to be about teaching other languages, Dora the Explorer, has turned into Dora finding a fairy tale land where she becomes a princess at the end of her two part movie. This is only the beginning of the issues that are brought to attention in this article.

Fairy Tales are not just stories that parents tell to their children, but stories with hidden valuable messages which are mostly left on a side. In the article “An Introduction to Fairy Tales,” Maria Tatar clearly explains how people need fairy tales in their lives. Tatar also states how fairy tales have the ability to take the listener, especially children’s, into a journey in which they can play with their imagination so that they can discover their deepest fears and wishes. Personally I agree with the author, because of the fact that in an individual’s lives as they get older, they will try to define themselves, sometimes comparing their own life with a character from their favorite story or Fairy Tale.

There was an island, and on this island there lived a girl. A short distance away there was another island,

In our modern society parents want to know who the best role models are for their children; especially parents of young girls. Most girls are introduced to Disney Princesses at a young age, but what most parents don’t know is that not all Disney Princesses are positive role models of modern society. The princesses were amazing role models for their time but since then many opinions have changed on what is expected of women and what is not some; people in society today can argue weather certain qualities that the princesses posses are acceptable for today’s youth. The most famous princesses are the “Original Disney Princesses” :(in chronological order) Snow White, Cinderella, Aurora, Ariel, Belle, Jasmine, Pocahontas, and Mulan.

Aurora, as the perfect woman, is depicted as extremely demure” (Castillo 1). He claims that the princesses in these films are helpless and cannot stand up for themselves.

In fairytales, royal women are typically regarded as delicate, sophisticated creatures, controlled by the kingdoms to which they belong. However, it is the strength within these women that is far more admirable than their outer appearance could ever be. This is why looking at royalty as perfection—a gift of beauty, wealth, and dignity—creates a widely known myth that hides the unattractive truth behind the royal life. Although you should always seek to look beyond the surface, “The Princess in the Suit of Leather” shows that upon deeper inspection you ultimately get hit with the harsh reality of conservative gender roles.

The Lion, the Witch, and the Wardrobe is the first of several novels in the C.S. Lewis’s Chronicles of Narnia. These books tell stories of another universe that is called Narnia. Here there are many unearthly things from talking animals and evil witches. The Lion, the Witch, and the Wardrobe is the story of four young siblings who discover this new world by entering a wardrobe. Little did they know, they were destined to become the new royalty of Narnia but only after going through many battles. In The Lion, the Witch, and the Wardrobe, C.S. Lewis analyzes the character Lucy, the theme of good versus evil, and the parallels of Narnia to other literature and Lewis’s life.

Some things about fairy tales we know to be true. They begin with "once upon a time." They end with "happily ever after." And somewhere in between the prince rescues the damsel in distress. Of course, this is not actually the case. Many fairytales omit these essential words. But few fairytales in the Western tradition indeed fail to have a beautiful, passive maiden rescued by a vibrant man, usually her superior in either social rank or in moral standing. Indeed, it is precisely the passivity of the women in fairy tales that has led so many progressive parents to wonder whether their children should be exposed to them. Can any girl ever really believe that she can grow up to be president or CEO or an

So, is it reasonable to conclude that Princess Aurora in The Sleeping Beauty is just another condescending example of a maiden in distress saved by a man? Not in my opinion. All solid love affairs are partly founded on commensurate, mutual need: the greater the mutual need, the greater the love affair. Prince Désiré, who has difficulty relating to countless beautiful countesses in his kingdom, is a man clearly floundering. Unquestionably, Aurora saves him every bit as much as he saves her. There is no human relationship more apropos or equal, moreover, than that which binds two genuine lovers. What these two strangers separated by 3/4s of a century or so in age have in common is, furthermore, their golden inner core—their princely characteristics:

The poem, "The Faerie Queene", is a story about a courageous knight who goes through great trials and fights monsters. This in itself is entertaining but, it also has many allegorical references to Christianity. Many times Spenser talks about things when in reality he's really talking something closer to home. For instance, this faerie land he talks about sounds like he is referring to England, the country where he's from. Also, the title Faerie Queene itself is seems to represent Queen Elizabeth, the Queen of England. Redcrosse, the hero of the poem, is a major part of this allegory. He is called the "Knight of Holinesse" which is a reference to being holy and worshiping God. He represents the lonely Christian on a journey to put