Narrative Story Of Godavari

In an attempt to defy her parents’ as well as society’s expectations, Jayanthi decided to find her ideal sense of reality by searching for her personal identity. Bell writes, “Jayanthi worked hard to give herself a history that differed from her family’s expectations …prior to her crazy time, she felt herself to be meeting all her parents’ expectations of a good Indian girl” (34).

The narration of this story is told through third person. The narrator is detached from the action of the story and remains external to the characters thoughts and feelings. The narrator tells the readers what’s going on but does not elaborate into the why or the internal reasoning’s or motivations of the characters. This is left to the readers to interpret for themselves. The narrator describes events of the plot in a factual manner like a reporter.

This film begins by telling its viewers about a young girl, Evita, growing up in a difficult time. As a girl who was born from a lower class woman and a ranch owner, Evita had a difficult time being accepted by the society she lived in. Her and her mother and siblings lived in poor conditions and struggled very much. Growing up in these conditions appeared to have given Evita the strength and persistence to make a better life for herself. Evita left her home at a young age in hopes of fulfilling her dream of becoming a wealthy actress. It was said that Evita used her beauty and charm to achieve her goals. She would use men of power to get what she wanted and then leave them for another. This gave her a promiscuous reputation. After

She does all she can to wipe a tear from the eyes of the poor, the helpless and the innocent tailors and to make a reasonable deal with they which they have been long denied: “For this job, there will be no customers to measure,” she explained, “the sewing will be straight from paper patterns. Each week you have to make two dozen, three dozen, whatever the company wants, in the same style”... “The more dresses you make, the more you earn.”3 We meet Dina Shroff and learn how she became the widow Dina Dalai, living alone in the city stitching scraps of cloth into a quilt at night and trying to keep her dignity and independence from her dominating brother Nuswaan who assumed the role of the head of the family and legal guardian to Dina after the death of her father, Dr.Shroff. A Fine Balance maps out how Dina Dalai, the protagonist of the novel, and the three characters, Ishvar, Omprakash, and Maneck, suffer from a sense of rootlessness. The author brings his readers face to face with the dilemmas of inter-relationship and broken values and 75 customs of society. He tries to re-discover the Indian identity by setting his novel in three different

Throughout the film, the main overall theme is that a woman had an illegitimate daughter with someone while she was married, her husband left her, and she was alone with three girls and the youngest, Tita, was to never marry because she was

This story, like many other Tagore's stories that are strongly rooted in context and period, offers a classical perspective on humanism. The story highlights themes such as love, trust, friendship, loyalty, class divides; which mean all the casual things that happen to an average people. The author bring to us a contrast between two social classes. One side is Rahmat, a man from the mountains of Afghanistan, who had left his family, his daughter behind to make his way through life. Then one day he met a young girl, who represented for the opposite class, named Mini. He intermediately felt attached by this little 5 years old girl because of the similarity of this girl and his daughter. The two opposite classes had quickly became best friend. Although the Kabuliwallah came to this place for business, he would bring the young girl dried fruits and nuts, without calculating about personal profit but out of sheer happiness of the thought that Mini would enjoy them. One of the important pieces of the relationship and the story was when Mini and the Kabuliwallah would sing. This small detail has shown the link between the upper and lower class. This situation has never happened before and it even make Mimi’s mother anxious. Suddenly a turning point occurred and broke that miracle, Mini’s father saw the Kabuliwallah in the street covered in blood and being arrested.

The novel is divided into two sections, referred to as part one and part two. the first section of the novel portrays everyday life of an Indian family with their daughter Uma as the main character of the section. Throughout part one of the novel, the author tries to take the reader into a journey across the Indian social practices and family relationship. She does this through the way she portrays different members of the Indian family and other individuals who are depicted as different members of the Indian society. In this section, the reader can see the family structure, family members responsibilities, and expectations from other members of the family and the society in general. Apart from showing the reader the family life, she also tries to present situations and topics that shows the reader some important issues regarding the Indian educational system and the society attitudes towards it. Desai does this by portraying an Indian family which priorities men’s education over women’s. This is seen first through mama who is a house wife expected to stay home and take care of her family while her

The objective readership of my novel will comprise youth with a flair for novelty and curiosity, to know more about this maligned society and relationship between the old and the young. This novel will go a long way among those people, who wants to understand the havoc caused by the partition of India in 1947. The characters of the book will depict their relationship and the plight they suffered from the hands of their own. In a way the contents are the ugly truth of the society, impact of the commercial world and the perverted nature of the characters.

The writer specially describes an old man and a child who are brutally affected by the partition. The pose of the killed old man floating on the water can remind of Jesus Christ who prayed to God to forgive those very people who wanted to kill him. The dead body of the old man reflects a message of forgiveness for his killers, establishing the kernel of the Indian philosophies that only forgiveness and love can make the wheel of the human civilization move on. Violence can never give one space for victory. Even the dead bodies mock the cruel activities of the human beings through different gestures. The old man’s hair floats like a halo. The word, ‘halo’ implies divine light. The old age and the childhood- both are precious and honoured in Indian culture. Both are weaker sections too. The description of the dead body of the child creates nausea and shame among the readers. The bodies of the women, another weaker section of human society ridicules the ‘devil’ within man. Women are regarded as mother goddess in India and they are never treated as subject to physical pleasure only. The view of the massacre chokes all emotions in Lambardar and other villagers. The whole village look dead although no one has actually died

Abulhawa presents her readers with the character Dalia, the mother of the protagonist Amal, born to Bedouin parents, Dalia marries Hasan Abulheja. She undergoes a series of traumatic events that resulted in the loss of her mind, and eventually dementia.

Mirabai is the central conscious of the novel. She has sensitivity and imaginative insight. She is more modern than traditional because she is brought up in a westernized household where there are two dining halls and two sets of cooks - western and Indian. Her family members go to European clubs and dance and play. In her family, club-going is compulsory for everyone.

The film highlights the persisting Violence Against Women and Children (VAWC) cases. VAWC was manifested in the film when the wife is abused by her husband. He exploits his wife by physically beating and raping her when he’s drunk. The husband was a perverted person, who

The novel is a study of feminine psyche. But here the canvas is bigger in and it includes both an old woman and a girl. The flash back techniques have been used but the novel focuses on the character of Nanda Kaul who is living in isolation, in a secluded bungalow in Kasauli along with a male servant. The novel makes use of symbolism, is used. The bare mountains terrain and a desert is burnt out. Bungalow at the hiss top fascinates Raka and symbolizes her emotionally void character which is a result of her emotional deprivation. She comes from a broken home with a sick mother and alcoholic father who beats his wife.

A Married Woman offers different images of woman. Astha is the protagonist of the novel. Other images are - Astha's mother - Sita and Pipeelika Trivedi. The title of the novel implies that the novel and its characters centers upon the married woman, Astha.

God and the Indian by Drew Hayden Taylor. The characters are described by A first nations woman names Johnny and George King who is a white man that was once a Priest? In a residential school that Johnny attended.