Nathaniel Hawthorne The Birthmark Symbolism

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

Georgiana knows the strain this is putting their marriage. Georgiana begun to contemplate the removal of the birth-mark as well, "Aylmer," resumed Georgiana, solemnly, "I know not what may be the cost to both of us to rid me of this fatal birthmark. Perhaps its removal may cause cureless deformity; or it may be the stain goes as deep as life itself. Again: do we know that there is a possibility, on any terms, of unclasping the firm gripe of this little hand which was laid upon me before I came into the world?" Aylmer assured her "Dearest Georgiana, I have spent much thought upon the subject," hastily interrupted Aylmer. "I am convinced of the perfect practicability of its

It somehow contains the concept of beauty, and in the story it's easy to notice that many man found this birthmark attractive, and so did Georgiana, but looking at her husband, who obviously hates this mark, she starts to believe that it's ugly. The beauty is very subjective; it was created by people, and can be changed by them. Thus, it is impossible to be perfect for there always will be those who can find flaws in any creature. Moreover, it is known that 'Perfection leaves no room for improvement". Thus, flaws are part of human beings, and the desire to go against it is

In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.

Aylmer is an opposite representation of C. JoyBell’s quote because he loses sight of his love of Georgiana for scientific perfection, without any self reflection upon the matter. Moreover, Aylmer’s want to dispel Georgiana's birthmark produces a change in his feelings toward her. When discussing the birthmark and a possible removal with Georgiana, Aylmer said, “‘you [Georgiana] came so nearly perfect from the hand of Nature… as being the visible mark of earthly

Georgiana had always lived with the birthmark, and was quite fond of its charm. Many people in the town believe it was a fairy’s handprint left to sway all hearts; to them the mark only magnified her appeal. The mark’s charm had rarely been questioned by anyone other than the jealous women of the town, and its peculiar nature had once intrigued Aylmer and amplified his attraction to Georgiana. He begged for her hand in marriage, but soon after they were wed, he queried whether Georgiana had ever considered having the birthmark removed. She was hurt by the implication that the mark depreciated her and grew upset with her husband. As time passed, Aylmer continued to stare at the mark, unable to keep his eyes from wandering to it. This continued until Georgiana was no longer able to ignore the way his eyes were always fixated on this sole imperfection, the crimson hand that kept him up at night and plagued his dreams. She asked Aylmer to remove the mark, or take her life because she no longer wanted to live if she had to live with the mark. She preferred death to the harsh scrutiny from her husband.

Once Georgiana also begins to view her birthmark as an imperfection, just like Aylmer does, she begins to hate it and demands it be removed. “’Remove it, remove it, whatever be the cost, or we shall both go mad!’” (Hawthorne 21). Georgiana is sacrificing everything she can in order for this birthmark to be removed, even death. Aylmer warns her of the dangers of performing such a surgery but she refuses to think it over and believes she is “most fit to die” (Hawthorne 21). Of all mortals, she believes that she has reached her potential in the world and there is no more use for her on the world unless she is perfect, with no birthmark and no imperfections.

Aylmer uses Georgiana’s love and trust for him against her, turning her into a scientific experiment, and taking away her life. Aylmer tells Georgiana about his displeasure with her birthmark. After an initial shocked reaction, Georgiana quickly changes her mindset to agree with her husband and lets him know: “I know not what may be the cost of both of us to rid me of this fatal birthmark. Perhaps its removal may cause cureless deformity, or may be the stain goes as deep as life itself” (222). Throughout her life, other men tell her birthmark is beautiful; however, after Georgina marries Aylmer , Georgiana now no longer wants it and wishes for it to be removed because of her husband’s wishes. This accommodates with what Aylmer wants and is the start of his scientific experiments on his wife. Later, Georgiana and Aylmer have a tense conversation debating about the

simple birthmark where the obsession is because he perceives it in a more symbolic way. Georgiana has often been told that the mark on her cheek is a “charm” but Aylmer does not think so where he said, “No, dearest Georgiana, you came so nearly perfect from the hand of Nature, that this slightest possible defect, which

Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful

“‘If she were my wife, I’d never part with that birthmark.’” (page 4) Aminadab said this under his breath because he disapproved of Aylmer trying to remove Georgiana’s birthmark. This implies that Aminadab believes that Georgiana was born this way, and she is beautiful regardless of the birthmark. I feel he also thinks it is crazy for Aylmer to want to change something so badly on his own wife’s body that he feels it is a sin to have it. This connection is relating to this article I read online called Love Yourself- Flaws and All. The article explains how sometimes people will not like your flaws but you are born with them. Even if you can “fix” the flaw (in this case removing the birthmark), you will still be

In Hawthorne’s short story “The Birthmark”, Aylmer feels that his wife Georgiana is a miracle and that she is perfect. Her only flaw was the birthmark in the shape of a hand placed on her cheek. Instead of focusing on all her Georgiana’s perfections, Aylmer only focused on one of her flaws, the birthmark. Aylmer constructs a statement about her birthmark saying that, “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain.”(Meyer 345)

Aylmer’s craving to make his wife Georgiana perfect is destined to fail because perfection cannot be found on earth and only found in heaven. Aylmer obsesses about the birthmark that is on his wife for an extensive time that it actually starts to inconvenience him. For Aylmer, it symbolizes mortality and sin and comes to mast over Georgiana’s beauty in his cluttered mind. Consequently, her tiny imperfection, which is only a birth-mark, is all he can see and is so prominent to him. The desire for perfection not only kills Georgiana inside and out, but it also ruins her husband. Aylmer starts to break down because his desire to create the ideal woman becomes such a fixation that it prevents him from seeing all the good his wife has to over him and the world. Nevertheless, Georgiana says that she will risk her life for him and have the birthmark erased. Aylmer is very confident about it but ends up killing her in the process, emotionally and

The archetype of Georgiana can be seen as the perfect women, however, her birthmark acts as a symbol of imperfection and mortality that keeps her from fully pleasing her husband. Georgiana is described as beautiful and perfect except for one flaw, the birthmark. “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain” (Hawthorne 220). The hand-shaped birthmark can be seen as her being touched by nature and acts as a symbol of imperfection and mortality in humans. The symbol of the birth-mark standing for mortality can be seen again towards the end

Portrayed as spiritual and intellectual in contrast with his crude laboratory assistant Aminadab, Aylmer becomes disturbingly obsessed with a birthmark on his wife’s countenance. The plot of the short story revolves around the man’s attempt in removing the mark, which results in the death of Georgiana. In the very beginning of the story, the audience discovers through the narration that Aylmer views his wife’s birthmark as more than a congenital, benign irregularity on the skin. In reality, the primary reason why he becomes severely obsessed with the birthmark is because in his eyes, the mark symbolizes something. Aylmer proceeds to further clarify his inner thoughts by replying to his wife, “This slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Mays 340). Although Georgiana is initially mortified and even goes as far to question the existence of the marriage between them, the narration later sheds light and explains that the precise reason why Aylmer is excessively bothered with the birthmark is because he regards Georgiana as virtually the embodiment of perfection. As a consequence, perceiving a flaw on his wife’s image that clashes with the concept of her beauty inevitably leads him to feel aggrieved and begin to judge the birthmark as a dangerous blemish residing on her skin.