Nathaniel Hawthorne 's The Minister 's Black Veil

Father Hooper, a character in The Ministers Black Veil, has put a wall up between himself and his parishioners with the simple adornment of a veil. The veil is symbolic of secret and sin the Father is trying to hide from the world. A secret so massive, it is not even to be removed by his Fiancee’, Elizabeth. While he, himself will not let his secrets be known until his earthly departure, it can be presumed that they carry the weight of infidelity. On his deathbed, Father Hooper described seeing a black veil on everyone he has met, perceiving that everyone has their own walls and

In the short story, "The Minister's Black Veil," Nathaniel Hawthorne presents a similar theme to that of The Scarlet Letter through the usage of the black veil that the Reverend Mr. Hooper drapes across his face to hide his secret transgressions from the world. The veil the clergyman wears is voluntary punishment, in contrast to the scarlet letter that Hester was forced to wear, though it's consequences are similar for Reverend Hooper, as he becomes an outcast of society as well. Though everyone knows Hester's sin, no one can even find the courage to ask Father Hooper why he wears his veil. When his wife, Elizabeth, finally does ask him, he gives her no clear answer and thus the veil's meaning is ambiguous and the townspeople all have their different theories for it including sin, sorrow, and weak eyes; though most fingers pointed towards a secret sin. The ambiguity of the black veil is similar to the ambiguity of the scarlet letter. At first the letter stood for the sin of adultery

    There is no end to the ambiguity in Nathaniel Hawthorne’s “The Minister’s Black Veil”; this essay hopes to explore this problem within the tale.

Nathaniel Hawthorne's "The Minister's Black Veil" embodies the hidden sins that we all hide and that in turn distance us from the ones we love most. Reverend Hooper dons a black veil throughout this story, and never takes it off. He has discerned in everyone a dark, hidden self of secret sin. In wearing the veil Hooper dramatizes the isolation that each person experiences when they are chained down by their own sinful deeds. He has realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature.

In The Minister’s Black Veil by Nathaniel Hawthorne, the author seeks to convey that although all individuals are sinners, members of society will condemn those who seek to confront their own faults. This conclusion was drawn from the many motifs which relate to Puritan society, particularly the superstitions and Christian ideologies of many New Englanders during the 18th century. In this tale, Mr. Hooper’s donning of the black veil is viewed as a change which alters his countenance indefinitely; from the moment it is introduced, those who view it are awestruck. The mere sight of Mr. Hooper even acts as a “signal for the bell to cease its summons”. As murmurs spread throughout the congregation, Mr. Hooper preaches of “secret sin, and those

During the period of American Gothic literature, authors, such as Nathaniel Hawthorne and Edgar Allan Poe, incorporated the sinister perspective of the human nature in their writings. Both Hawthorne’s symbolic short story, “The Minister’s Black Veil”, and Poe’s violent fiction, “The Tell-Tale Heart”, demonstrate separation and symbolism throughout the course of each story. In Hawthorne’s story, the protagonist, Minister Hooper, decides to wear a black veil over his face and vows to never remove it. This vow continues to the point of his death. Mr. Hooper’s decision to wear the black veil consequently separates him from society. Hawthorne uses the veil to symbolize the human psyche and efforts to hide sins. In Poe’s story, the narrator is the caretaker of an old man with a blind eye. He describes his internal discomfort when he sees the eye, and later devises a plan to murder the old man. His separation from humanity due to the uneasy feeling of the old man’s pale, blind eye are shown through his efforts to commit murder.

Mr. Hooper has an effect on people by wearing the veil and he uses it to express his original purpose. Everyone on Earth has sinned, “for the Earth, too, had on her Black Veil.” This shows that Mr. Hooper believed that sin is a part of nature and it is a natural thing to be sinners. Even Earth, His own creation, is hiding her secret under a black veil. Hawthorne says this to show Mr. Hooper’s point that people have an inborn sinful nature and it is not always represented by literally wearing a black veil. In other words, he says that even people who do not wear a black veil equally have secret sins, “If I hide my face for sorrow, there is a cause enough…and if I cover it for secret sin, what mortal might not do the same?” People hide their real self to prevent being criticized by society and because they are ashamed of what they have done. He pays a high price in the attempt of teaching society the nature of sins. The people who used to admire him are now afraid and confused so he is forced to live a lonely live. Following this further, he influences people to believe the moral lesson behind his decision of wearing the veil. He wants people to

Nathaniel Hawthorne utilizes the color of the veil, Mr Hooper’s speech to the townspeople, and the contrast of the bad veil in good events to once again showcase his views on the everlasting effect of guilt and sin. While it may be a harsh concept to comprehend, when one comes to terms with this, it leaves a feeling of ease. Once one knows that there is no time of the day where they can be freed of the feeling of guilt is when they can truly love themselves. Remember that sin is like a convenience store, it is open 24/7, and everyone has to take a trip there once in awhile, so there is no reason to be

In reality the veil represents the secrets everyone is hiding within themselves. The unifying theme is the conflict between the dark, hidden side of man and the standards imposed by his puritanical heritage. Hawthorne brings evil and unauthorized desire into the way of puritan life, and in so doing suggests a insightful truth that is disturbing in its implication, that is to say that we can never hope to know each other's true selves. The themes in the story are suggested by the veil-symbol, the tension between the minister and the community. Every person has something to hide from the world. The veil is symbolic for the cover up of peoples secrets. Although most people would not wear a veil, the minister is proving a point. By wearing a simple black veil Mr. Hooper is making all the villagers evaluate their everyday actions in life. The symbolic value of the black veil lies in the physical and mental dilemma that it creates between the minister and his environment, and the guilt it conveys. Many people believe that the face provides information about a person's primary characteristics, therefore, predicting a persons possible behavior. As a result, by

In Nathaniel Hawthorne's "The Minister's Black Veil," Mr. Hooper, a Reverend in the town of Milford, surprises his parishioners by donning a conspicuous black veil one Sunday. The town is visibly spooked, yet still curious, about his eerie appearance and profoundly affected by his sermon on secret sin. "A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought" (2432). The parishioner's expect that Hooper will only don the veil for one day and then remove it, having used the visage to make his point on secret sin, but they are taken aback to

Nathaniel Hawthorne is an American writer who was born back in 1804 in Salem that is in Massachusetts. The man is renowned for his masterful use of allegory and symbolic imagery in his short stories. Hawthorne’s literary style is imbued with the aesthetics of Romanticism, often tragic and gloomy, however, always touching and moral. The three chosen short stories by the author - “The Minister’s Black Veil,” “The Birthmark,” and “The Roger Malvin’s Burial” - focus on the the human nature and its extreme susceptibility to such inherent features as sin, guilt, and shame. “The Minister’s Black Veil” by Nathaniel Hawthorne is a masterful insight into the sinfulness of the human nature and, specifically, desire of the individuals to hide their secret sins from the past.

In Nathaniel Hawthorne’s, short story, “The Minister’s Black Veil” uses the the black veil as a symbol of secret sins. “Know, then, this veil is a type and a symbol, and I am bound to it ever, both in light and darkness....” This proves that the author uses symbolism to teach a lesson because, Mr. Hooper is aware of his own sins so he uses the black veil as a symbol to keep his sins hidden. Hawthorne also uses the veil as a representation of the instinctive sinful

Moreover, the symbol of secret sin also appears in “The Minister’s Black Veil.” When the people of the town first saw Mr. Hooper wearing the black veil, they were all wondering why he would wear such thing. To Mr. Hooper, the black veil means deceit and sins to those who can not separate themselves from their sins. One example is when he is wearing the black veil to the wedding, and everyone is kind of skeptic about why he is wearing it but in reality, he wore it to remind everyone of their sins. Because of this, people call him evil, and he soon became an outcast. The black veil can also represent his own sin that he committed in the past in which he can never forgive himself. Symbols for secret sin are once again used in Nathanial Hawthorne’s works.

Hawthorne’s writing style in the “Ministers Black Veil” reveals his view on humans nature through symbolism of the black veil. Reverend clark and other men encircle the minister and question why he must never take off the vail. Right before the ministers death he gets aburst of energy and proclaims, “When the friend shows his inmost heart to his friend…, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a black veil!”(Hawthorne 882). Everyone has secrets that they do not want to tell even their closest companions because they feel guilty and ashamed. The minister tells the clergyman that everyone wears a black veil over their face. Hawthorne writes this intending for the veil to be a symbol of man’s secret sin therefore showing that his outlook on humanity is that people are secretly sinful.

In his essay “Color, Light and Shadow in Hawthorne’s Fiction” Walter Blair approaches an interpretation of Hawthorne’s work through the author’s manipulation of color and light to produce symbolic meaning. Blair addresses “The Minister’s Black Veil” and notes the repeated emphasis on the blackness of Father Hooper’s veil and the pallor as a reaction to it. “The design of this tale,” he asserts, “is one in which repeated patterns of light, then blackness, then whiteness meaningfully occur” (Blair 76). Similarly, Hawthorne’s novel The Blithedale Romance employs chiaroscuro for its characters, symbols and the veil motif in particular. Blair does not go further in his discussion of whiteness and blackness in “The Minister’s Black Veil” in relation to The Blithedale Romance. An analysis of the use of color, particularly regarding the veil symbol, in both texts can provide additional insights into Hawthorne’s often noted ambiguity.